A CELEBRATION OF THE TALENT OF MICHAEL JACKSON
A spectacular high-octane celebration, Thriller Live at the Lyric Theatre is a tribute to the King of Pop, Michael Jackson.
First performed in 2006, Thriller Live moon-walked into the West End after three acclaimed UK tours and standing ovations across Europe. In a career spanning 40 years, Michael Jackson sold an unparalleled 750 million records worldwide with the Thriller album still the world’s best-selling recording of all time. His music continues to sell in its millions, winning new fans young and old alike.
Featuring all the music from Michael Jackson’s career from his earliest time in the Jackson 5, Thriller Live songs include I Want You Back, ABC, Can You Feel It, Off The Wall, The Way You Make Me Feel, Smooth Criminal, Beat It, Billie Jean, Dirty Diana, They Don’t care About Us plus many more!
Thriller Live features dazzling dance routines courtesy of the show’s director and choreographer, Gary Lloyd who has worked with top artists like Leona Lewis, Will Young, Girls Aloud, Pink and Robbie Williams. There’s also choreography by MTV multi-award winner, LaVelle Smith Jnr, who has worked with Michael and Janet Jackson, The Rolling Stones, Diana Ross, Rod Stewart, Destiny’s Child and Beyonce.
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Director/Choreographer – Gary Lloyd
Creator – Adrian Grant
Set Design – Jonathan Park
Thriller Live offers a great night out, though the excessive running time means that it doesn’t stop until you’ve had more than enough.
Charles Spencer, The Telegraph
It’s a shame that Gary Lloyd’s production has no theatrical justification whatsoever, but the presentation is so enjoyably theatrical that the objection disintegrates. There’s a wonderful catalogue of late Motown, blues and early indie rock that covers a whole era of pop music at its best.
Michael Coveney, The Independent
It’s cute, kicking and retro, but also highlights a danger that looms large in this show: that even as a tot, Jackson was supremely gifted performer – both as a singer and a dancer – and this tribute, however well intended, inevitably pales by comparison
Sanjy Roy, The Guardian