4.6 ★
£119.90
About the show
Cream is currently listed as an ended production in the British Theatre archive.
Cream is preserved in the British Theatre archive as a historical production.
Verified archive references place the production at Canal Café Theatre.
British Theatre coverage for this title is dated 3 July 2017.
Cancellation policy: theatre tickets cannot be cancelled, exchanged, or refunded once purchased.
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Review
REVIEW: Cream, Canal Café Theatre ✭✭✭
Yes, this whole show – hastily put together in barely a week - might well shine a bit more with a little more rehearsal and polish, but the ending is full of optimistic verve and good cheer.
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Margolyes is all stillness and urgent rouge-et-noir power; her delivery like acid etching a design on copperplate. Barber speaks with that magical voice that sounds like oloroso mixed with double cream and sprinkled with Pyrenean truffle. Every second in their company is like reading a gorgeous glossy magazine that you just can’t put down.
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Over the past forty years, the Olivier Awards has marked the cream of London’s artistic talent. This anniversary concert brought together some showstopping stars, past and present, to provide a fitting tribute to the capital’s musical theatre.
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REVIEW: The Gin Game, Golden Theatre ✭✭✭
Both actors here are doing something quite different from a drawing room comedy. They are trying to make a point and, bravely, one that extends beyond the Caucasian community. Ill-treatment of women is everywhere and it must be stopped - that is what this version of The Gin Game screams. It's just that no one seems to be listening.
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REVIEW: The Jew Of Malta, Swan Theatre ✭✭✭✭
This is a play where the inhabitants of a Nunnery are slain by poisoned porridge; where the daughter of a Jew becomes a Christian Nun, twice; where, having purchased a Thracian slave, owner and slave engage in a bout of one-upmanship about the vile deeds they claim to enjoy; where Friars are referred to as "religious caterpillars"; where the Jew inquires if theft is the basis of Christianity; where a Friar casually asks if the Jew has been "crucifying children"; and where no one, really, has any redeeming features. It all but screams farce, even if some of the subject matter is repugnant and, sadly, deadly accurate.
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Cream