Review
REVIEW: The Notebook, Gerald Schoenfeld Theatre ✭✭✭✭
Ray Rackham reviews the Broadway musical adaptation of The Notebook, now playing at the Gerald Schoenfeld Theatre, Broadway.
Ray Rackham
News & Reviews
Venue
The Gerald Schoenfeld Theatre (known as the Plymouth Theatre prior to 2004) is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City, New York, U.S. Opened in 1917, the theater was designed by Herbert J.
Photos via Google. Attributions: Gerald Schoenfeld Theatre, Gourmand, Ismael Rodriguez, Swetlana M.
Google rating
4.7 ★ (2k)
The Gerald Schoenfeld Theatre (known as the Plymouth Theatre prior to 2004) is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City, New York, U.S. Opened in 1917, the theater was designed by Herbert J.
The Gerald Schoenfeld Theatre is on 236 West 45th Street, on the south sidewalk between Eighth Avenue and Seventh Avenue, near Times Square in the Theater District of Midtown Manhattan in New York City, New York, U.S. The rectangular land lot covers 9,695 square feet (900.7 m2), with a frontage of 96.5 feet (29.4 m) on 44th Street and a depth of 100.42 feet (31 m). The Schoenfeld Theatre shares the city block with the Row NYC Hotel to the west. It adjoins six other theaters: the Majestic to the southwest, the John Golden and Bernard B. Jacobs to the west, the Booth to the east, the Shubert to the southeast, and the Broadhurst directly to the south. Other nearby structures include the Music Box Theatre, Imperial Theatre, and Richard Rodgers Theatre to the north; the New York Marriott Marquis to the northeast; One Astor Plaza to the east; and Sardi's restaurant, the Hayes Theater, and the St. James Theatre one block south. The Schoenfeld is part of the largest concentration of Broadway theaters on a single block. The adjoining block of 45th Street is also known as George Abbott Way, and foot traffic on the street increases box-office totals for the theaters there. The Broadhurst, Schoenfeld, Booth, and Shubert theaters were all developed by the Shubert brothers between 44th and 45th Streets, occupying land previously owned by the Astor family. The Broadhurst and Schoenfeld were built as a pair, occupying land left over from the development of the Shubert and Booth, which were also paired. The Broadhurst/Schoenfeld theatrical pair share an alley to the east, parallel to the larger Shubert Alley east of the Shubert/Booth pair. The Broadhurst/Schoenfeld alley was required under New York City construction codes of the time but, unlike Shubert Alley, it was closed to the public shortly after its completion. The Shuberts bought the land under all four theaters from the Astors in 1948.
The Schoenfeld Theatre was designed by Herbert J. Krapp and constructed in 1917 for the Shubert brothers as the Plymouth Theatre. The Broadhurst and Plymouth were two of Krapp's first theatrical designs as an independent architect. While the facades of the two theaters are similar in arrangement, the interiors have a different design both from each other and from their respective facades. The Schoenfeld is operated by the Shubert Organization.
Krapp designed the Broadhurst and Plymouth theaters with relatively simple brick-and-stone facades, instead relying on the arrangement of the brickwork for decorative purposes. The Broadhurst and Schoenfeld contain curved corners at the eastern portions of their respective facades, facing Broadway, since most audience members reached the theaters from that direction. The use of simple exterior-design elements was typical of Krapp's commissions for the Shubert family, giving these theaters the impression that they were mass-produced. The Broadhurst and Plymouth theaters' designs contrasted with Henry Beaumont Herts's earlier ornate designs of the Shubert and Booth theaters. Nevertheless, the use of curved east-facing corners was common to all four theaters. The Schoenfeld's facade is divided into two sections: the auditorium to the east and a stage house to the west. The facade is generally shorter than its width.
The ground floor of the auditorium contains a water table made of granite. The rest of the facade is largely made of architectural terracotta, which surrounds patches of buff brick in Flemish bond. Along the ground floor on 45th Street, there are three glass-and-bronze double doors with aluminum frames and transoms, which lead to the lobby. There are display boxes on either side of the lobby doors, and a bronze stage door is to the right (west) of these doors. A marquee extends above the doors. The northeastern corner of the facade is curved and contains an entrance to the ticket lobby. This entrance contains a double door, above which is a glass transom panel. The corner entrance is topped by a broken pediment, which is supported by console brackets on either side and contains an escutcheon at the center. Both the curved corner and the 45th Street facade contain terracotta frames, which are flanked by terracotta pilasters with stylized capitals. Along 45th Street, the auditorium's second and third floors contain a fire escape made of cast iron and wrought iron. There are doors and windows on both levels, leading to the fire escape. In addition, the fire escape's third-floor railing contains cast-iron depictions of ribands and shields, while a sheet-metal canopy covers the fire escape. Above the center of the third floor, on 45th Street, is a terracotta cartouche containing depictions of swags. The curved corner contains a third-floor window, topped by an oval escutcheon that is decorated with swags and fleur-de-lis. A terracotta cornice and a brick parapet run above the auditorium facade. The parapet is stepped and contains a coping made of sheet metal.
