Theatre News & Reviews: 2015
British Theatre articles from 2015 — news, reviews, interviews, and guides from the London theatre scene.
Browse 799 articles published in 2015.
News
Casting Announced For Gate Theatre's In The Night Time Before The Sun Rises
Douglas Mayo
News & Reviews
News
CRITICS CHOICE: Tim Hochstrasser's Pick Of 2015
My best revival recommendation would go to Antic Disposition’s HENRY V played in the evocative setting of Temple Church. It is very hard to find something ne…
Tim Hochstrasser
News & Reviews
News
REVIEW: A Christmas Carol, Middle Temple Hall ✭✭✭✭
Once again this year, Antic Disposition have bought their formidable skills to staging this festive classic at Middle Temple Hall, a venue associated with Di…
Douglas Mayo
News & Reviews
News
REVIEW: The Lorax, Old Vic Theatre ✭✭✭✭
This family-friendly adaptation adapted for the stage by David Grieg and with songs by Charlie Fink is an enchanting evening in the theatre that had children…
Douglas Mayo
News & Reviews
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REVIEW: No Villain, Old Red Lion Theatre ✭✭✭✭✭
The play itself would get four stars from me, but the outstanding production values and overall experience of the evening enable me to add a final star at th…
Tim Hochstrasser
News & Reviews
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REVIEW: You For Me For You, Royal Court Theatre ✭✭✭✭
You For Me For You is a well crafted and significant piece that gives its audiences an opportunity to connect briefly with a situation that needs to be exper…
Christine Firkin
News & Reviews
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REVIEW: Chitty Chitty Bang Bang, West Yorkshire Playhouse ✭✭✭✭✭
Get out and get a seat when Chitty comes to a theatre near you. Take your kids or just go and revel in the enormous joy that resonates off the stage in waves…
Douglas Mayo
News & Reviews
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REVIEW: Clementine's Seasonal Spectacular, Rosemary Branch Theatre ✭✭✭✭✭
Clementine’s Seasonal Spectacular is certainly strange and unconventional. However, it also wonderfully original and made me laugh and smile more than any ot…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Nutcracker The Musical, Pleasance Theatre ✭✭✭
Nutcracker! The Musical is a valiant effort that never quite sets out what it wanted to achieve. It’s not funny enough to be a panto or gripping enough to be…
Danny Coleman-Cooke
News & Reviews
News
REVIEW: Musicals - The Definitive Illustrated Story ✭✭✭✭
A lot of effort has been put into compiling this glorious book, giving one of the most comprehensive overviews of musicals (both on stage and on film), that …
Douglas Mayo
News & Reviews
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REVIEW: Around The World in 80 Days, St James Theatre ✭✭✭✭
Around the World in 80 Days is one of the classic tales by Jules Verne, who in the 19th century wrote epic stories of adventure and futuristic scenarios that…
Christine Firkin
News & Reviews
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REVIEW: Through The Mill, London Theatre Workshop ✭✭✭✭
Ray Rackham’s play is infused with enormous passion for its subject, a woman who touched the lives of millions with her extraordinary singing and irrepressib…
Matthew Lunn
News & Reviews
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Jenna Russell Sings Another Winter In A Summer Town From Grey Gardens
Douglas Mayo
News & Reviews
News
REVIEW: Loserville, Union Theatre ✭✭✭
Loserville is a production full of E numbers; bright and sweet but likely to overload you. It’s a derivative script and score made as good as it can get by s…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Blues Brothers Xmas Special, Arts Theatre ✭✭✭✭
This is a Xmas Special that doesn’t hammer home the same old Christmas songs ad nauseam. Instead it gives Blues Brothers enthusiasts plenty of the music they…
Christine Firkin
News & Reviews
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REVIEW: Cinderella And The Beanstalk, Theatre 503 ✭✭✭✭✭
Pantomimes have the potential to be uniquely excruciating. Children are merciless critics, and decades of expectation weigh heavily on poor productions. Such…
Matthew Lunn
News & Reviews
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REVIEW: Beauty And The Beast, Polka Theatre ✭✭✭✭
Loyal Disney viewers may feel they’ve seen it all before, but this version of Beauty and the Beast is charming and well performed. It’s running until Februar…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Desperate Measures, Jermyn St Theatre ✭✭✭✭✭
Desperate Measures is exactly what fringe theatre should be - inventive, energetic and ambitious. It really is a must-see, especially if you want a non-panto…
Danny Coleman-Cooke
News & Reviews
News
REVIEW: Kings Of Broadway, Palace Theatre ✭✭✭
This was a delightful evening, bursting with talent at all points, and consistently enjoyable. It is good to be able to stand back sometimes and reflect on t…
Douglas Mayo
News & Reviews
News
REVIEW: SpinCycle, Theatre N16 ✭✭✭✭
Regardless of the format, theatre of telly, SpinCycle is a great piece of writing performed superbly by The Canting Crew. If only it were around for a longer…
Editorial Staff
News & Reviews
News
REVIEW: Faustaff, Cockpit Theatre ✭✭
Despite these stark issues, the Cockpit Theatre is a wonderful space and the lighting was well deployed to create some tense moments. Bizarrely, someone in t…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Living Between Lies, Kings Head Theatre ✭✭✭
The action interweaves the stories and mounting crises of four women whose lives are in different ways based on a series of lies. It is billed as a comedy dr…
Tim Hochstrasser
News & Reviews
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REVIEW: Echoes, Arcola Theatre ✭✭✭✭
Echoes is a success for many reasons but fundamentally it’s because there is such strength in the story telling. In fact there are 2 stories running concurre…
Christine Firkin
News & Reviews
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REVIEW: The Miniaturists, Arcola Theatre ✭✭
With the death of provincial repertory theatre, the connections between the theatre world of London and ‘the provinces’ have atrophied, and where The Miniatu…
Tim Hochstrasser
News & Reviews
News
REVIEW: Four Minutes Twelve Seconds, Trafalgar Studios 2 ✭✭✭✭
By the end of the play there is a horrifying awareness that a variation of this story is currently being enacted for real somewhere in the near vicinity: in …
Christine Firkin
News & Reviews
News
REVIEW: Julie Madly Deeply, The Crazy Coqs ✭✭✭✭✭
This is an immensely polished, professional and stylish evening which marks another example of how contemporary cabaret is still exploring and pushing at the…
Tim Hochstrasser
News & Reviews
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REVIEW: The Station Master, Tristan Bates Theatre ✭✭✭
Connor's score owes a considerable debt to Sondheim, but, that said, it treads in very interesting paths. Complex and intricate, the melodies and harmonies r…
Stephen Collins
News & Reviews
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REVIEW: The Killing Of Sister George, London Theatre Workshop ✭✭✭✭
The Killing of Sister George is a play that feels ripe for a revival; the cast and crew have certainly done it justice. It’s high quality theatre that will c…
Danny Coleman-Cooke
News & Reviews
News
REVIEW: By The End Of Us, Southwark Playhouse ✭✭✭✭
It’s not often that you see something that feels genuinely different, executed in a modern and innovative way. The End of Us makes for an unusual yet enterta…
Danny Coleman-Cooke
News & Reviews
News
REVIEW: A Touch Of Mrs Robinson, The Pheasantry ✭✭✭
I don’t know if A Touch of Mrs Robinson was trying to seduce me, but if it was, it didn’t quite work. Whilst being amusing in parts, it was musically rather …
Danny Coleman-Cooke
News & Reviews
News
REVIEW: Dry Land, Jermyn Street Theatre ✭✭✭✭
This was one of the most demanding nights I have had in the theatre as reviewer or audience member in a long while, and that was wholly justified by the chal…
Tim Hochstrasser
News & Reviews
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REVIEW: Waste, National Theatre ✭✭✭✭
Barker's play is extraordinary, especially given that it was written over a century ago and revised by him in the late 20’s, the original having been banned …
Stephen Collins
News & Reviews
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REVIEW: Vampire Hospital Waiting Room, Arts Theatre ✭✭✭
It is easy to see why Vampire Hospital Waiting Room was such a hit at the Fringe; it has a quirky cultish charm that makes it stand out from the crowd. It’s …
Danny Coleman-Cooke
News & Reviews
News
REVIEW: Annie, New Wimbledon Theatre (On Tour) ✭✭✭✭
Thanks to this energetic reimagining, Annie can finally escape the chorus of groans that once accompanied its name. It’s once again acceptable to hum Charles…
Emily Hardy
News & Reviews
News
REVIEW: All On Her Own - Harlequinade, Garrick Theatre ✭✭✭✭✭
The revival of Harlequinade, directed by Branagh and Ashford, now playing at the Garrick Theatre (in a 100 minute experience that includes All On Her Own and…
Stephen Collins
News & Reviews
News
REVIEW: The Winter's Tale, Garrick Theatre ✭✭✭✭✭✭
Dench's verse speaking is unrivalled. She picks each word and gives it full, accurate weight, landing the sense, purpose and exact emotion of every glitterin…
Stephen Collins
News & Reviews
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REVIEW: United We Stand, CLF Art Café ✭✭✭✭
United We Stand is a powerful refutation of this view and a reassertion of the continuing value of political theatre. Its channelling of moral passion, a pow…
Tim Hochstrasser
News & Reviews
News
REVIEW: Elf, Dominion Theatre ✭✭✭
Elf is set to be a Christmas hit with adults and children alike. Whilst it lacks the magic of a family classic like Matilda, Elf will put even the biggest Sc…
Danny Coleman-Cooke
News & Reviews
News
Jamie Lloyd to direct Uzo Aduba, Zawe Ashton and Laura Carmichael in The Maids
Douglas Mayo
News & Reviews
News
REVIEW: Xanadu, Southwark Playhouse ✭✭✭✭
Xanadu is a perfect show for an intimate venue like the Playhouse; a cultish and cheesy production that won over the audience through its energy and sense of…
Danny Coleman-Cooke
News & Reviews
News
REVIEW: The Father, Wyndhams Theatre ✭✭✭✭✭
In the early stages of the play, this approach is both confronting and disarming. I found myself consulting the programme to check who was who before catchin…
Stephen Collins
News & Reviews
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REVIEW: The Phantom Raspberry Blower, St James Theatre ✭✭✭
The Phantom Raspberry Blower will make you laugh and groan in equal measure. Whilst objectively the premise isn’t strong enough to sustain a two-hour product…
Danny Coleman-Cooke
News & Reviews
News
REVIEW: RoosevElvis, Royal Court ✭✭✭✭
Despite its visual confusion at the outset, this is an extremely watchable piece of theatre. It is a must see this Autumn.
