News
Tamsin Greig joins company of Shakespeare's Women at Sam Wanamaker Playhouse
Tamsin Greig is to join the cast of Shakespeare's Women at Shakespeare'sm Globe for a limited season from 7 January 2024.
Douglas Mayo
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Venue
The Sam Wanamaker Playhouse is an indoor theatre forming part of the Shakespeare's Globe complex, along with the recreated Globe Theatre on Bankside in Southwark, London. Built by making use of 17th-century plans for an indoor English theatre, the playhouse recalls the layout and style of the Blackfriars Theatre (which also existed in Shakespeare's time), although it is not an exact reconstruction.
Photos via Google. Attributions: Ellie Cripps, Laura Marzec, Ana Sandra, David Terris
Google rating
4.7 ★ (920)
The Sam Wanamaker Playhouse is an indoor theatre forming part of the Shakespeare's Globe complex, along with the recreated Globe Theatre on Bankside in Southwark, London. Built by making use of 17th-century plans for an indoor English theatre, the playhouse recalls the layout and style of the Blackfriars Theatre (which also existed in Shakespeare's time), although it is not an exact reconstruction.
The shell was intended to house a simulacrum of the sixteenth-century Blackfriars Theatre from the opposite side of the Thames, adapted as a playhouse in 1596 during Elizabeth's reign. The Lord Chamberlain's Men, Shakespeare's playing company, began to use it in 1608, five years into the Jacobean era. As no reliable plans of the Blackfriars Theatre are known, the plan for the new theatre was based on drawings found in the 1960s at Worcester College, Oxford, at first thought to date from the early 17th century, and to be the work of Inigo Jones. The shell was built to accommodate a theatre as specified by the drawings, and the planned name was the Inigo Jones Theatre. In 2005, the drawings were dated to 1660 and attributed to John Webb. They nevertheless represent the earliest known plan for an English theatre, and are thought to approximate the layout of the Blackfriars Theatre. Some features believed to be typical of earlier in the 17th century were added to the new theatre's design. The shell was initially used as a rehearsal space, and for education projects. On 24 February 2012 it was announced that the new theatre would be named the Sam Wanamaker Theatre, after the founder of the Shakespeare Globe Trust, and work on it would commence in October that year. It was also announced that the total cost would be £7 million, and that an anonymous donor had pledged £1 for every £1 the theatre itself raised, up to a maximum of £3 million. The theatre was completed at a cost of £7.5 million. Designed by Jon Greenfield, in collaboration with Allies and Morrison, it is an oak structure built inside the building's brick shell. The thrust stage is surmounted by a musicians' gallery, and the theatre has an ornately painted ceiling. The seating capacity is 340, with benches in a pit and two horse-shoe galleries, placing the audience close to the actors. Shutters around the first gallery admit artificial daylight. When the shutters are closed, lighting is provided by beeswax candles mounted in sconces, as well as on six height-adjustable chandeliers and even held by the actors. The design incorporated extensive fire precautions. Under the slightly revised name of the Sam Wanamaker Playhouse, the theatre's opening two productions were of plays first performed at the original Blackfriars Theatre: The Duchess of Malfi opened on 15 January 2014 and this was followed by the comedy The Knight of the Burning Pestle. In the winter 2015–16 season Shakespeare's four late tragicomic plays – Pericles, Cymbeline, The Winter's Tale and The Tempest – were staged.
Box office closed · opens sunday 12am
These are the box office (ticket desk) hours supplied by Google. The theatre itself opens around 45 minutes before curtain-up — always check your ticket for the performance start time. You can book online any time through British Theatre.
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Accessibility information supplied by Google Maps. Please contact the venue directly to confirm details for your visit.
Unique venue and the directing and acting in The Tempest made the most of it with interaction and modern references alongside musical harmonies that enhanced original and did not detract.
Stunning, beautiful, small indoor globe theatre the Sam Wanamaker Playhouse. We watched the Welsh inspired Romero and Juliet..stunning production and first time Romeo and Juliet was played in that theatre and the Welsh language being spoken too.. I was on stage seating which was very immersive very close up to the actors, you felt yaself was a part of the play!!! The theatre itself is stunning and kept the history feel to it..
We had seats A7, A8 in Upper Gallery. A8 is an aisle seat. Sightline was great but the seats were terrible. Very narrow backless bench seats. Extremely limited legroom. At times, the person behind me hit my back with his foot. Gross. My back was in pain by the time the show ended.
Loved the modern and silly take on Midsummer’s Night Dream I saw here, but was disappointed to learn they use candlelight AND stage lights since I thought the theater would be only candlelit and this took some of the magic from the experience. Overall enjoyed my time and would do again!
Reviews sourced from Google Maps.
There is no production currently on sale at sam-wanamaker-theatre. Check back soon, or browse our full list of West End shows.
You can call sam-wanamaker-theatre on 020 7401 9919. For tickets and bookings, please use British Theatre to secure the best seats.
The sam-wanamaker-theatre box office (ticket desk) operates: Monday: Open 24 hours; Tuesday: Open 24 hours; Wednesday: Open 24 hours; Thursday: Open 24 hours; Friday: Open 24 hours; Saturday: Open 24 hours; Sunday: Open 24 hours. Right now the box office is closed · opens sunday 12am. The theatre itself opens around 45 minutes before curtain-up — and you can book online any time through British Theatre.
sam-wanamaker-theatre offers wheelchair-accessible entrance, wheelchair-accessible toilets. Please contact the venue directly if you have specific access requirements.