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Five Reasons To See: The Phantom Of the Opera
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7 May 2016 · 2 min read · 358 words

Five Reasons To See: The Phantom Of the Opera

Andrew Lloyd WebberCelinde SchoenmakerCharles HartFeaturesMaria BjornsonNews

Down Once More To the Dungeon Of My Black Despair. Celinde Schoenmaker as Christine Daae. This week, we headed down to the West End to check out The Phantom of the Opera, which is still pulling in huge crowds 30 years since it opened. Here’s our top five reasons to join the millions who have seen it.

1. Set and staging

The show is a visual feast, with Maria Björnson’s set design still inspiring awe after all these years. Whether it’s the smoke filled gondolas or majestic staircases, it makes for a spectacular and surprising experience. Combined with Harold Prince's direction and Gillian Lynne's choreography, Phantom still wows 30 years later.

2. Costumes

The show is also resplendent with some wonderful costumes, particularly during the Masquerade sequence at the start of the second half. Set in 1881, Phantom takes advantage of the colour and elaborateness of the period’s outfits. You may leave lamenting that we do not still wear gowns and top hats!

3. Music

The score for The Phantom Of The Opera composed by Andrew Lloyd Webber, with lyrics by Charles Hart, Richard Stilgoe (and Mike Batt!) boasts some well known classics – showstopping tunes like The Phantom of the Opera, All I Ask of You and Music of the Night. The score is far more operatic and intricate than many West End musicals, requiring some virtuoso performances from the cast. Phantom also features three brilliant shows within the show, specially composed operas that serve as the backdrop for much of the most dramatic action.

4. Celinde Schoenmaker as Christine Daae

Christine is one of the most iconic roles in musical theatre; a chorus girl who becomes the object of obsession for the mysterious Phantom. The immensely talented Schoenmaker, previously Fantine in Les Miserables, is a delight to watch, with a soaring voice and a remarkable upper register. Even though her character does not have the final bow, in many ways Schoenmaker’s performances makes the show her own.

5. The famous chandelier

No spoilers here but keep an eye on what’s above your head…

The Phantom of the Opera is at Her Majesty’s Theatre, where it is currently booking until October.

Danny Coleman-Cooke
Danny Coleman-Cooke

Danny Coleman-Cooke is an experienced writer, who covers news, sport and comedy for high-profile personalities and broadcasters. His speeches and scripts can be seen on stage, on primetime TV and in Parliament, broadcast to wide and diverse audiences. His experience includes writing for the BBC’s Have I Got News for You, Channel 4’s Paralympics coverage, and the Premier League’s live match commentary. He has also managed social media accounts for a number of major brands, including Tesco, The Guardian and the BBC. He's also a well-established speechwriter, scriptwriter and copywriter and has written for a wide range of famous faces in the world of politics and entertainment. He recently had his first theatrical credit, as co-writer of a musical adaptation of Beowulf, which toured the Midlands and was performed at the Royal Albert Hall. Danny is a huge theatre fan and was part of the writing team for the 2015 and 2016 Olivier Awards.

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Although there are a few moments when the old girl creaks slightly, for the most part the staging feels contemporary and interest is snapped to attention right from the very start, when the slightly menacing words of the auctioneer herald the commencement of proceedings. The sequences in the Phantom's lair, complete with boat, candles and ornate organ are almost hypnotic; tendrils of smoke wrap around the imagination, infusing the action and music with intrigue. Harriet Jones is beautiful, petite and alluring, exactly as Christine Daaé should be. Vocally, as the Phantom, Kieran Brown's fine, high-baritone is silky, seductive, and powerful.

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