Editorial Staff
News & Reviews
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REVIEW: Piaf, Bridewell Theatre ✭✭✭✭
Given its inherent flaws, the play cannot hope to succeed without a powerhouse performance from its star and here Laasko has struck gold. Leigh is outstandin…
Stephen Collins
News & Reviews
News
REVIEW: Cats, London Palladium ✭✭✭
The audience on press night - with as many face-painted adults as children – loved it all. If you are looking for a reliable night out at the theatre with th…
Tim Hochstrasser
News & Reviews
News
CRITICS CHOICE: The Top 10 New Musicals in London - November 2015
Stephen Collins
News & Reviews
News
REVIEW: The Moderate Soprano, Hampstead Theatre ✭✭
What pleasure the play offers comes in the characters Hare has carved from fragments of history. Roger Allam, almost unrecognisable as John Christie, does a …
Stephen Collins
News & Reviews
News
CRITICS CHOICE: Top 10 Long Running Shows in London - November 2015
Stephen Collins
News & Reviews
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REVIEW: The Hairy Ape, Old Vic Theatre ✭✭✭✭✭
O’Neill’s play has lost none of its power or resonance. It still feels as shocking and new today as no doubt it did in 1922. Jones’ revelatory and evocative …
Stephen Collins
News & Reviews
News
REVIEW : Thérèse Raquin, Studio 54 ✭✭✭✭
Cabnet's clear and perceptive direction is sound for the most part, and there is an emphasis on visual aspects of the production which make it something spec…
Stephen Collins
News & Reviews
News
REVIEW: Sylvia, Cort Theatre ✭✭
There are many ways to read the play, but the most obvious is probably correct. Sylvia is a metaphor for a trophy girlfriend; she is someone Greg can use to …
Stephen Collins
News & Reviews
News
REVIEW: Romeo And Juliet, Brockley Jack Theatre ✭✭✭✭
Despite some rough edges this was a continually thoughtful and engaging production that is targeted very deftly at those coming to the play for the first tim…
Tim Hochstrasser
News & Reviews
News
REVIEW: The Seagull, Chichester Festival Theatre ✭✭✭✭
Hare's adaptation, the best of the three in the Season, is crisp, charming and comical, thereby magnifying the effect of the more tragic aspects. It's a mark…
Stephen Collins
News & Reviews
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REVIEW: Encounter, Above The Stag ✭✭✭✭✭
Evocations of famous films can tip over into parody or unintended comedy very easily but thanks to the skill of the writing and the carefully graded, fully i…
Tim Hochstrasser
News & Reviews
News
REVIEW: Razzle Dazzle, Michael Riedel ✭✭✭✭✭
Michael Riedel is to be congratulated on this great history of Broadway. It’s a riveting read for any fan of musical theatre on the Great White Way. It bring…
Douglas Mayo
News & Reviews
News
REVIEW: Hey Old Friends, Theatre Royal Drury Lane ✭✭✭✭
There was a charming mix of reverence and irreverence as well, making the audience feel specially entertained and complicit with the in-jokes. The warm up pr…
Stephen Collins
News & Reviews
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REVIEW: Platonov, Chichester Festival Theatre ✭✭✭✭✭
Another sumptuous production of a superb Hare adaptation of an unwieldy and slightly schizophrenic early Chekhov work, made just that much more glorious by a…
Stephen Collins
News & Reviews
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REVIEW: Titus Andronicus, New Wimbledon Theatre ✭✭✭✭
Titus Andronicus is not one of Shakespeare’s finest plays, but Arrow and Traps’ Theatre Company do a splendid job with their adrenaline fuelled, and often ni…
Matthew Lunn
News & Reviews
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REVIEW: Clarion, Arcola Theatre ✭✭
Mark Jagasia not only fails to carry that stick, but it’s too heavy for him to pick up in the first place. “Clarion,” now playing at the Arcola, is the broad…
Editorial Staff
News & Reviews
News
REVIEW: Ivanov, Chichester Festival Theatre ✭✭✭✭✭
Honesty, as David Hare points out, is the dominating theme of Ivanov. It is also the dominating principle adopted by Jonathan Kent as the guiding light for h…
Stephen Collins
News & Reviews
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REVIEW: Kathy Kirby Icon, White Bear Theatre ✭✭
Biopics are not easy to get right, however despite two sterling efforts at The White Bear, neither of them really hit the mark. Whilst it will no doubt be of…
Danny Coleman-Cooke
News & Reviews
News
REVIEW: The Humans, Roundabout at Laura Pels Theatre ✭✭✭
There are two ways in which Karam's work steps up to the mark: the dialogue is believable and genuine, splendidly touching in places; the narrative is uncomp…
Stephen Collins
News & Reviews
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REVIEW: The Tempest, Eel Brook Theatre ✭✭✭✭
Director Brandon Force and movement director Liam Steward-George deserve great credit for creating such a dynamic and detailed production with continual visu…
Tim Hochstrasser
News & Reviews
News
REVIEW: Dames At Sea, Helen Hayes Theatre ✭✭✭✭
Dames at Sea, the work of George Haimsohn and Robin Miller (Book and Lyrics) and Jim Wise (Score), is well known as the off-Broadway hit from 1968 which laun…
Stephen Collins
News & Reviews
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REVIEW: The Black Book, Sargent Theatre ✭✭✭✭
This is a dynamic, challenging and gripping piece of dramatic theatre. It's confronting in a number of ways, especially if you have known someone who took th…
Stephen Collins
News & Reviews
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REVIEW: The Full Monty, Churchill Theatre (On Tour) ✭✭✭✭
The Full Monty is a masterclass of British writing and its energy and sensitivity transfers smoothly to the stage. It’s raucous and crude but also a lot of f…
Danny Coleman-Cooke
News & Reviews
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REVIEW: First Daughter Suite, Anspacher Theatre, The Public ✭✭✭✭✭
It would be unsurprising if First Daughter Suite constituted a significant hat-trick for the Public, following, as it does, in the footsteps of Fun Home (whi…
Stephen Collins
News & Reviews
News
REVIEW: The Wars Of The Roses: Richard III, Rose Theatre ✭✭✭
Maybe we were all weary at the end of a full day of theatre; maybe, and with ample justification, the cast were flagging after appearances in different roles…
Tim Hochstrasser
News & Reviews
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REVIEW: Sunny Afternoon, Harold Pinter Theatre ✭✭✭✭
The Kinks frontman Ray Davies joined many famous faces at the Harold Pinter Theatre to celebrate the first birthday of his co-creation. Based on this showing…
Danny Coleman-Cooke
News & Reviews
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REVIEW: The Wars Of The Roses: Edward IV, Rose Theatre ✭✭✭✭
Suffice to say that Barton and Hall attempt to clarify the bewildering blizzard of switched allegiances, broken promises and inconclusive battles that form t…
Tim Hochstrasser
News & Reviews
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REVIEW: Plaques and Tangles, Jerwood Theatre Upstairs ✭✭✭
As Young Megan, whom we first meet when she is recovering from the one-night-stand night before, is brought to complex, life-embracing realisation in a start…
Stephen Collins
News & Reviews
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REVIEW: Looking For Lansbury, St James Theatre ✭✭✭✭
Looking for Lansbury is a fitting tribute to one of the finest British actors of her generation. The show offers education and entertainment for everyone; wh…
Danny Coleman-Cooke
News & Reviews
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REVIEW: The Gin Game, Golden Theatre ✭✭✭
Both actors here are doing something quite different from a drawing room comedy. They are trying to make a point and, bravely, one that extends beyond the Ca…
Stephen Collins
News & Reviews
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REVIEW: She Called Me Mother, Stratford Circus Arts Theatre ✭✭✭✭
There is a great deal to admire about She Called Me Mother, a play which gives a voice to the homeless and victims of abuse. Funny, poignant, and often distr…
Matthew Lunn
News & Reviews
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REVIEW: Ripcord, New York City Centre Stage 1 ✭✭✭
Holland Taylor is in exceptional form as the coiled, steely Abby. She manages to humanise a thoroughly inhuman creature, making her likeable despite Abby's m…
Stephen Collins
News & Reviews
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REVIEW: Master Of The Macabre, The Vaults Waterloo ✭✭
Master of the Macabre, now showing at The Vaults Theatre until 1 November, is a curious and entertaining evening. There are some fun thrills and tricks along…
Editorial Staff
News & Reviews
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REVIEW: What Am I Doing?, Union Theatre ✭✭✭✭
Whilst I don’t think What Am I Doing?: Tales From a Worrying Actor quite fulfilled its promise of exploring the essence of worrying, Gregory Hazel’s easy cha…
Matthew Lunn
News & Reviews
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REVIEW: The Bandstand, Papermill Playhouse ✭✭✭✭✭
Director Andy Blankenbuehler has achieved something remarkable and electrifying here. Together with David Korins (Scenic design), Jeff Croiter (Lighting desi…
Stephen Collins
News & Reviews
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REVIEW: In The Heights, King's Cross Theatre ✭✭✭✭✭
In sum this is a show that deserves all the plaudits that have come its way and should receive a long run both at the King’s Cross Theatre and in even larger…
Tim Hochstrasser
News & Reviews
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Full Cast Announced For Funny Girl at Menier
Full casting has been announced for the sell-out season of Funny Girl being produced at the Menier Chocolate Factory.
Douglas Mayo
News & Reviews
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REVIEW: The Wars Of The Roses- Henry VI, Rose Theatre ✭✭✭✭✭
Henry VI stands out as the play in this triptych that most benefits from Barton’s editing and clarifications. Characters and scenes are cut away in profusion…
Tim Hochstrasser
News & Reviews
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REVIEW: Coming Up, Watford Palace Theatre ✭✭✭
Coming Up is a play that tries to do many different things and scores more hits than misses. With some judicious editing, it could serve as one of the more i…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Close To You, Criterion Theatre ✭✭✭✭✭
Trying to highlight individual performances or individual songs is pointless, this is a show to be savoured as whole, not just once but many times.
Douglas Mayo
News & Reviews
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REVIEW: Club Gelbe Stern, Laurie Beechman Theatre ✭✭✭✭✭
Now playing at the Laurie Beecham Theatre is a remarkable piece of musical theatre, Club Gelbe Stern, written by Alexis Fishman and James Miller, and directe…
Stephen Collins
News & Reviews
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REVIEW: Metamorphoses, Earl Haig Hall ✭✭✭✭✭
Metamorphoses plays through the rest of October, every Thursday to Sunday, and though Earl Haig Hall is in deepest darkest Crouch End, do not let the journey…
Editorial Staff
News & Reviews
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REVIEW: Volpone, Brockley Jack ✭✭✭
Everyone involved in this production acted with commitment and a good sense of pace and projection within this intimate space, but the success of the whole r…
Tim Hochstrasser
News & Reviews
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Let It Be UK Tour
The Let It Be UK Tour returns in 2018 bringing Beatlemania back to a theatre near you. Celebrate the music of The Beatles with a new updated version of the a…
Douglas Mayo
News & Reviews
News
REVIEW: The Merchant Of Venice, Ambassadors Theatre ✭✭✭
While the emotional wattage did not burn as brightly as it might, and while we were never really made to feel fully uncomfortable with either issues or text …
Tim Hochstrasser
News & Reviews
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REVIEW: Amazing Grace, Nederlander Theatre ✭✭
While the tunes and harmonies for the new material might not be memorable, the orchestrations and playing is first rate. Kenny Seymour and Joseph Church, tog…
Stephen Collins
News & Reviews
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REVIEW: Romance Romance, Landor Theatre ✭✭✭✭
This is an intriguing and valuable revival with some very solid performances at its heart. I am not fully persuaded that this double-bill has earned a lastin…
Tim Hochstrasser
News & Reviews
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REVIEW: Old Times, American Airlines Theatre ✭✭✭✭
Where Hodge does elect for difference is in the manner of playing. No low-key, slow boil quiet broiling here. No, the parts are played with vigour, brasher t…
Stephen Collins
News & Reviews
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REVIEW: Spring Awakening, Brooks Atkinson Theatre ✭✭✭✭✭
Quite simply, it is one of the most perfectly conceived, cast and executed productions of a musical on any stage anywhere in the world. It's shocking, brutal…
Stephen Collins
News & Reviews
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REVIEW: Roaring Trade, Park Theatre ✭✭✭
So for all the efforts of the actors to make their characters more rounded and sympathetic this play tells us more about the anger in the air after the event…
Tim Hochstrasser
News & Reviews
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REVIEW: Thriller Live, Lyric Theatre ✭✭✭✭
The choreography is by far the strongest aspect of Thriller; it is inventive, exhilarating and almost exhausting to watch. It incorporates the traditional Ja…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Fool For Love, Samuel J Friedman Theatre ✭✭✭✭✭
Central to the power of the the production is the exquisite casting of the two doomed lovers, Eddie and May. Nina Arianda, a fan of this play since her very …
Stephen Collins
News & Reviews
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The Lion King - Minskoff Theatre Broadway
Broadway sensation, The Lion King is an epic tale beloved by young and old. It is now Broadways 4th Longest running show with over 80 million people having s…
Douglas Mayo
News & Reviews
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Chicago - Ambassadors Theatre
Kander and Ebb's Chicago is the longest-running American musical in Broadway history now playing at the Ambassador Theatre.
Douglas Mayo
News & Reviews
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The Book Of Mormon - Eugene O'Neill Theatre Broadway
The Book Of Mormon Broadway remains a hot ticket eight years after the show first opened at the Eugene O'Neill Theatre.
Douglas Mayo
News & Reviews
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REVIEW: 46 Beacon, Hope Theatre ✭✭✭✭
It is clear from the start that this play – which runs straight through for eighty minutes – is potentially a drama about coming-out and sexual initiation, a…
Tim Hochstrasser
News & Reviews
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Beautiful - The Stephen Sondheim Theatre
Beautiful now playing at the Stephen Sondheim Theatre is the story of legendary singer/songwriter Carole King, a girl from Brooklyn with a dream.
Douglas Mayo
News & Reviews
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Aladdin - New Amsterdam Theatre
Disney's Aladdin noiw playing at the New Amsterdam Theatre is one of Broadway's most successful productions
Douglas Mayo
News & Reviews
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REVIEW: The Great Gatsby, Greenwich Theatre ✭✭✭
This reimagining of The Great Gatsby has to be commended for trying something very new and different. However, the musical innovations generally distracted f…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Pure Imagination: A Sorta-Biography by Leslie Bricusse ✭✭✭✭✭
The book is laid out like a sorta-score. There is an Overture, large chapters which form 'the key changes of (Bricusse's) life' - from A Minor to G Undiminis…
Stephen Collins
News & Reviews
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REVIEW: Crushed Shells and Mud, Southwark Playhouse ✭✭✭
Crushed Shells and Mud starts well and features some wonderful performances. However, somewhere in the second half it unfortunately gets well and truly stuck.
Danny Coleman-Cooke
News & Reviews
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Thriller Live UK Tour
The Thriller Live UK Tour continues whilst the Thriller West End production continues to shatter records. Book Now!
