BritishTheatre

搜索

自 1999年

值得信赖的新闻与评论

二十五

英国戏剧精选

官方
门票

选择
您的座位

自 1999年

25年

官方戏票

选择座位

REVIEW: Assassins, Pleasance Theatre ✭✭✭✭

发布日期

2018年3月24日

danielcolemancooke

Danny Coleman-Cooke reviews Assassins, a musical by Stephen Sondheim and John Weidman at the Pleasance Theatre.

The company of Assassins at the Pleasance Theatre Assassins

Pleasance Theatre

22 March 2018

4 stars

Book Now

It must have been a brave producer that first gave the green light to Assassins; a musical profiling eight people who have fired shots at US presidents.

From some of the more well known miscreants (John Wilkes Booth, Lee Harvey Oswald) to the less known (those who killed Presidents McKinley and Garfield), the show presents an alternate world where all these assassins live and interact together.

Whilst an unlikely premise, it is a fantastic story, building some complex and varied characters, all with different motivations but united by a common point of history.  The action is held together by a narrator, or Balladeer (an excellent Jason Kajdi) who provides useful historical context.

The music is terrific, just as you’d expect from Sondheim, with the lyrical genius and memorable tunes you’d expect from one of our greatest composers. This comes to its zenith at the Ballad of Guiteau, as Charles Guiteau veers between religious serenity and hyperactive mania.

It is an extremely strong ensemble cast who work perfectly in sync and show versatility in playing multiple characters. Particularly impressive was Andrew Pepper as Guiteau, Toby Hine as a quiet and sensitive John Hinckley and Michaela Cartmell brings humour to the demonic Lynette “Squeaky” Froome.

Alfie Parker also delivers a truly wonderful monologue as Sam Byck, the raging loner who is obsessed with Leonard Bernstein’s love ballads.

The show takes on an underlying resonance in the age of Trump, who has both hinted that political opponents should be assassinated and has been targeted for assassination himself.

It also seems especially pertinent in the wake of the recent mass shootings across the Atlantic. The show does not seek to glamorise the perpetrators (as some claimed before it first opened in 1990), but shows them as damaged and tragic figures who have caused untold damage to their lives and others. In other words, people who should be nowhere near a gun…

There were a few glitches with the sound on press night and the Lee Harvey Oswald section dragged on a bit longer than felt necessary, but it was a truly wonderful show. The almost two hour running time zoomed by, always the sign of a play that hits the spot.

The company of Assassins at the Pleasance Theatre Not only did I leave the Pleasance with a smile on my face, but Assassins also sent me into a tailspin of historical research when I got home, as I yearned to find out more about these intriguing characters. And that in many ways is the greatest compliment of all.

Until 8 April 2018

BOOK NOW FOR ASSASSINS AT PLEASANCE THEATRE

BritishTheatre.com 网站的创建旨在庆祝英国丰富多样的戏剧文化。我们的使命是提供最新的英国剧院新闻伦敦西区评论,以及地方剧院伦敦戏剧票的见解,确保戏剧爱好者可以及时了解从最盛大的伦敦西区音乐剧到前沿的边缘戏剧的一切。我们热衷于鼓励和培养各种形式的表演艺术。

戏剧的精神生生不息,而BritishTheatre.com位于前沿地带,向戏剧爱好者提供及时、权威的新闻和信息。我们敬业的剧院记者评论家团队不懈努力,报道每一场制作和活动,使您能够轻松获取最新评论并预订必看的伦敦戏剧票

剧院新闻

票务

剧院新闻

票务