I longed for a feather in my hair, to drink a bottle of champagne too fast and to play my part in the gritty debacle.
Author Archive | Alexa Terry
Dirty Great Love Story’ is sweet-natured and is told so inventively, making it no surprise that it has had the success it has
We asked our reviewers to take a look at 2016 and to nominate some stand out productions for 2016. Alexa Terry replied with the following:- The Pianist of Willesden Lane Often, I find myself leaving the theatre with tear-streaked cheeks and puffy eyes. But, I was not prepared for the sobs that engulfed me, as […]
As I write this, I am envious of those who are yet to see this brilliant 20th-anniversary production which offers unparalleled, penetrating rawness, performed by a modest cast who surrender their souls to the book, score and to the broken New York artists whose stories they tell.
It has to be said: Marianne Benedict as Grizabella gives the best rendition of the infamous show tune that I have ever heard; with the climactic crescendo, her pipes burst with such raw integrity and the uninterrupted audience applause (which will undoubtedly be repeated at each performance) is whole-heartedly deserved.
The Entertainer’, a brilliantly performed play paralleling the breakdown of the British Empire and the decline of music hall, which concludes Kenneth Branagh’s season at the Garrick.
If I had been wearing a hat, I would have taken it off to Amanda Muggleton. Although I didn’t find the character to be particularly likeable, Muggleton’s extensive monologue is animated and, imaginative.
for me, ‘Murder Ballad’ is all about the exciting score which doesn’t depend on the screaming tenor, but on the sultry bass and an amalgamation of sexed up jazz/pop, with thirst-quenching rock belts (which are, of course, gratefully received). With their music and lyrics, Jordan and Nash blow the dust from the spine of a […]