Douglas Mayo
News & Reviews
News
REVIEW: Nell Gwynn, Globe Theatre ✭✭✭
While there are more serious moments to be found in this play, especially focused on the opportunities for women in the new theatre of the 1660s, there is no…
Tim Hochstrasser
News & Reviews
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REVIEW: Horniman's Choice, Finborough Theatre ✭✭✭✭
All in all this is a revival very much deserving of support. You reward will be some genuinely fine ensemble acting and some neglected writing that you can e…
Tim Hochstrasser
News & Reviews
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REVIEW: West End Heroes, Dominion Theatre ✭✭✭✭
West End Heroes wisely avoided making the concert a remembrance festival; instead it was a celebration of the brilliant talent within both the military and t…
Danny Coleman-Cooke
News & Reviews
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REVIEW: The Absolute Brightness of Leonard Pelkey, Westside Theatre ✭✭✭✭
Lecesne has a winning charm and a cast-iron technique, so his spinning wheel presentation of a myriad of small town character types is absolutely engaging an…
Stephen Collins
News & Reviews
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REVIEW: Eventide, Arcola Theatre Studio 2 ✭✭✭
This is a genial, quietly satisfying set of reflections on how hard rural life can be and how mostly distant it has always been from any kind of Arcadian idy…
Tim Hochstrasser
News & Reviews
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REVIEW: Stitching, White Bear Theatre ✭✭✭
Stitching is an interesting and challenging play, undermined by a late twist, but still engaging. There are a number of moments which will take some people a…
Matthew Lunn
News & Reviews
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REVIEW: Nobody's Business, Kings Head Theatre ✭✭✭
Part Felicity Kendall, part Carol Channing, with just a soupçon of Jo Grant (The Doctor Who companion she first played about forty five years ago) and legs t…
Stephen Collins
News & Reviews
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REVIEW: Valhalla, Theatre 503 ✭✭✭✭
Valhalla is an intense and gripping production, which showed its class in very difficult circumstances. Whilst the ending could do with some work, it is clev…
Danny Coleman-Cooke
News & Reviews
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REVIEW: 5 Guys Chillin', King's Head Theatre ✭✭✭✭
It both shines a light on a corner of society which is misunderstood and unfairly vilified and, examines the rules, conventions, habits and language of a par…
Stephen Collins
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REVIEW: The Sweethearts, Finborough Theatre ✭✭✭✭
The Sweethearts is a truly fascinating play, and I am certain that Sarah Page has a very bright future as a playwright. The theme of heroism is particularly …
Matthew Lunn
News & Reviews
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CRITICS CHOICE: Top 10 Long Running Shows in London - October 2015
Stephen Collins
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REVIEW: Showstopper! The Improvised Musical, Apollo Theatre ✭✭✭✭✭
If you attend the theatre regularly, you will undoubtedly have encountered that rare, awful, but entirely exquisite, moment when an actor dries, a prop fails…
Stephen Collins
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REVIEW: Pure Imagination, St James Theatre ✭✭✭
Bricusse's output is so prodigious and so tuneful that only the tone deaf would not find lots of numbers here satisfying and delicious. Many will find somet…
Stephen Collins
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REVIEW: Martyr, Unicorn Theatre ✭✭✭
This is an unsettling rather than disturbing night at the theatre that raises more questions than it can readily answer, and part of trouble lies in the way …
Tim Hochstrasser
News & Reviews
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REVIEW: Jane Eyre, National Theatre ✭✭✭✭
This is a fully compelling night at the theatre. You do not feel the time dragging and can only be impressed at the way the cast finds new meanings in materi…
Tim Hochstrasser
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REVIEW: Pomona, National Theatre ✭✭
I willing to concede that I have may have missed a great deal, and certainly the mainly youngish audience loved it on press night; but to me this was ultimat…
Tim Hochstrasser
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REVIEW: The Book Of Mormon, Prince Of Wales Theatre ✭✭✭✭✭
The Book of Mormon begins long before you step into the theatre. London is adorned with its posters, our offices echo with remembered jokes and songs. As you…
Matthew Lunn
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REVIEW: Bette Midler And Me, Upstairs At The Gatehouse ✭✭✭
This is certainly a must-see show for Midler fans and thanks to an energetic cast and some sparkling tunes there’s plenty to keep everyone else entertained a…
Danny Coleman-Cooke
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REVIEW: The Cocktail Party, Print Room At The Coronet ✭✭✭✭
There are many more layers both to this play and to this production that deserve further comment, but which lie beyond the reach of a relatively brief review…
Tim Hochstrasser
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REVIEW: Dinner With Saddam, Menier Chocolate Factory ✭
When the climax to Act One involves a slapstick shovel-on-head knockout blow, a suit splitting across the central character's back, and Steven Berkoff finall…
Stephen Collins
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REVIEW: The White Feather, The Union Theatre ✭✭✭✭✭
The White Feather is everything musical theatre should be – it will make you think deeply about bravery, war and the nature of humanity all the way home. If …
Danny Coleman-Cooke
News & Reviews
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REVIEW: Mr Foote's Other Leg, Hampstead Theatre ✭✭✭✭
The Hampstead season has all but sold out, if not actually sold out. Make every effort to grab a return. The production really ought to transfer to the West …
Stephen Collins
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REVIEW: Kinky Boots, Adelphi Theatre ✭✭✭✭
Lennox is sensational as Lauren, the whacky factory girl who flirts with and eventually wins the heart of the Boss. It is a comic tour-de-force from Lennox w…
Stephen Collins
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REVIEW: The Ward Of The Manor, St James Theatre ✭✭✭✭
There is a long tradition of performance of classic Russian-language theatre in Ukraine that dates back to Stanislavski, and one of the great rewards of this…
Tim Hochstrasser
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REVIEW: Casa Valentina, Southwark Playhouse ✭✭✭✭✭
As directed by Luke Sheppard, Casa Valentino is a play about a marriage. Everything turns on the central relationship between George (Edward Wolstenholme) an…
Stephen Collins
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TICKET ALERT: More tickets for Judi Dench in The Winter's Tale On Sale Now
Douglas Mayo
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REVIEW: Someone Who'll Watch Over Me, Minerva Theatre Chichester ✭✭✭✭
There are many extraordinary moments from Keenan. Highlights include his improvisation of horse-racing victories; the powerful sequence which opens the secon…
Stephen Collins
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REVIEW: F*ck The Polar Bears, Bush Theatre ✭✭
It feels like a farce as it plays out. Yet, it is described as "a raucous family drama about the cost of living the life of our dreams". Bizarre and incompre…
Stephen Collins
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REVIEW: And Then Come The Nightjars, Theatre 503 ✭✭✭✭
We encounter rural Britain more frequently through soaps – Emmerdale and The Archers – than on the stage. This is a missed opportunity for writers and for th…
Tim Hochstrasser
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REVIEW: Ushers, Arts Theatre ✭✭✭✭
This inventiveness, as well as some first-class performances, helped make Ushers a very enjoyable night. However, its frequent theatrical references and in-j…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Side By Side By Sondheim, Brockley Jack Theatre ✭✭✭
Side by Side by Sondheim benefits from some superb material and a rock solid cast. It’s a warm and friendly production, perfect for a gloomy September night.
Danny Coleman-Cooke
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REVIEW: Photograph 51, Noel Coward Theatre ✭✭
It is important to be clear about Kidman's failures because the character she plays, Rosalind Franklin, at least in the version of history which Ziegler endo…
Stephen Collins
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REVIEW: The Man Who Had All The Luck, Kings Head Theatre ✭✭✭✭✭
Arthur Miller was born a hundred years ago. A centenary is about discovering work afresh if it is about anything and the King’s Head deserve great credit for…
Tim Hochstrasser
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REVIEW: The Sum Of Us, Above The Stag Theatre ✭✭✭✭
One part of the mission of Above the Stag is to remind us of notable plays on gay themes that have not always received the attention they deserved, or whose …
Tim Hochstrasser
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REVIEW: See What I Wanna See, Jermyn Street Theatre ✭✭✭
Marc Elliott is the one cast member who seems to understand this and he completely subsumed himself in his dual roles of Thief and Reporter. Sinewy, handsome…
Stephen Collins
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REVIEW: Future Conditional, Old Vic ✭✭✭✭
There is a joy to this piece that is impossible to truly describe in words—it has the boisterous nature of Spring Awakening (the musical) but without sung th…
Editorial Staff
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Casting Announced for Crushed Shells and Mud at Southwark Playhouse.
Douglas Mayo
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REVIEW: Song From Far Away, Young Vic ✭✭
Stephens shares writing credits for Song From Far Away with Mark Eitzel who provides the lyrics and music for a haunting, quite beautiful song, pieces of whi…
Stephen Collins
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REVIEW: Dusty The Musical, Charing Cross Theatre ✭
Whilst there are a few moments of quality, Dusty’s hackneyed script and awkward staging means not even the son of a preacher man could save it. The show is n…
Danny Coleman-Cooke
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REVIEW: Hatched 'N' Dispatched, Park 90 ✭✭✭✭
This play can be seen as a saucy romp or as something rather more unexpectedly melancholy than that; but either way it is a thoroughly absorbing evening, an…
Tim Hochstrasser
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REVIEW: Absent, Shoreditch Town Hall ✭✭✭
Absent is a bit like a night in a Travelodge – it does the job and gives you an interesting night but you leave feeling like you could have had something a b…
Danny Coleman-Cooke
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REVIEW: The Jewish Legends, Gatehouse Upstairs ✭✭✭
In the bout of the two Jewish musicals revues, I’d have to give it to Never Succeed on points, due to its more inventive staging and varied songlist. The Jew…
Danny Coleman-Cooke
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REVIEW: Flare Path, Richmond Theatre (UK Tour) ✭✭✭
Flare Path centres on the fears and frustrations that derive from an interminable war, seen through the eyes of three married couples. Although its central l…
Matthew Lunn
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REVIEW: McQueen, Theatre Royal Haymarket ✭✭✭✭
The play triumphantly uncovers and re-asserts McQueen’s credo that design is at its best an act of love of the person – a summing up of who that man or woman…
Tim Hochstrasser
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REVIEW: The Medium and The Wanton Sublime, Arcola Theatre ✭✭✭✭
And so to the culmination of the contemporary opera section of the Grimeborn Festival, a double-bill in the form of Peter Maxwell Davies’ The Medium and The …
Tim Hochstrasser
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REVIEW: Our House, Union Theatre ✭✭✭
While this is a deserved revival of an intriguing show, the core material remains in some respects unsatisfactory, and the scale of the show is not a great f…
Tim Hochstrasser
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REVIEW: Henry V, Temple Church ✭✭✭✭
It is very rare that a company integrates a new concept so thoroughly into a Shakespeare play – too often it is merely gestural – but here the level of atten…
Tim Hochstrasser
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Theater Talk Interview - Kinky Boots - Harvey Fierstein and Cyndi Lauper
Douglas Mayo
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REVIEW: Raz, Assembly George Square Studios ✭✭✭✭
Social commentary aside, RAZ takes us on an entertaining rollercoaster of a ride through the joys, frustrations and heartache of the kind of night-out that h…
Mark Ludmon
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REVIEW: Hendrick's Emporium of Sensorial Submersion, Edinburgh ✭✭✭
Hendrick’s Gin is a familiar name on the Edinburgh Festival Fringe, but this year it returned with a theatrical experience called the Emporium of Sensorial S…
Mark Ludmon
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REVIEW: Love Birds, Pleasance Courtyard ✭✭✭✭
Love Birds is a real hoot but, at 60 minutes, it is clearly a work in progress, squeezing in well over a dozen different songs while giving us just the skele…
Mark Ludmon
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REVIEW: Swallow, Traverse Theatre ✭✭✭✭
This powerful production, sharply directed by Orla O'Loughlin, is a highlight of this year’s Edinburgh Festival Fringe and another demonstration of Smith’s s…
Mark Ludmon
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REVIEW: Tomorrow, Traverse Theatre ✭✭✭✭
It is a powerful show that leaves you with unforgettable images and an uncompromising vision of old age and dementia.