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My wife and I went to see a matinee performance of 'The Last Buena Vista Social Club' musical show at the Gerald Schonfeld Theatre during our visit to NYC as part of her 60th birthday celebrations - it was the 4th of 5 shows we saw in the Big Apple. It's a fairly small Broadway theatre with a capacity of 1,080, just off Time Square, with no front lobby upon entry. You enter straight into the main theatre from the street with a bar and toilets in the basement. The layout was virtually identical to the Shubert Theatre that we saw Hell's Kitchen in yesterday evening. Our heavily discounted tickets that we bought from the TKTS ticket booths at The Lincoln Center were for two seats to the left of center stage, 7 rows from the stage in the orchestra stalls, which provided us with an excellent close up view of the stage. We really enjoyed the musical, which tells an imagined story of the legendary Cuban musicians from the 1997 album of the same name, interweaving their journeys between the 1950s and 1996 as they reunited to create the Grammy-winning album, with a narration about theirs lives in English and the songs sung in Spanish. Even though we couldn't understand the lyrics of the songs we could feel the intense passion of the superb singers, accompanied by the equally passionate, fantastic musicians in the band & dancers, and I couldn't help move unconsciously to the rhythm of the joyful Cuban music. The seating was very tight and my wife had to endure a Latin lady, extremely likely a Cuban lady, dancing very vigorously in the chair next to her throughout the show and loudly cheering near her ear during and after every song. The stage wasn't huge but big enough to accommodate the 8 members of the band, 12 singers & dancers. The set was very inventive in making changes to depict several locations on the small stage.
Gerald Schoenfeld Theatre: Where Cuba Danced Me Back to Life (and My Wife Might’ve Whispered “Magic”) If Broadway is a religion, then Gerald Schoenfeld Theatre is the cathedral where Buena Vista Social Club led the most soulful sermon I’ve attended in decades. My wife and I went in with different expectations, me, hopeful; her, skeptical. We both left transformed. And no, not in the “we bought merch” kind of way. In the “we held hands tighter on the way home” kind of way. The show? A rhythm-soaked, heart-thumping, tear-summoning celebration of Cuban music and memory. Inspired by the Grammy-winning album and the legendary band that resurrected Cuba’s golden age of sound, this musical is not just a jukebox parade. It’s a full-bodied immersion into son, bolero, and the kind of joy that makes you forget your inbox exists. The cast? Electric. The score? Blistering. The choreography? So good I briefly considered quitting my job to become a backup dancer. For two hours, I forgot the world outside. I cried. I laughed. I loved my wife even more. And somewhere in the middle of Act II, I swear she turned to me and whispered, “This is magic.” Or maybe I imagined it. But if I did, it’s only because the show made it feel true. The theatre itself? Gerald Schoenfeld Theatre, nestled on 45th Street, is a gem with just the right amount of old-school charm and modern comfort. The seats are cozy enough to cradle your existential revelations, and the acoustics? Crisp enough to catch every pluck of the tres and every whispered lyric. The staff were warm, the bathrooms were clean (a Broadway miracle), and the vibe was pure New York: reverent, buzzing, and just a little bit glamorous. Pro tip: If you’re lucky, snag rush tickets for $45 or enter the digital lottery for $49 seats. Because this show? It’s worth every penny, every subway transfer, and every skeptical spouse you drag along. Final verdict: If you’re looking for a show that makes you feel alive, reminds you of love, and sends you home humming, Buena Vista Social Club at Schoenfeld is your ticket. I’ll be back. Maybe next time with tissues, dancing shoes, and a recorder to catch whispered magic.
Amazing performance by all the cast of Buena Vista Social Club! The theater seats are quite tight and for that reason, it's best to check your coat if you have one. Plenty of bars with practically no lines. Bathrooms clean and located on multiple floors. Traditional, classic style theater that add to the show experience.
We watched The Buena Vista Social Club and loved the experience. We were in the 5th row center so the view was excellent. The acoustics were great. The ambiance of the theatre is beautiful and takes you back.
Reviews sourced from Google Maps.
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