British Theatre
REVIEW: Before the Night is Through, The Landor Theatre ✭✭✭
HomeNews & ReviewsREVIEW: Before the Night is Through, The Landor Theatre ✭✭✭
20 February 2014 · 1 min read · 340 words

REVIEW: Before the Night is Through, The Landor Theatre ✭✭✭

Despite the first Act moving somewhat slowly, Act Two is when the musical really takes off with added cheekiness, inuendo and ridiculously outrageous farce, prompting much uncontrolled laughter from the audience. As a headlining show in the From Page to Stage series, Before the Night is Through is a delightfully jolly jaunt and proof that British musical theatre is alive and well.

Off West EndReviews

A fun romp with catchy show tunes, writes Sophia Longhi.

It’s 1934 and film star de jour, Honey Quenelle has invited a group of friends to her home on Lone Crow Island to celebrate her birthday, but it is not only the weather that takes a turn for the worst as it appears that one of the gang has ideas more sinister than simply refusing maid Mabel’s atrocious cooking. With all the components of a delicious murder mystery – a brood of eccentric characters, a storm outside and a sprinkling of chintzy glamour – it sets the stage for a good old musical theatre feast.

Before The Night is Through, as part of The Aria’s From Page to Stage season at The Landor, does nothing really to push the boundaries of musical theatre, but does everything to satisfy the appetite for a fun romp with catchy show tunes and laugh-out-loud farce. Olivia Thompson’s script is funny and the lyrics are sweet and clever, and with music by Chris Whitehead, you are left humming your way to the interval. With a spendid company of talented actors and singers, notable songs include the title number, Before The Night Is Through, sang gorgeously by Honey and Dickie, played by Amelia Adams-Pearce and Richard Colvin, You Can’t Believe That It Was Me, which showcased all of the cast’s voices and gave great insight to the individual characters, and Sorry, performed with utter hilarity by Jenny Gaynor as Farmonica. As well as Gaynor, Katie Brennan must be congratulated for her comical performance as the charmingly dithering Mabel, delivering Thompson’s Monty Python-esque one-liners with perfect timing and finesse. Despite the first Act moving somewhat slowly, Act Two is when the musical really takes off with added cheekiness, inuendo and ridiculously outrageous farce, prompting much uncontrolled laughter from the audience. As a headlining show in the From Page to Stage series, Before the Night is Through is a delightfully jolly jaunt and proof that British musical theatre is alive and well. Until 23rd February 2014 More info

E
Editorial Staff

Editorial Staff is a contributor at British Theatre, covering West End productions, London theatre news, casting updates, and UK stage trends.

Stay in the spotlight

Get the latest theatre news, reviews and exclusive offers straight to your inbox.

Shows mentioned

More from Editorial Staff

Related articles

REVIEW: SpinCycle, Theatre N16 ✭✭✭✭

News

REVIEW: SpinCycle, Theatre N16 ✭✭✭✭

Regardless of the format, theatre of telly, SpinCycle is a great piece of writing performed superbly by The Canting Crew. If only it were around for a longer run.

E

Editorial Staff

News & Reviews

REVIEW: Clarion, Arcola Theatre ✭✭

News

REVIEW: Clarion, Arcola Theatre ✭✭

Mark Jagasia not only fails to carry that stick, but it’s too heavy for him to pick up in the first place. “Clarion,” now playing at the Arcola, is the broadest bit of anti-newspaper criticism that’s been on the stage in years, and that includes the National’s crack at phone hacking, Great Britain.

E

Editorial Staff

News & Reviews

REVIEW: Master Of The Macabre, The Vaults Waterloo ✭✭

News

REVIEW: Master Of The Macabre, The Vaults Waterloo ✭✭

Master of the Macabre, now showing at The Vaults Theatre until 1 November, is a curious and entertaining evening. There are some fun thrills and tricks along the way, but ultimately it sort of falls flat, when it comes to its story and delivery.

E

Editorial Staff

News & Reviews

REVIEW: Metamorphoses, Earl Haig Hall ✭✭✭✭✭

News

REVIEW: Metamorphoses, Earl Haig Hall ✭✭✭✭✭

Metamorphoses plays through the rest of October, every Thursday to Sunday, and though Earl Haig Hall is in deepest darkest Crouch End, do not let the journey phase you. Take every train, tube, and bus necessary to go see this production. It is a must see.

E

Editorial Staff

News & Reviews

Type to search...