BritishTheatre

Suche

Seit 1999

Vertraute Nachrichten & Rezensionen

25

Jahre

Das Beste des britischen Theaters

Offizielle
Tickets

Wählen Sie
Ihre Sitze aus

Seit 1999

25 Jahre

Offizielle Tickets

Plätze auswählen

REVIEW: Beginning, National Theatre ✭✭✭✭

Veröffentlicht am

13. Oktober 2017

Von

markludmon

Justine Mitchell and Sam Troughton in Beginning. Beginning

Dorfman, National Theatre

Four stars

Book Tickets

Two people dancing to Bros has probably never been so filled with such layers of drama, comedy and emotion as in David Eldridge’s latest play, Beginning. It is one of the highlights in a production that resembles a dance between a man and a woman, moving tentatively and nervously around each other, possibly edging towards what could be the beginning of something.

 

Justine Mitchell and Sam Troughton in Beginning.

Beginning starts late at night in the Crouch End flat of Laura after everyone has left her housewarming party except for Danny who has been eyeing her up all night. They couldn’t be more different: she has a home in a smart north London neighbourhood, he comes from Essex; she is sexually confident, he is shy and lives with his mum and nan. But, as the clock ticks, layers are peeled away to reveal they have more in common than just a love of scotch eggs. Forty-two-year-old Danny has been broken by a past relationship and Laura, at 38, has her own anxieties, while both struggle with being alone as they approach middle age – single despite living in a world full of friends, colleagues and online dating.

 

Sam Troughton and Justine Mitchell in Beginning

Their awkwardness is funny and delightfully painful to watch but, as we start to understand the baggage they carry, it feels more uncomfortable and almost voyeuristic. Directed by Polly Findlay, Justine Mitchell and Sam Troughton give beautifully crafted performances, bringing meaning to every intonation, movement and expression.  They move like magnets around each other, continually attracting and repelling each other, where one misjudged comment can fling them to opposite ends of the stage – or to the safety of the kitchen.

The set, designed by Fly Davis, creates Laura’s living room in meticulous detail, with furniture and party detritus like a landscape of obstacles for Laura and Danny to negotiate as they get to know each other. At times very funny, Beginning also has moments of heart-breaking intensity but without  becoming sentimental. It is a masterful two-hander that will especially resonate with anyone who finds themselves single as they face middle age.

Running to November 14, 2017

BOOK NOW FOR BEGINNING AT THE NATIONAL THEATRE

Die BritishTheatre.com Website wurde geschaffen, um die reiche und vielfältige Theaterkultur des Vereinigten Königreichs zu feiern. Unser Ziel ist es, die neuesten Nachrichten aus dem UK-Theater, West End-Rezensionen und Einblicke sowohl in das regionale Theater als auch in Londoner Theaterkarten bereitzustellen, damit Begeisterte stets auf dem Laufenden bleiben, von den größten West End Musicals bis hin zu avantgardistischem Fringe-Theater. Wir sind leidenschaftlich daran interessiert, die darstellenden Künste in all ihren Formen zu fördern und zu unterstützen.

Der Geist des Theaters lebt und blüht, und BritishTheatre.com steht an der Spitze, um den Theaterliebhabern rechtzeitige und autoritative Nachrichten und Informationen zu liefern. Unser engagiertes Team von Theaterjournalisten und Kritikern arbeitet unermüdlich daran, jede Produktion und jedes Event zu behandeln, sodass Sie einfach auf die neuesten Rezensionen zugreifen und Londoner Theaterkarten für Must-See-Shows buchen können.

THEATER-NACHRICHTEN

KARTEN

THEATER-NACHRICHTEN

KARTEN