Mark Ludmon
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REVIEW: Marriage, Assembly George Square Studios ✭✭✭
Solidly directed by Russell Bolam, the production has less of the anarchy and exuberance of some of Comedians Theatre Company’s previous shows but it offers …
Mark Ludmon
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REVIEW: A Midsummer Night's Dream In New Orleans, Above The Arts ✭✭✭
If this performance did not clear all of the hurdles set by Shakespeare and the play’s daunting production history, it cannot be faulted on ambition and dari…
Tim Hochstrasser
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REVIEW: Priscilla Queen Of The Desert, Manchester Opera House ✭✭✭✭
Take two drag queens, a transvestite, a big bus and enough sequins and glitter to sink the titanic, put them together with a talented cast and a plethora of …
Douglas Mayo
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REVIEW: You Won't Succeed On Broadway If You Don't Have Any Jews, St James Theatre ✭✭✭✭
This revue is great fun and well-produced, combining superb music and performances with an insightful journey through the history of Jewish musical theatre. …
Danny Coleman-Cooke
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REVIEW: Thoroughly Modern Millie, Landor Theatre ✭✭✭
The dancing is really the one area here where there is a consistent, utterly stylish, utterly camp, utterly "too much" approach. The cast are all accomplishe…
Stephen Collins
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REVIEW: Our Country's Good, National Theatre ✭✭✭
Nadia Fall has misunderstood the play and, by seeking to make her mark on it, has come dangerously close to obliterating its impact. Bad casting and bad dire…
Stephen Collins
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REVIEW: Daphne, Arcola Theatre ✭✭
Not everything in Grimeborn can work and while the commitment of all concerned deserves recognition, this adaptation cannot be considered wholly successful. …
Tim Hochstrasser
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REVIEW: Falstaff, Arcola Theatre ✭✭✭✭✭
After Monty Python and Blackadder it is not really possible to present this type of opera in full cross-gartered fustian without an ironic angle; so much bet…
Tim Hochstrasser
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REVIEW: Mrs Henderson Presents, Theatre Royal Bath ✭✭✭✭✭
There is no doubt that Mrs Henderson Presents should transfer to the West End. The material is first-rate and superior to many new musicals that have played …
Stephen Collins
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REVIEW: Willemijn Verkaik in Concert, Ambassadors Theatre ✭✭✭✭
It was a brilliant and energetic concert that clearly showed that Verkaik is having the time of her life and shows no signs of slowing down anytime soon.
Emma Clarendon
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REVIEW: Hamlet, Barbican Theatre ✭✭
The play's the thing - wherein to catch the conscience of a King. And the hearts of an audience. Turner needs to pay more attention to the play and the actor…
Stephen Collins
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REVIEW: Day Of the Dog, Etcetera Theatre ✭✭✭✭
There is an open-minded integrity about these conversations and characterisations that is highly impressive and which deserves a wider audience in a larger (…
Tim Hochstrasser
News & Reviews
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REVIEW: The Clown Of Clowns, Arcola Theatre ✭✭✭✭✭
The evening as a whole provided a superbly invigorating beginning to the Grimeborn Festival at the Arcola. We were given new insights into an old work that m…
Tim Hochstrasser
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REVIEW: For Services Rendered, Minerva Theatre ✭✭✭✭✭
I doubt anyone could hope for a finer, more delicate production of this great play. It is genuinely funny in parts, full of melodramatic touches which are no…
Stephen Collins
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REVIEW: Bruises, The Tabard Theatre ✭✭✭
Bruises is an ambitious piece, seeking to cast a non-judgmental eye on the highly divisive topic of sex work. There is so much to admire in this play, which …
Matthew Lunn
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REVIEW: La Boheme, Arcola Theatre ✭✭✭✭
So in sum, the production did achieve exactly what Grimeborn sets out to do each year. It knocked old layers of varnish off an old favourite and found a new …
Tim Hochstrasser
News & Reviews
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REVIEW: Bye Bye Birdie, Ye Old Rose and Crown Theatre ✭✭✭✭
In the wrong hands this show could be become exactly what it is trying to send up; a clap-along, preppy, saccharine affair. However the blistering choreograp…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Dear Lupin, Apollo Theatre ✭✭✭✭
Inevitably there are many priceless anecdotes that had to be left out of this play, and its dramatic transformation is not perfect. But it captures the spiri…
Tim Hochstrasser
News & Reviews
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REVIEW: A Naughty Night With Noel Coward, Old Red Lion ✭✭✭
In sum, this is a thoroughly absorbing evening in the theatre with high professional values across the board, but where the real rewards and revelation come …
Tim Hochstrasser
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REVIEW: Marsha - A Girl Who Does Bad Things, Arcola Theatre ✭✭✭
So while this is a challenging night in the theatre in the best sense, it remains incomplete and unfinished and invites further revision and reflection on th…
Tim Hochstrasser
News & Reviews
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REVIEW: Garine, Arcola Theatre ✭✭✭✭
The evening was notable for reviving a work of genuine tuneful elegance and comic potential. The commitment and skill of the production overall makes you wan…
Tim Hochstrasser
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REVIEW: F*cking Men, King's Head ✭✭✭✭
DiPietro’s character studies vere dangerously close to stereotypes at times but ultimately the truth of the characters and their circumstances win out. There…
Douglas Mayo
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REVIEW: The Backward Fall, Hen And Chickens Theatre ✭✭✭
The Backward Fall is a thoughtful and touching play. It handles the effects of early-onset Alzheimer’s with great sensitivity, and I feel enriched for having…
Matthew Lunn
News & Reviews
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REVIEW: The Wind In The Willows, Waterloo East Theatre ✭✭✭
Overall, The Wind in the Willows is an enjoyable evening, with some inventive moments and excellent performances from a talented young cast. Forget Wolf Hall…
Danny Coleman-Cooke
News & Reviews
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REVIEW: My Children! My Africa, Trafalgar Studios 2 ✭✭✭✭
It is difficult to remember a recent production of a drama where the design elements played so profoundly important a role in the understanding of the produc…
Stephen Collins
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REVIEW: Tiddler and Other Terrific Tales, Leicester Square Theatre ✭✭✭
Whilst I am clearly not the target audience for this production, the kids around me loved it and it is easy to see how it would be a great day out for any fa…
Danny Coleman-Cooke
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REVIEW: Briefs, London Wonderground ✭✭✭✭✭
This gender, race and sexual politics canvas stretches across the entire platform of the performances, from the sharp opening patter of Fez Fa'anana which ha…
Stephen Collins
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REVIEW: Hetty Feather, Duke Of York Theatre ✭✭✭✭✭
Hetty Feather is a triumph - although it’s ostensibly for children, it’s a touching and absorbing tale for all ages. It combines multiple artistic elements t…
Danny Coleman-Cooke
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REVIEW: Tommy, Greenwich Theatre ✭✭✭✭✭
Regardless of how it is characterised, Michael Strassen's production of Tommy is a genuine triumph, practically perfect in every way. From the first note, it…
Stephen Collins
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REVIEW: The Adventures Of Pinocchio, Greenwich Theatre ✭✭✭✭✭
Christian James is a wonderful Pinocchio. He completely captures the sense of the character's otherness and separation (being living wood) as well as a newco…
Stephen Collins
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REVIEW: Grand Hotel, Southwark Playhouse ✭✭✭
Proud’s choreography is redolent with an acute understanding of all this and everything he does aims to help involvement in and understanding of the work’s i…
Stephen Collins
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REVIEW: L'Amore Dei Tre Re, Opera Holland Park ✭✭✭✭✭
Montemezzi may have been something of a one-work composer, but this performance made the best case possible for his masterpiece, and we can only hope that th…
Tim Hochstrasser
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REVIEW: The Heresy Of Love, Shakespeare's Globe ✭✭✭
The Globe is not really a space for claustrophobic intense drama and this production really brings that home. This production would look and feel very differ…
Stephen Collins
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REVIEW: Personals, Landor Theatre ✭✭✭✭
Personals, a comedy musical about finding love through lonely hearts columns, was first performed in 1985, and technology has rendered it an unintentional pe…
Matthew Lunn
News & Reviews
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REVIEW: Seven Brides For Seven Brothers, Regent's Park Open Air Theatre ✭✭✭
The utterly reliable Laura Pitt-Pulford brings strength, warmth and thoughtfulness to Milly - frankly, she outdoes Jane Powell by some distance. Her Milly is…
Stephen Collins
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REVIEW: The Three Little Pigs, Palace Theatre ✭✭✭✭
The children sitting around me were having a ball. Engaged, entertained and thoroughly enjoying themselves and that’s brilliant.
Douglas Mayo
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REVIEW: Lakmé, Opera Holland Park ✭✭✭✭✭
Yet, Holland Park Opera, here working under director Aylin Bozok, show that these problems are by no means insuperable where the company have confidence in t…
Tim Hochstrasser
News & Reviews
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REVIEW: Alice's Adventures In Wonderland, Opera Holland Park ✭✭✭✭✭
If you have missed this charming opera this time around then do book now for one of the performances at the Linbury Studio Theatre in early November. You won…
Tim Hochstrasser
News & Reviews
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REVIEW: Annie Jnr, Arts Theatre ✭✭✭
It must be every stage school kid’s dream to perform in the West End and the cast of Annie has certainly not passed up the opportunity. It’s an infectiously …
Danny Coleman-Cooke
News & Reviews
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REVIEW: The Woman In Black, Fortune Theatre ✭✭✭✭
There’s nothing like a good ghost story to get the heart racing and give you a good scare. The Woman In Black has now been doing just that for twenty-eight y…
Douglas Mayo
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REVIEW: Impossible, Noel Coward Theatre ✭✭✭✭
Some doubted whether a magic show could thrive in the modern day West End but Impossible truly provides a first-class spectacle. It is intelligently staged a…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Operation Crucible, Finborough Theatre ✭✭✭✭
This is a noisy and shouty play and in many ways that is necessarily so – industrial processes, bombs, football matches, drinking in the pub – these provide …
Tim Hochstrasser
News & Reviews
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REVIEW: Bakkhai, Almeida Theatre ✭✭✭✭✭
This is Whishaw's show - no question. He is a force of nature, fiercely unearthing every moment of nuance, humour and purpose from the text and giving a tota…
Stephen Collins
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REVIEW: Of Thee I Sing, Royal Festival Hall ✭✭
The comic performance of the night, and the source of most consistent pleasure, came from the very talented Tom Edden who made an acting masterclass out of t…
Stephen Collins
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REVIEW: Jekyll & Hyde, Platform Theatre ✭✭✭
Jekyll & Hyde never feels like a gimmick and avoids the traps of so many reworkings. Instead it’s an intelligent and creative production which is well st…
Danny Coleman-Cooke
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REVIEW: Aida, Opera Holland Park ✭✭✭
This is a very great opera that can take many different interpretations. However, there is no room for compromise. Ultimately, it either has to be done strai…
Tim Hochstrasser
News & Reviews
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REVIEW: Three Days In The Country, National Theatre (Lyttleton) ✭✭✭✭
So often the press night comes too early in a run to fully assess a production’s potential. This welcome and ambitious new version has not yet attained great…
Tim Hochstrasser
News & Reviews
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REVIEW: Oklahoma! Lyceum Theatre Sheffield ✭✭✭✭✭
Rachel Kavanaugh presents us with a wily, almost feral Aunt Eller, a metrosexual Curly, a tomboy Laurey, an arch but staunchly feminine Ado Annie, a profound…
Stephen Collins
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REVIEW: Oh! Carol, Crazy Coqs ✭✭✭✭
Happily, Oh! Carol provides a thoroughly entertaining and exuberant cross-section of Sedaka's work. There are the hits but also lesser remembered works, and …
Stephen Collins
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REVIEW: The Spitfire Grill, Union Theatre ✭✭✭✭✭
The Spitfire Grill is a musical treat. James Valco's score is richly rewarding and creates a genuinely engaging musical atmosphere which helps shape and driv…
Stephen Collins
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REVIEW: Hecuba, White Bear Theatre ✭✭✭
For all these reasons, a new production of Hecuba is very welcome and cannot fail to be thought provoking and moving, even when allied to a parallel re-telli…
Tim Hochstrasser
News & Reviews
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REVIEW: Songs For A New World, St James Theatre ✭✭✭✭
In Jenna Russell, Damian Humbley and Cynthia Erivo, Lenson has assembled three of the best, most exciting performers of musical theatre in London. Each perfo…
Stephen Collins
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REVIEW: Twelfth Night, Space Theatre ✭✭✭
When it comes to a tried and tested classic like Twelfth Night, it’s sometimes quite rare to come away feeling you’ve seen something new and different. For b…
Danny Coleman-Cooke
News & Reviews
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REVIEW: American Idiot, Arts Theatre ✭✭✭
American Idiot is a bit of a frustrating production; whilst the music of Green Day has plenty to offer a musical, it doesn’t seem right for a sung-through st…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Richard II, Shakespeare's Globe ✭✭✭✭
The result here is that this is more the Comedy of Richard II than the Tragedy of Richard II. There is an unseemly pursuit of laughter – characterisations ar…
Stephen Collins
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REVIEW: Mack And Mabel, Chichester Festival Theatre ✭✭✭✭
Ball is an exceptional, utterly convincing Mack. He completely gets under the skin of the character, finding precisely the right level to pitch every moment …
Stephen Collins
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REVIEW: Sinatra - The Man And His Music, London Palladium ✭✭✭✭
Sinatra - The Man And His Music at the London Palladium is not your normal West End musical. It is a very different beast indeed. Perhaps best described as a…
Douglas Mayo
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Review: The Invisible, Bush Theatre ✭✭✭
The Invisible is a soap opera featuring some beautifully written female characters. It might skirt around the issue of legal aid cuts and the invisibility of…
Stephen Collins
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REVIEW: Lovett + Todd, King's Head ✭✭
Lovett + Todd is a valiant effort at breathing new life into the tale of Sweeney Todd. Unfortunately, it feels like a missed opportunity – some intelligent s…
Danny Coleman-Cooke
News & Reviews
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REVIEW: Lesere, Jermyn Street Theatre ✭✭
In terms of lighting, set, costumes, sound and design the creative team led by director Donnacadh O’Briain do a very solid job, alongside the cast. But the p…
Tim Hochstrasser
News & Reviews
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REVIEW: What's It All About?, Menier Chocolate Factory ✭✭✭✭
There are shreds and patches of key songs, which, like Wagnerian leitmotifs, bind the whole experience, make it less a concert and more a pop/rock/r&b op…
Stephen Collins
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REVIEW: Othello, Royal Shakespeare Theatre ✭✭✭
This is a curious production of Othello. You get the bones of the story, clearly, but the flesh, the marrow, the heart - all of which depends upon the rich c…
Stephen Collins
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REVIEW: Volpone, Swan Theatre ✭✭
Henry Goodman is assured and magnetic as the titular Volpone. He gives a larger than life performance which suits - entirely - Johnson's larger than life cha…
Stephen Collins
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REVIEW: Constellations, Trafalgar Studios ✭✭✭✭✭
Constellations is a 75 minute jewel of a play. It is a play about things that happen, might happen and could happen – just like life.
Douglas Mayo
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REVIEW: I Sing!, Drayton Arms ✭✭✭✭
The original creators can be proud; I Sing! is a wonderful show with a wonderful cast and deserves to find a home for longer than the scheduled week.
Danny Coleman-Cooke
News & Reviews
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REVIEW: Noonday Demons, Kings Head Theatre ✭
This evening, I was sent to see Noonday Demons at the Kings' Head Theatre. But, that is not exactly what happened...
Editorial Staff
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REVIEW: The Mentalists, Wyndhams Theatre ✭✭✭
The Mentalists is a fun and lively Pinteresque farce from a very talented playwright. Whilst there are a few thematic flaws, an amusing script guarantees an …
Danny Coleman-Cooke
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REVIEW: The Rhythm Of Life, St James Theatre ✭✭✭
Coleman worked in an era where Broadway was consistently part of the Top 10. Not every number presented as part of Rhythm Of Life deserved placement in the s…
Danny Coleman-Cooke
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REVIEW: The House Of Mirrors And Hearts, Arcola Theatre ✭✭✭✭
The future of British musicals seems assured. It’s wonderful to see a musical that eschews a jukebox or movie mentality and goes instead for an original stor…
Douglas Mayo
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REVIEW: Orson's Shadow, Southwark Playhouse ✭✭✭✭✭
The play is staged in the round with a pleasing and teasing contrast between the artifice stage convention and informality. The gestures towards setting are …
Tim Hochstrasser
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REVIEW: The Four Fridas, Royal Artillery Barracks ✭✭✭
Memories still linger of the impressive Opening Ceremonies to the Olympic and Paralympic Games held in London in 2012, and The Four Fridas is best viewed as …
Tim Hochstrasser
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REVIEW: Sibling Revelry, Hippodrome Casino ✭✭✭
Sibling Revelry is nothing revolutionary or groundbreaking and nor does it claim to be. However, if you’re looking for some top class performances from some …
Danny Coleman-Cooke
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REVIEW: East Is East, Churchill Theatre (On Tour) ✭✭✭✭
East is East is set in the early 70s, was written in the 80s and released as a film in the mid 90s. And yet it’s remarkable how little it has dated. Since th…
Danny Coleman-Cooke
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REVIEW: I Love You You're Perfect Now Change, Above The Arts ✭✭✭
Watching Julie Atherton, Simon Lipkin, Gina Best and Samuel Holmes work their magic, individually, in couples, and as a quartet, it was difficult not to wond…
Stephen Collins
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REVIEW: The Gruffalo, Lyric Theatre ✭✭✭✭
Matilda this show is not – the original and the adaptation are thin fare in comparison with the disturbing and multi-layered creations of Dahl and his later …
Tim Hochstrasser
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REVIEW: As Is, Trafalgar Studios ✭✭✭✭
Viewed one way, Hoffman's play is not a play about AIDS and its repercussions; it is a play about ignorance, discrimination and fear. Viewed that way, it is …
Stephen Collins
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REVIEW: Black Cat Cabaret - Nocturne, London Wonderground ✭✭✭
One of the most exciting features of the current fairground-cluster that is London Wonderground on the South Bank is the focus on late night cabaret. In the …
Tim Hochstrasser
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REVIEW: The Importance Of Being Earnest, Vaudeville Theatre ✭✭✭
Director AdrianNoble strikes gold in the quartet of lovers: Gwendolyn, Jack, Cicely and Algernon. Without any question, Emily Barber and Imogen Doel are utte…
Stephen Collins
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REVIEW: The Dreamers, St James Theatre ✭✭
The Dreamers is a real mixed bag. Musically it is often very strong; the musical direction and band are both terrific. However, lyrically and dramatically it…
Danny Coleman-Cooke
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REVIEW: To Kill A Mockingbird, Barbican Theatre ✭✭✭✭✭
Timothy Sheader's utterly astonishing, profoundly beautiful, and intensely gripping production of To Kill A Mockngbird, is now playing at the Barbican Theatr…
Stephen Collins
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REVIEW: Measure For Measure, Shakespeares Globe ✭✭✭
This is a feel-good production of a difficult play. The very best thing about it is Dominic Rowan’s exceptionally charismatic Duke. In the second half, parti…
Stephen Collins
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REVIEW: Rent Boy The Musical, Above The Stag ✭✭✭
The star of the show, in truth, is Carole Todd's spirited, cheeky, and knowing choreography, which brings out the very best in the cast and masterfully estab…
Stephen Collins
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REVIEW: Amour, Royal Academy Of Music ✭✭✭✭
If tonight’s performance represents the future of British theatre then we are in very safe hands indeed. OK, so the story is about as substantial as the wall…
Danny Coleman-Cooke
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REVIEW: An Oak Tree, National Theatre ✭✭✭✭
Crouch delights in theatre which unsettles and pushes boundaries and An Oak Tree is no exception. In parts, it is brilliant and it is never less than compell…
Stephen Collins
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REVIEW: Asking Rembrandt, Old Red Lion Theatre ✭✭✭✭✭
There is not much room for manoeuvre upstairs at the Old Red Lion, but the creative team, led by director Jonathan Kemp, have put together a flexible and wel…
Tim Hochstrasser
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REVIEW: The Motherf**ker With The Hat, Lyttleton Theatre ✭✭✭
It's not that this is a bad play; it's more that it is not really a play at all. It's a series of separate scenes, mostly two-handers, which chiefly concern …
Stephen Collins
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REVIEW: Joking Apart, Theatre Royal Windsor ✭✭✭✭
As with so many theatres of a certain age, the bar at the Theatre Royal is proudly lined with photos of bygone productions from the golden age of repertory t…
Tim Hochstrasser
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REVIEW: Bend It Like Beckham, Phoenix Theatre ✭✭✭✭
Act Two is practically perfect. It starts with a fabulous number for the girls, Glorious, and it never looks back. It's full of great music from Goodall and …
Stephen Collins
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REVIEW: The Seagull, Regent's Park Open Air Theatre ✭✭✭✭
Betts' adaptation (re-imagining is perhaps more accurate) certainly tries to evoke the same effect Chekhov must have had on his original audiences. There is …
Stephen Collins
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REVIEW: Alpha Beta, Finborough Theatre ✭✭
It’s exactly as bleak as it sounds; the entire play is one long, petty, extended, circular argument, stretched over nine miserable years. There’s very little…
Danny Coleman-Cooke
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REVIEW: I Went To A Fabulous Party, Kings Head ✭✭
The King’s Head has a notable tradition in supporting contemporary drama on gay themes, but sadly as things stand this new 65-minute play by And Davies does …
Tim Hochstrasser
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REVIEW: The Jew Of Malta, Swan Theatre ✭✭✭✭
This is a play where the inhabitants of a Nunnery are slain by poisoned porridge; where the daughter of a Jew becomes a Christian Nun, twice; where, having p…
Stephen Collins
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REVIEW: Second Soprano, King's Head ✭✭✭✭✭
In this theatre season where commemoration and remembrance of the outbreak of the First World War are much to the fore, many of the most successful dramatic …
Tim Hochstrasser
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REVIEW: The Italian Girl in Algiers, Brunel Tunnel ✭✭✭✭✭
Please do chase down this wonderful, life-affirming production at one of the several intriguing venues that lie ahead on its current tour – you will not regr…
Tim Hochstrasser
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REVIEW: The Picture Of Dorian Gray, St James Studio ✭✭✭✭✭
Sadly this fine adaptation has a very brief run – I do hope another theatre can be persuaded to allow us to experience this play with this cast once more - a…
Tim Hochstrasser
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REVIEW: 1984, Playhouse Theatre ✭✭✭✭
This adaptation of 1984 is a modern masterpiece. Get your tickets now, before they take you to Room 101.
Editorial Staff
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REVIEW: The Merchant Of Venice, Royal Shakespeare Theatre ✭✭✭✭✭
Findlay's production of The Merchant Of Venice, like all great productions of Shakespeare, is brimming with ideas, spoken with assurance and intelligence, an…
Stephen Collins
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REVIEW: I And The Village, Theatre 503, ✭✭✭✭
I and the Village may be the best piece of new writing you’ll see at a pub theatre this year.
Editorial Staff
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REVIEW: Chef, Soho Theatre ✭✭✭
If the Chef was a type of food it would be a selection of pre-dinner canapés – small but perfectly formed. However, ultimately you are left wanting a little …
Danny Coleman-Cooke
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REVIEW: Oresteia, Almeida Theatre ✭✭✭
This is Oresteia, not The Oresteia, the trilogy of plays (Agamennon, The Libation Bearers, The Eumenides) which won Aeschylus a prize in 458BC and which is c…
Stephen Collins
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REVIEW: Reality, Ovalhouse ✭✭✭
Reality follows a group of fame-hungry youngsters who get a final recall for The Hostage, a new reality TV show which they hope will get them closer to fame …
Danny Coleman-Cooke
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REVIEW: Not A Game For Boys, King's Head Theatre ✭✭✭✭
Not A Game for Boys was a fantastic night out, with some stellar performances and a brilliant script – certainly worth making a racket about!
Danny Coleman-Cooke
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REVIEW: King John, Globe Theatre ✭✭✭✭✭
James Dacre takes full advantage of the play's many moods and shifts of emphasis and style, with the result that the evening is rambunctious and thoroughly e…
Stephen Collins
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REVIEW: Violence and Son, Jerwood Theatre Upstairs ✭✭✭✭
The Royal Court has not had the best of runs recently, so it is heartening to report that in this new play by Gary Owen they have a really fine piece of writ…
Tim Hochstrasser
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REVIEW: Now This Is Not The End, Arcola Theatre ✭✭✭
This then is a play about memory and a sense of homeland, and the inter-generational consequences of the Holocaust and Jewish Diaspora. Clearly this is well-…
Tim Hochstrasser
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REVIEW: Turn Back The Clock, St James Theatre ✭✭✭✭
It leaves us with a slight regret that, as with so many English comedians of her generation, Joyce Grenfell did not emerge more often from the comfort zone i…
Tim Hochstrasser
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REVIEW: Love Me Tender, Manchester Opera Hour ✭✭✭✭✭
It’s almost impossible not be on your feet by the end of the show cheering on this cast of talented performers. Love Me Tender must be West End bound. I’d ta…
Douglas Mayo
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REVIEW: The Red Lion, Dorfman Theatre ✭✭✭✭
Marber is not writing just about football. The play is fundamentally about notions of masculinity as well as about modern society. The trio represents a kind…
Stephen Collins
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REVIEW: City Stories, St James Studio ✭✭✭✭✭
This therefore is work at a sophisticated creative level, where everything depends in a very pure, basic sense on the players themselves. There is no scenery…
Tim Hochstrasser
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REVIEW: Stony Broke In No Man's Land, Finborough Theatre ✭✭✭✭✭
With a plethora of films and plays about the tragedy and waste of the Great War I wondered initially whether there would be scope for the themes addressed he…
Tim Hochstrasser
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REVIEW: A Damsel In Distress, Chichester Festival Theatre ✭✭✭✭✭
The cast, like a fine soufflé, is full of first rate choices and rises to the occasion in exactly the right way. The singing here is glorious. The Gershwins …
Stephen Collins
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REVIEW: The Clockmaker's Daughter, Landor Theatre ✭✭✭✭
It's a great story, but the show's most glittering treasure is its music. There are folk tunes, love songs, impassioned ballads, comedy numbers, patter songs…
Stephen Collins
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REVIEW: Duncton Wood, Union Theatre ✭✭✭✭
Michael Strassen's richly detailed, splendidly cast, and lovingly staged premiere production of Duncton Wood (music and lyrics from Mark Carroll, book by Jam…
Stephen Collins
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REVIEW: James Freedman - Man Of Steal, Trafalgar Studios 1 ✭✭✭✭
It is always fantastic to see original theatre in London and Man of Steal certainly breaks new ground in putting on a public safety lecture with a difference…
Danny Coleman-Cooke
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REVIEW: Jason Robert Brown In Concert, Royal Festival Hall ✭✭✭✭
The unstoppable, extraordinary Cynthia Erivo proved, twice, what a potent combination Brown's music and lyrics can be in the hands of a singer whose voice ca…
Stephen Collins
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REVIEW: Just Jim Dale, Vaudeville Theatre ✭✭✭✭✭
It is genuinely delightful to be able to report that anyone, child, adult, theatre sceptic or theatre lover, should have no hesitation in snaffling a ticket …
Stephen Collins
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REVIEW: As You Like It, Shakespeare's Globe ✭✭✭
Blanche McIntyre, whose revival of As You Like It now at the Globe, uses every trick in the book to make Shakespeare's play clear (it is, very), risqué (it i…
Stephen Collins
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REVIEW: Mess, Albany Theatre ✭✭✭✭
Caroline Horton’s Mess is probably the most honest portrayal of an eating disorder that one can find on stage.
Editorial Staff
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REVIEW: The Beaux' Stratagem, Olivier Theatre ✭✭✭
Of all the cast, it is the gifted Susannah Fielding who comes closest to the right style of acting. She really is a tremendous performer, winning in her wins…
Stephen Collins
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REVIEW: Sense Of An Ending, Theatre 503 ✭✭✭✭
As this fine play moved towards its nuanced ending I could not help making a comparison with an earlier work that placed nuns in a setting of impossible choi…
Tim Hochstrasser
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REVIEW: Show Off, The Pheasantry ✭✭✭✭
Nikki Aitken, with pianist Simona Budd, performed Show Off. Aitken is a widely recognized artist in Australia where she has won awards for her cabaret progra…
Tim Hochstrasser
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REVIEW: Skin In Flames, Park Theatre ✭✭✭✭
It would be wrong to reveal more of the detail but the writer deserves great credit for the way in which he remorselessly brings the stories together in the …
Tim Hochstrasser
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REVIEW: The One Day Of The Year, Finborough Theatre ✭✭✭✭✭
Despite its trappings and narrative, this is not a play about Anzac Day, the public holiday in Australia where attention is paid to those who fought for thei…
Stephen Collins
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REVIEW: Beyond Bollywood, London Palladium ✭✭
All these positives on the creative side only sharpen the regret that this reviewer and clearly many of the audience felt that we were not seeing more of the…
Tim Hochstrasser
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REVIEW: How To Succeed In Business Without Really Trying, RFH ✭✭✭✭
On the strength of this first, tentative outing, concerts like this could come to rival those staged in the Encores! series in New York or by the Production …
Stephen Collins
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The success of Headlong's 1984 and its contribution to the future of theatre
Emily Hardy
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REVIEW: Fanny and Stella, Above The Stag ✭✭✭✭
Gay themed theatre can be hit and miss at the best of times but Chandler, Miller, Dexter and Todd have fashioned an evening that could well break free of its…
Douglas Mayo
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REVIEW: Flames, Waterloo East Theatre ✭✭✭
However, there is an uncertainty of tone about the piece as a whole that does not entirely convince. The evening starts as a straight-forward thriller but th…
Tim Hochstrasser
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REVIEW: Avenue Q, Greenwich Theatre (UK Tour) ✭✭✭✭✭
Now undertaking its 4th UK Tour, Avenue Q continues to be one of the funniest musicals onstage at the present time. Whether you are an Avenue Q newbie or if …
Douglas Mayo
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REVIEW: The Lonely Soldier Monologues, Cockpit Theatre ✭✭✭✭✭
This is a harrowing but necessary evening in which the transcripts of seven interviews with American women veterans of Afghanistan and the second Iraq War ar…
Tim Hochstrasser
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REVIEW: Jerry's Girls, Jermyn Street Theatre ✭✭✭✭✭
This is a genuinely terrific night in the musical theatre. Gypsy aside, there is nothing to touch it currently playing in London in terms of value for money …
Stephen Collins
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REVIEW: The People Vs Democracy, Free World Centre ✭✭✭✭✭
All credit to Jamie Harper and his ebullient, energetic team for a superb evening of thought-provoking fun. Do catch it while it is still running so as to gi…
Tim Hochstrasser
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REVIEW: Kingmaker, Above The Arts, ✭✭✭✭
Most immediately Kingmaker recognizes the extent to which the rewards in politics go to those whose priorities remain resolutely fixed on the rules of the ga…
Tim Hochstrasser
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REVIEW: High Society, Old Vic Theatre ✭✭✭
The first fifteen minutes or so of Act Two are as good as, if not the equal of, any fifteen minutes of any musical currently playing on the West End (the fin…
Stephen Collins
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REVIEW: The Angry Brigade, Bush Theatre ✭✭
The play strikes one as more comic, at least in the first Act, than it is played here under James Grieve's direction. More Thin Blue Line and less Z Cars mig…
Stephen Collins
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BIG INTERVIEW: Dean Pitchford, Lyricist of Carrie The Musical
Carrie the musical is a Broadway flop of legend. We spoke to lyricist Dean Pitchford to get the real story.
Douglas Mayo
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INTERVIEW: Lorna Luft Talks about The Judy Garland Songbook On Tour
Douglas Mayo
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REVIEW: Carrie, Southwark Playhouse ✭✭✭✭✭
What is most admirable about Gary Lloyd's directorial vision here is that no attempt is made to recreate the film, the book or even the way this musical has …
Stephen Collins
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REVIEW: Portia Coughlan, Old Red Lion Theatre ✭✭
There really is nothing wrong with any individual performance—every actor has crafted a fully formed 3 dimensional character with excellent comedic timing. B…
Editorial Staff
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REVIEW: Dirty Rotten Scoundrels, Birmingham (On Tour) ✭✭✭✭
Key to the success of Dirty Rotten Scoundrels is the onstage relationship between Jameson played by Michael Praed and Benson played by Noel Sullivan. There i…
Douglas Mayo
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REVIEW: Hay Fever, Duke Of York's Theatre ✭✭✭✭
Felicity Kendal is a triumph as the effervescent, self-indulgent diva that is Judith. Her throaty, raspy tones; the endless lighting and stubbing out of ciga…
Stephen Collins
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REVIEW: The Verb To Love, Old Red Lion Theatre ✭✭✭
The Verb, To Love is a curious and wonderful new musical currently playing at the Old Red Lion Theatre. It’s easy to be impressed by the show’s sole author, …
Editorial Staff
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REVIEW: A Mad World My Masters, Barbican Theatre ✭✭
It has everything: dirty, jazzy songs sung lustily; knob jokes; fake brawls; knickers tossed to the audience; knob jokes; sex scenes of all kinds; an alterca…
Stephen Collins
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REVIEW: Matchbox Theatre, Hamsptead Theatre ✭✭
There is no complaint about the writing. Frayn creates situations and conveys ideas quickly and cleverly. His knowledge of human kind and its foibles, the th…
Stephen Collins
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REVIEW: Beyond Caring, NT Temporary Theatre ✭✭✭
There is something undeniably fascinating about watching strangers find common ground, about seeing a team form in adverse circumstances, especially where, a…
Stephen Collins
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REVIEW: Product, Arcola Theatre ✭✭✭
Directed by Robert Shaw, this fifty minute satirical monologue is well worth seeing for Olivia Poulet's gifted comic turn. She extracts the humour rather as …
Stephen Collins
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REVIEW: The Twits, Royal Court Theatre ✭✭
With both Charlie and the Chocolate Factory and Matilda still playing with great success elsewhere, this is the latest attempt to bring Dahl’s unique alchemy…
Tim Hochstrasser
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REVIEW: The Merchant Of Venice, Shakespeare's Globe ✭✭✭✭
Set firmly in its time, circa 1597, with costumes and accoutrements which establish an exotic, far away and, most importantly, bygone era, Munby avoids the g…
Stephen Collins
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REVIEW: Ah, Wilderness!, Young Vic Theatre ✭✭
The combination of sand, water, and romantic moon makes for a touching image towards the end of the play. It is beautifully lit by the talents of Charles Bal…
Stephen Collins
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REVIEW: No Milk For The Foxes, Camden People's Theatre ✭✭✭
No Milk for the Foxes is a solid piece of theatre preaching to the leftie middle class choir but ultimately that choir needs more a little more than “Aren’t …
Editorial Staff
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REVIEW: Everyman, National Theatre ✭✭
Rufus Norris throws everything at the production. The result is garish, adolescent and intolerably dull. Too much show and too little style and substance. As…
Stephen Collins
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REVIEW: Wicked, Apollo Victoria Theatre ✭✭✭✭✭
Wicked is tremendous shape and the current cast gives it full value. If you have never seen it or if you have seen it, now is the time to go again – you too …
Stephen Collins
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REVIEW: Follies In Concert, Royal Albert Hall ✭✭✭
In the case of Betty Buckley as Carlotta, the casting was inspired. Her powerful and joyful rendition of I'm Still Here stopped the show. But it was Anita Do…
Stephen Collins
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REVIEW: Closer To Heaven, Union Theatre ✭✭✭✭
What makes the musical stand-out is it unashamed gaiety, and I use that word in its modern sense. This is, as Nicholas De Jongh said when the piece premiered…
Stephen Collins
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REVIEW: Light Shining In Buckinghamshire, Lyttleton Theatre ✭✭
There is an acute fascination in watching the richly intense banquet give way, bit by bit, to the advances of the common folk, to see the lavish table become…
Stephen Collins
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REVIEW: Abyss, Arcola Theatre ✭✭✭✭
But in the end the tension between the daily count of the passage of time and the avoidance of narrative direction is too much to sustain and in the final se…
Tim Hochstrasser
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REVIEW: Scarlet, Southwark Playhouse ✭✭✭✭
Theatre Renegade’s tour-de-force examination of gender violence, Scarlet, is one of the tightest pieces of fringe theatre currently on the stage and not to b…
Editorial Staff
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REVIEW: Dead Royal, Ovalhouse ✭✭✭✭
Roberts is immaculate in playing both parts: the sour, rotten, old Wallis who, despite her bitterness, wants to save Diana from the dreary drudgery of joinin…
Stephen Collins
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REVIEW: Shock Treatment, Kings Head Theatre ✭✭✭
Julie Atherton can play dowdy geek character, svelte seductive siren, and camp fetish magnet (complete with vinyl Nurse's outfit just covering her pert derri…
Stephen Collins
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REVIEW: Death Of A Salesman, Royal Shakespeare Theatre ✭✭✭
The role of Willy Loman is very exacting, requiring great range and subtlety from the actor. The single greatest requirement, though, is for the actor to be …
Stephen Collins
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REVIEW: Love's Sacrifice, The Swan Theatre ✭✭
Despite a delicious design from Anna Fleischle (the black velvet floor and beautifully detailed costumes especially) and some winning, often charming, perfor…
Stephen Collins
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REVIEW: Each His Own Wilderness, Orange Tree ✭✭✭✭✭
The Orange Tree theatre has established a unique niche for itself as a home for new writing and carefully chosen revivals of long-neglected repertoire. This …
Tim Hochstrasser
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REVIEW: Carmen Disruption, Almeida Theatre ✭✭✭✭
At just over 90 minutes, this is a theatrical spectacle and tapestry as ethereal and vital as it is strange and incomprehensible. Simon Stephens throws those…
Stephen Collins
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REVIEW: Plastic Figurines, New Diorama Theatre ✭✭✭✭
Plastic Figurines, presently on tour across the UK, and currently stopped at the New Diorama Theatre is a tour de force two hander one act, illuminating the …
Editorial Staff
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REVIEW: All Male Pirates Of Penzance, Richmond Theatre ✭✭✭
The key is truthfulness: the men play the female roles as truthfully as they can, in the context of the show, and by doing so, unlock different energies and …
Stephen Collins
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REVIEW: Fun Home, Circle In The Square ✭✭✭✭
Universality is the key to the success of Fun Home. Fundamentally, it is about family and the undisclosed natures and secrets of those who are our family. Ch…
Stephen Collins
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REVIEW: Animals, Theatre 503 ✭✭✭
With the recent news that the Florida and Wisconsin state governments have banned employees of their state level environmental protection agencies from using…
Editorial Staff
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REVIEW: The Glass Protégé, Park 90 ✭✭
Alexander Hulme is intriguing and charismatic as Jackson and you see a glimpse of what a tortured beauty trapped in another man's world can suffer. David R B…
Stephen Collins
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REVIEW: Gypsy, Savoy Theatre ✭✭✭✭✭✭
Everyone in this company is superb in their part, everyone can really sing, really dance and really deliver the goods in terms of dramatic and comic acting. …
Stephen Collins
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REVIEW: Finding Neverland, Lunt-Fontanne Theatre ✭✭✭✭✭
Finding Neverland is a truly magical musical theatre experience. The score is lively and quite quite beautiful. From ballads to raucous boy songs and big, ge…
Stephen Collins
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REVIEW: Rumpy Pumpy, Landor Theatre ✭
Some of Mackie's tunes are pleasant and catchy - the music is easily the superior component in the work. But it is held back, both by poor lyrics and, genera…
Stephen Collins
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REVIEW: Drunk Shakespeare, Roy Arias Stages ✭✭✭✭
The result is fresh, frivolous and somewhat interactive theatrical tomfoolery. It looks haphazard and unsophisticated but actually it is the result of carefu…
Stephen Collins
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REVIEW: Two, Above The Arts ✭✭✭✭
Ultimately, TWO is a very fine night out at the theatre that zips through its eighty-minute length in no time, leaving you full of admiration at such detaile…
Tim Hochstrasser
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REVIEW: The Visit, Lyceum Theatre ✭✭✭✭✭
For 90 minutes of ecstatic storytelling, you are transported to a place where love, death and consequence are dancing together and where a victory for true l…
Stephen Collins
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REVIEW: Living On Love, Longacre Theatre ✭
Renée Fleming is an accomplished operatic soprano with a voice of ravishing beauty and the capacity to move opera audiences to extremes of emotion by her ext…
Stephen Collins
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REVIEW: Patti Lupone - The Lady With The Torch, 54 Below ✭✭✭
This is Patti LuPone in full, unstoppable Diva mode, strutting her cabaret credentials at 54 Below in a show designed to show her range: The Lady With The To…
Stephen Collins
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REVIEW: The Play That Goes Wrong, Duchess Theatre ✭✭✭✭
It’s all downhill from there. The drama begins and quickly it all goes to pot. Lines are forgotten, the acting is terrible, and the efforts of all of the act…
Douglas Mayo
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REVIEW: Apartment 40C, St James Studio ✭✭✭
The last three songs ‘Pocket Park’, Time’, and ‘A Child’ are very fine, demonstrate what this creative team are capable of at their best, and vindicate the f…
Tim Hochstrasser
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REVIEW: On The Twentieth Century, American Airlines Theatre ✭✭✭✭✭
Whatever your thoughts about Chenoweth, her performance in this musical is that one-of-a-kind, flat-out unbelievably extraordinary star turns that leaves you…
Stephen Collins
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REVIEW: Fish In The Dark, Cort Theatre ✭✭✭
There is nothing ground-breaking here. But what there is is a great deal of cleverness, wordplay and daft, idiosyncratic physical comedy involving stock, arc…
Stephen Collins
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Follies At The Royal Albert Hall - Great Seats Still Available
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REVIEW: It Shoulda Been You, Brooks Atkinson Theatre ✭✭✭✭✭
This is the sort of Musical Comedy which puts equal emphasis on the constituent parts - music and comedy. It's a gentle, involving and delicious confection. …
Stephen Collins
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REVIEW: The King And I, Vivian Beaumont Theatre ✭✭✭✭✭
Together with set designer Michael Yeargan, costume designer Catherine Zuber and choreographer Christopher Gattelli, Bartlett Sher has completely reimagined …
Stephen Collins
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REVIEW: The Three Lions, St James Theatre ✭✭✭✭
“David Cameron, David Beckham, and Prince William walk into a hotel suite” could be the start of a truly cringe-worthy joke, but in The Three Lions, now play…
Editorial Staff
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REVIEW: Hand To God, Booth Theatre ✭✭✭✭✭
Written by Robert Askins and directed by Moritz von Stuelpnagel, Hand To God plays like an obsidian black farce which turns on those stock elements of farce …
Stephen Collins
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REVIEW: Gigi, Neil Simon Theatre ✭✭✭✭
Indeed, the most interesting thing about this reworking of the piece is that, while it may be called Gigi, and there is constant talk of, with and about her,…
Stephen Collins
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REVIEW: The Sound Of Music, New Wimbledon Theatre ✭✭✭✭
It’s great to see so many people of all ages enjoying and loving The Sound Of Music. There’s a magic about the Sound Of Music that defies explanation, genera…
Douglas Mayo
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REVIEW: An American In Paris: Palace Theatre ✭✭✭✭
Christopher Wheeldon's vision here, as director and choreographer, is remarkably detailed and endlessly lavish and ambitious. Without huge pre-built sets, Bo…
Stephen Collins
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REVIEW: Game Theory, Tristan Bates Theatre ✭✭✭
Game Theory leaves one with far more questions than answers. Unfortunately, they tend to be about the form and structure of the show, far more than the subst…
Editorial Staff
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REVIEW: The Heidi Chronicles, Music Box Theatre ✭✭✭✭
This is a play about the inequality women endure every day in almost every aspect of life, the way women treat women badly, viciously even, and the pains, pl…
Stephen Collins
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REVIEW: Something Rotten, St James Theatre ✭✭✭✭✭
There is noting rotten here. Rather, Something Rotten is firm, juicy, fruity, perfectly cultivated, tart, sweet, and every segment, every layer that is peele…
Stephen Collins
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REVIEW: Hamilton, The Public Theatre ✭✭✭✭✭
Directed by Thomas Kail, with astonishing choreography from Andy Blankenbuehler, Hamilton is a remarkable piece of theatrical alchemy; inspiring, packed with…
Stephen Collins
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REVIEW: Wink, Theatre 503 ✭✭✭✭✭
An increasingly explicit and intimate dialogue with many moments of ingenious hilarity spirals quickly out of control before colliding with real life in a te…
Tim Hochstrasser
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REVIEW: Charlie And The Chocolate Factory, Theatre Royal Drury Lane ✭✭✭✭
Sam Mendes' production of the musical adaptation of Charlie and the Chocolate Factory is in excellent shape. Nothing indicates that more clearly than the sho…
Stephen Collins
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REVIEW: Die Entführung aus dem Serail (The Abduction), Bloomsbury ✭✭✭✭✭
The discipline of stripping a work down to its basics and re-inventing it in numerous very different locations night after night recaptures the spirit of rep…
Tim Hochstrasser
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REVIEW: A Breakfast Of Eels, Print Room At The Coronet ✭✭✭✭
The text is like a huge tapestry - there are many elements sewn into it: moments of silence, of banality, of revelation, of humour, of intense longing, of po…
Stephen Collins
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REVIEW: Trainspotting, King's Head Theatre ✭✭✭✭
With the audience sat and stood around three sides, the action regularly erupts off the stage, from projectile soiled sheets to splashes of murky toilet wate…
Mark Ludmon
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REVIEW: And Then There Were None, UK Tour ✭✭✭✭
It was fascinating to hear the animated discussion in the auditorium, in the intervals or scene breaks, about the identity of the murderer(s) (not to give an…
Stephen Collins
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REVIEW: Return To The Forbidden Planet, UK Tour ✭✭✭
It is a jukebox full of lively hit after hit just some of which are Great Balls of Fire, Don't Let Me Be Misunderstood, Good Vibrations, Young Girl and She's…
Stephen Collins
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REVIEW: Harvey, Theatre Royal Haymarket ✭
McIntosh's achievement with the set is world class, and the magical sense of the way the set changes works beautifully to mirror the magic of a world where t…
Stephen Collins
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REVIEW: These Trees Were Made Of Blood, Southwark Playhouse ✭✭✭
The framework devised for the production is The Coup Coup Club (a clever play on the Kit Kat Club which instantly sets the groundwork for military dictators …
Stephen Collins
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REVIEW: Calamity Jane, New Wimbledon Theatre ✭✭✭✭
This is a theatrical treat: a good, old fashioned musical done in a new fangled way. It's great to hear such good songs so well sung by a cast that basically…
Stephen Collins
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REVIEW: Sweeney Todd, Harringtons ✭✭✭✭✭
Eschewing grandeur and wisely opting to follow that sensible motto, Less Is More, this transfer of the Tooting Arts Club production of late 2014 is a complet…
Stephen Collins
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REVIEW: The Broken Heart, Sam Wanamaker Theatre ✭✭
To consider The Broken Heart as a soap opera is to fundamentally misconceive it. The author seemed clear enough that it was a tragedy and the text certainly …
Stephen Collins
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REVIEW: Barnum, UK Tour ✭✭
Mikey Jay-Heath is superb as Tom Thumb and his big number, Bigger Isn't Better, is wonderful in every way. Landi Oshinowa displays great vocal chops, twice. …
Stephen Collins
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REVIEW: Hiraeth, Soho Theatre ✭✭✭✭
Hiraeth, the story of a small town Welsh girl and her journey to the “Big City” covers well-trodden territory, but with its comedic genius, and toe tapping m…
Editorial Staff
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REVIEW: Stevie, Hampstead Theatre ✭✭✭
In the title role, Zoe Wanamaker is in terrific form. She is wholly believable as a woman out of place in the world but entirely at home in the confines of h…
Stephen Collins
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REVIEW: Closer, Donmar Warehouse ✭✭✭✭
Watching David Leveaux' stylish revival at the Donmar Warehouse, Closer seems not so much a play about people who don't have children yet as a play about gro…
Stephen Collins
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REVIEW: Jesus Christ Superstar UK Tour ✭✭✭✭
Returning to a role he first played in Gale Edwards' 1996 Lyceum Theatre revival of Jesus Christ Superstar, Glenn Carter is in tremendous form as Jesus. As J…
Stephen Collins
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REVIEW: Antigone, Barbican ✭✭✭✭
If your view of Greek tragedy is that it should be interminable, histrionic, lyrical, grand and unfathomably disturbing, then this Antigone is not for you. B…
Stephen Collins
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REVIEW: The Phantom Of The Opera, Her Majesty's Theatre ✭✭✭✭
Although there are a few moments when the old girl creaks slightly, for the most part the staging feels contemporary and interest is snapped to attention rig…
Stephen Collins
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REVIEW: Let It Be, Garrick Theatre ✭✭✭✭
Let It Be is a musical celebration of the Beatles and the many, many glorious hits that they recorded during the decade from 1906 to 1970. The show does not …
Douglas Mayo
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REVIEW: The Producers, Churchill Theatre Then Touring ✭✭✭✭
Wry and rapscallion, Cory English's Max is perennially down and out and glibly shooting the breeze simultaneously. Jason Manford carefully crafts Leo as a bu…
Stephen Collins
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REVIEW: Be Bop A Lula, Ambassador's Theatre ✭✭✭
Be Bop A Lula is a well-staged concert, to expect anything more would invite disappointment. What you will get from Be Bop A Lula is an evening of great musi…
Douglas Mayo
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REVIEW: Loserville, Union Theatre ✭✭✭✭
With direction from Michael Burgen, musical direction from Bryan Hodgson, and choreography by Matt Kazan, this version of Loserville sparkles with enthusiast…
Stephen Collins
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Review: Hellscreen, Vault Festival ✭✭✭✭
Morgan Lloyd Malcolm and Rachel Parish transfer the core thematic and psychological matrix of the story very successfully into the framework of the modern ar…
Tim Hochstrasser
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REVIEW: Ruby Wax - Sane New World ✭✭✭
Ruby Wax is a transatlantic treasure. So it was terribly exciting to hear of her brand new one woman show, Sane New World, playing for a limited run at the S…
Editorial Staff
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REVIEW: Jerry's Girls, St James Studio ✭✭✭
Ria Jones is the real deal, a generous performer of true skill and intelligence. She has that impressive ability to summon up a mood, an atmosphere, with a s…
Stephen Collins
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REVIEW: Dara, Lyttleton Theatre ✭✭✭
The vision that Fall and Ronder and their team have for Dara is as grand and awesome as the Taj Mahal itself. Lindsay's wonderful set uses the full length, b…
Stephen Collins
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REVIEW: Farinelli And The King, Sam Wanamaker Playhouse ✭✭✭✭
It is a slight, but quite beautiful, play, perfectly suited to the intimate grandeur of the space, and quite intoxicating, so perfectly judged is everything …
Stephen Collins
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REVIEW: Yarico, London Theatre Workshop ✭✭✭
The tale of Yarico has a potency and universality that makes it almost perfect subject matter for treatment as a musical or opera. What makes the entire expe…
Stephen Collins
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REVIEW: Kill Me Now, Park Theatre ✭✭✭✭
Brad Fraser's play, Kill Me Now, is an eye-opener. It approaches difficult, taboo even, topics with unerring candour. As the inaptly named Sturdy family fac…
Stephen Collins
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REVIEW: Love's Labour's Won, Royal Shakespeare Theatre ✭✭✭✭
Christopher Luscombe's very funny version of the Beatrice/Benedick show complete with magnificent, period set (Simon Highlett), some fabulous costumes, Nigel…
Stephen Collins
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REVIEW: The Shoemaker's Holiday, Swan Theatre ✭✭✭✭
Breen squeezes every bit of comedic possibility from the play. The repertory company, so good in the dramatic and enthralling Oppenheimer, prove to be equall…
Stephen Collins
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REVIEW: Man And Superman, Lyttelton Theatre ✭✭✭✭✭
Front and centre, shouldering a Herculean workload of complicated, dense dialogue, is Ralph Fiennes in absolutely cracking form. He has unflagging energy and…
Stephen Collins
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REVIEW: Hamlet, English Repertory Theatre ✭✭✭
There is no ghost, effectively no gravedigger scene, and the first two acts of the play have been telescoped so as to remove much of Hamlet’s delays and equi…
Tim Hochstrasser
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REVIEW: Beautiful, Aldwych Theatre ✭✭✭✭✭
The throbbing, majestic and luminous heart of this production comes from Katie Brayben's faultless, radiant and absolutely triumphant turn as Carole King. Br…
Stephen Collins
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REVIEW: Stand And Deliver, King's Head Theatre ✭
Stand and Deliver is a curious piece of theatre, now playing at the King’s Head in Angel. There are some very funny moments reminiscent of Carry On, some foo…
Editorial Staff
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REVIEW: Miniaturists 50, Arcola Theatre ✭✭✭
The Miniaturist night at The Arcola Theatre is a wonderful evening of brand new short plays by some of the UK’s top young writing talent. But ultimately, the…
Editorial Staff
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REVIEW: How To Hold Your Breath, Royal Court ✭✭
Maxine Peake is a skilled and sensitive actress who does everything possible to breathe life into her character, Dana, and the weird journey she takes. Peake…
Stephen Collins
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REVIEW: Marching On Together, Old Red Lion Theatre ✭✭✭✭
The world Of Marching On Together is a raw, realistic one. As playwright, Hughes imbues each of his characters with harsh truth, his dialogue has incredible …
Douglas Mayo
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REVIEW: A View From The Bridge, Wyndham's Theatre ✭✭✭✭✭
At the centre of the maelstrom of human experience that whips up and around and in Jan Versweyveld's spare set is the towering, mesmerising and faultless tu…
Stephen Collins
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REVIEW: Jekyll and Hyde, Greenwich Theatre (then UK Tour) ✭✭✭
Jekyll & Hyde is confronting in many ways and squarely raises the question of where the line is drawn between unpleasant, complicit voyeurism and involvi…
Stephen Collins
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REVIEW: The Grand Tour, Finborough Theatre ✭✭✭✭✭
From the moment Alastair Brookshaw's astonishing S.L. Jacobowsky, alone on stage, starts the narrative running, the audience is hooked, completely aware that…
Stephen Collins
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REVIEW: Beowulf, Etcetera Theatre ✭✭✭
Part improvisation, part slick comedy routine, part pantomime, part musical, part physical theatre, part arrant nonsense, this Beowulf is an imaginative comi…
Stephen Collins
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REVIEW: Oh What A Lovely War!, Richmond Theatre (Touring) ✭✭✭✭
Oh What A Lovely War still has great relevance and, in at least one respect, has more power now than it ever has. It is a combination of sketches, jokes, mus…
Stephen Collins
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REVIEW: Gods and Monsters, Southwark Playhouse ✭✭✭✭
Don’t come to Gods and Monsters expecting a re-telling of the making of Frankenstein. It’s far more than that. This is a well-told tale full of humour, emoti…
Douglas Mayo
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REVIEW: How To Hold Your Breath, Royal Court Theatre ✭✭✭✭
Zinnie Harris's How to Hold Your Breath is a perplexing play, but not necessarily in a bad way. With a shifting tone from comedy to horror, it takes you in d…
Mark Ludmon
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REVIEW: She Loves Me, Landor Theatre ✭✭✭✭
McWhir understands the limitations of the Landor intimately and is especially skilled at making the most of those limitations. This production of She Loves M…
Stephen Collins
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REVIEW: Happy Endings, Arcola Theatre ✭
Gov's idea - a confrontational musical fantasy dealing with the realities of Cancer, Cancer treatment and human responses to both - is inspired. In the secon…
Stephen Collins
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REVIEW: Joseph And The Amazing Technicolor Dreamcoat, Watford Colloseum (Touring) ✭✭✭✭
With an energetic and talented ensemble, the show gives the audience everything they came for, from the much-loved songs to comedy bordering on campness. You…
Mark Ludmon
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REVIEW: The Hard Problem, Dorfman Theatre ✭✭
The Hard Problem is populated with unpleasant and unlikeable people spouting difficult scientific jargon in a sea of sentimental and predictable banality. Th…
Stephen Collins
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REVIEW: Inigo, White Bear Theatre ✭✭
Inigo is an ambitious biographical play, recounting the life of the saint who would one day be known throughout the Western Christian world as Ignatius of Lo…
Editorial Staff
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REVIEW: Arcadia, Theatre Royal Brighton Then On Tour ✭✭✭
It's a symphony of wit and wisdom wrapped up in a puzzle, a puzzle which is shattered and then, like a fiendishly difficult jigsaw puzzle, is put back togeth…
Stephen Collins
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REVIEW: Away From Home, Upstairs At The Arts ✭✭✭✭✭
It's an incredible performance from Ward. It's no easy feat to pull off a one man show as one character, let alone to be holding three and four way conversat…
Douglas Mayo
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REVIEW: The Separation, Theatre 503 ✭✭
The Separation, now at Theatre503, is a puzzle. Set on the eve of the Irish divorce referendum of 1995, the play confronts a real world, extremely difficult …
Editorial Staff
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REVIEW: Di and Viv and Rose, Vaudeville Theatre ✭✭✭✭
Russell is the key to the trio, the ebullient, man-hungry, life-grabbing, and casually irritating Rose. Outhwaite is forthright and calming and when her worl…
Stephen Collins
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REVIEW: Hello/Goodbye, Hampstead Theatre ✭✭
Shaun Evans demonstrates convincingly his skills as an actor - his enlivening of Alex is complex, rich in detail, and utterly beguiling. Capricious, selfish,…
Stephen Collins
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REVIEW:Merit, The Drum - Plymouth ✭✭✭
Merit has a timeless quality, examining themes relevant to any society going through economic upheaval. It also explores broader ideas such as our responsibi…
Mark Ludmon
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REVIEW: Whistle Down The Wind, Union Theatre ✭✭✭
Regan's sure and steady direction brings the piece to life with charm and warmth. From the moment the three siblings rescue three new-born kittens from drown…
Stephen Collins
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REVIEW: Oppenheimer, Swan Theatre ✭✭✭✭✭
Morton-Smith has written a masterpiece which Angus Jackson has cast and directed in a way which gives it full measure, lustre and power. No one here gives an…
Stephen Collins
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REVIEW: The Christmas Truce, RSC ✭✭
The greatest disappointment here is the missed opportunity. The RSC could have created a masterful work that gave great insight into the remarkable events of…
Stephen Collins
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REVIEW: Spamalot, Richmond Theatre (on Tour) ✭✭✭✭
The balance in Luscombe's revival is precisely right. The "make-do" feel of the sets is in sync with the coconut clacking of the unrelentingly cheery Patsy a…
Stephen Collins
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REVIEW: The Ruling Class, Trafalgar Studios ✭✭✭✭
James McAvoy is a true, blistering, white-hot star who lights up every moment he is on stage, whose smile and darting, impressive eyes can say whatever he wa…
Stephen Collins
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REVIEW: The Changeling, Sam Wanamaker Playhouse ✭✭✭✭
Dromgoole’s production is detailed and clear, effortlessly moving from the sombre and macabre world of Beatrice-Joanna to the lighter, albeit equally odd, wo…
Stephen Collins
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REVIEW: A Little Night Music Concert, Palace Theatre ✭✭✭✭
Wheeler's dialogue sparkled and fizzed, even in the mouths of those who were oddly or badly miscast. The sense of the quality of the literary glories of the …
Stephen Collins
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REVIEW: The Nunziata Brothers, Studio 54 Below ✭✭
Tonight, the cabaret in question was an incredibly camp set of numbers from (mostly) Broadway shows delivered by two twins, both gay, both rake thin, both dr…
Stephen Collins
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REVIEW: Trois Ruptures / Three Ruptures, Chelsea Theatre ✭✭✭
Reminiscent of the works of Ionesco, Trois Ruptures is a triptych of breakups—relationships that end for various reasons, exhaustion, latent homosexuality, a…
Editorial Staff
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REVIEW: Diary Of A Nobody, Kings Head Theatre ✭✭✭✭
Currently at the King’s Head Theatre, Diary of A Nobody is a wonderful mix of the best bits of Python-esque slapstick, multi-performances reminiscent of the …
Editorial Staff
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REVIEW: The Railway Children, Kings Cross Theatre ✭✭✭✭
Don’t miss this amazing production. The Railway Children is a fabulous few hours of entertainment that adults and children alike will enjoy. Embrace your inn…
Douglas Mayo
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REVIEW: Tree, Old Vic Theatre ✭✭✭✭✭
It's gentle, fascinating stuff. Watching these two very different men bond over nothing really, except their maleness, and trade banter, bad jokes and tidbit…
Stephen Collins
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REVIEW: Bad Jews, St James Theatre ✭✭✭✭
Harmon writes vicious dialogue fearlessly and with potent froth. The characters are clearly defined by their speech and each seems real, accessible - possibl…
Stephen Collins
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REVIEW: My Night With Reg, Apollo Theatre ✭✭✭✭
Some of the performances are deliberately bigger, determinedly more overtly comic, less confrontational than they were at the Donmar. This lessens the dramat…
Stephen Collins
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REVIEW: Dying For It, Atlantic Theatre Company ✭✭✭✭
The best scenes were the group set pieces – the enthusiastic party to celebrate Semyon’s planned suicide and the reveal around the coffin when the truth come…
Stephen Collins
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REVIEW: Every Brilliant Thing, Barrow Street Theatre ✭✭✭✭✭
Donahoe's skill and effortless charisma has been inspirational. The play has shown, brightly and clearly, how no one is immune from the possibility of depres…
Stephen Collins
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REVIEW: Honeymoon In Vegas, James Nederlander Theatre ✭✭✭
Here, Jason Robert Brown has set out to write fun, jolly music for a silly story, and he has added some gorgeous ballads along the way and a couple of genuin…
Stephen Collins
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REVIEW: Into The Woods, Roundabout At Laura Pels Theatre ✭✭✭✭
Derek McLane provides a set which looks like the shattered innards of a grand piano. The proscenium is framed by bits of piano, and the back wall is almost e…
Stephen Collins
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REVIEW: The Elephant Man, Booth Theatre ✭✭✭✭✭
At first glance it is a simple historical tale with a couple of central star turns; unremarkable fodder but capable of reaching glitzy heights. Ellis sees be…
Stephen Collins
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REVIEW: I'm Gonna Pray For You So Hard, Atlantic Theatre Company ✭✭✭✭
Although there are a lot of genuine laughs, many at the expense of theatre critics (subject matter that keeps on giving), this is not a comedy. It is squid i…
Stephen Collins
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REVIEW: A Delicate Balance, John Golden Theatre ✭✭✭✭
This production sets its own agenda, all with the express blessing of the text, and the result is an energised, specific reading which focuses on loss, terro…
Stephen Collins
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REVIEW: Bat Boy, Southwark Playhouse ✭✭✭✭
Rob Compton is quite remarkable in the title role here. The pain and anger and fear he expresses through vocal guttural cries combined with the way he uses h…
Stephen Collins
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REVIEW: Constellations, Samuel J Friedman Theatre ✭✭✭✭✭
The acting is of the highest order. Every word, every pause, every gesture - all is precisely calibrated and thoughtfully designed to ensure maximum interest…
Stephen Collins
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REVIEW: Beautiful, Stephen Sondheim Theatre, ✭✭✭✭✭
It's soon to arrive in London. For a show that has been running for a year on Broadway, it is in tight, taut and terrific shape. Not a single person is dragg…
Stephen Collins
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REVIEW: A Month In The Country, Classic Stage Company ✭✭✭✭
Turgenev's play is a delightful confection - putting raw emotion up against the rigours of society and the practicality of humankind. It has an intricate yet…
Stephen Collins
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REVIEW: Lyrics and Lyricists, Theresa L Kaufmann Concert Hall ✭✭✭
What a great idea for a concert: six performers, a narrator and a small orchestra looking at the product of the fruitful collaboration between Hal Prince and…
Stephen Collins
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REVIEW: The River, Circle In The Square ✭✭✭
The second scene begins in darkness, palpably urgent as the Man returns from the river, alone, and desperately tries to call the police. The Woman is missing…
Stephen Collins
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REVIEW: Ivy & Joan, Jermyn St Theatre ✭✭✭
For both Joan and Ivy, their lives are about to change, even if they themselves cannot, but James Hogan leaves us with little hope that it will be a change f…
Mark Ludmon
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REVIEW: Little Shop Of Horrors, Royal Exchange Manchester ✭✭✭✭✭
Seriously - anyone interested in good productions of musicals should hot foot it to Manchester to catch Bond's work. The puppet plants which Olié produces he…
Stephen Collins
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REVIEW: Almost, Maine. Park Theatre ✭✭✭✭
Cleverly and imaginatively crafted, Almost, Maine is a delightful show that will warm the coldest of hearts this winter.
Mark Ludmon
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