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Stephen Sondheim's Old Friends - First Look Images
First look production images have been released for Stephen Sondheim's Old Friends now in previews at the Gielgud Theatre, London.
Douglas Mayo
News & Reviews
Venue
The Gielgud Theatre is a West End theatre, located on Shaftesbury Avenue, at the corner of Rupert Street, in the City of Westminster, London. The house currently has 994 seats on three levels.
Photos via Google. Attributions: Jacques Poudrier, Vasiliki Menegatou, Kenny Chau, Mario Yanyov
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London
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4.7 ★ (4.6k)
The Gielgud Theatre is a West End theatre, located on Shaftesbury Avenue, at the corner of Rupert Street, in the City of Westminster, London. The house currently has 994 seats on three levels.
The theatre opened on 27 December 1906 as the Hicks Theatre in honour of actor, manager and playwright Seymour Hicks, for whom it was built. Designed by W.G.R. Sprague in Louis XVI style, the theatre originally had 970 seats, but over the years boxes and other seats have been removed. The theatre is a pair with the Queen's Theatre, which opened in 1907 on the adjacent street corner. The first play at the theatre was a musical called The Beauty of Bath by Hicks and Cosmo Hamilton. My Darling, another Hicks musical, followed in 1907, followed by the original London production of Brewster's Millions, and the next year, the long-running London premiere production of the Straus operetta, A Waltz Dream . An astonishing event occurred midway through the run of the theatre's next major work, a musical titled The Dashing Little Duke (1909), which was produced by Hicks. Hicks' wife, Ellaline Terriss, played the title role (a woman playing a man). When she missed several performances due to illness, Hicks stepped into the role – possibly the only case in the history of musical theatre where a husband succeeded to his wife's role. In 1909, the American impresario Charles Frohman became sole manager of the theatre and renamed the house Globe Theatre (the "Globe Theatre" on Newcastle Street had been demolished in 1902, making the name available). The reopening production was His Borrowed Plumes, written by Lady Randolph Churchill, Winston Churchill's mother. During the First World War, the musical Peg O' My Heart was a success at the theatre. Noël Coward debuted his Fallen Angels here in 1925. Call It a Day by Dodie Smith opened in 1935 and ran for 509 performances, an unusually long run for the slow inter-war years. Shakespeare and classic plays, as well as musicals, were seen at the theatre in the decades that followed. In 1939, actor John Gielgud directed and starred in a revival of The Importance of Being Earnest that was "regarded at the time as the definitive production of the 20th century."
Gielgud took his production of The Lady's Not for Burning, by Christopher Fry, to the Globe Theatre in 1949 for a successful West End premiere. Likewise, in 1960, A Man For All Seasons had its stage premiere here. Terence Frisby's There's a Girl in My Soup, opening in 1966, ran for 1,064 performances at the theatre, a record that was not surpassed until Andrew Lloyd Webber's production of the Olivier Award-winning comedy Daisy Pulls It Off by Denise Deegan opened in April 1983 to run until February 1986 for 1,180 performances, the theatre's longest run. In 1987 Peter Shaffer's play Lettice and Lovage had a hit London premiere, starring Maggie Smith and Margaret Tyzack, and running for two years. One of several Coward revivals in recent decades, Design for Living, starring Rachel Weisz, transferred to the theatre in 1995. When Lloyd Webber rewrote Tell Me on a Sunday, he relaunched it at the theatre to good notices. The Globe was the home of a resident theatre cat named Beerbohm, after actor Herbert Beerbohm Tree. The tabby's portrait still hangs in the corridor near the stalls. Beerbohm appeared on stage at least once in every production, forcing the actors to improvise. He always chose to occupy certain actors' dressing rooms while they were at the theatre, including Peter Bowles, Michael Gambon and Penelope Keith. Beerbohm was mentioned several times on Desert Island Discs, and he was the only cat to have received a front-page obituary in the theatrical publication, The Stage. He died in March 1995 at the age of 20.
Refurbished in 1987, with extensive work on the gold leaf in the auditorium, the theatre is particularly notable for its beautiful circular Regency staircase, oval gallery and tower. The theatre has presented several Alan Ayckbourn premieres, including Man of the Moment (1990). Oscar Wilde's classic comedy, An Ideal Husband (1992) and One Flew Over the Cuckoo's Nest (2004) saw notable revivals, and the Royal Shakespeare Company and others have brought several Shakespeare and classic play revivals to the theatre in recent decades. The 2007 production of Equus attracted considerable press for the nude appearance of 17-year-old Daniel Radcliffe, who was still filming the Harry Potter films. The production was successful enough to transfer to Broadway and ran to 2009 there. Musicals returned in 2009 with a transfer of Avenue Q, and then a transfer from Broadway of Hair the next year, followed by the West End premiere of the stage version of Yes, Prime Minister before it went on tour. In 1994, in anticipation of the 1997 opening of the reconstruction of Shakespeare's Globe Theatre on the South Bank, to avoid public confusion, the theatre was renamed the Gielgud Theatre in honour of John Gielgud. In 2003, Cameron Mackintosh announced plans to refurbish the Gielgud, including a joint entrance foyer with the adjacent Queen's Theatre, facing on to Shaftesbury Avenue. Mackintosh's Delfont Mackintosh Theatres took over operational control of the Gielgud from Andrew Lloyd Webber's Really Useful Theatres in 2006. Work on the facade of the theatre started in March 2007 and the interior restoration, including reinstating the boxes at the back of the dress circle, was completed in January 2008. The theatre is one of the 40 theatres featured in the 2012 DVD documentary series Great West End Theatres, presented by Donald Sinden.
1906: The Beauty of Bath, by Seymour Hicks and Cosmo Hamilton 1907: Brewster's Millions by Winchell Smith & Byron Ongley 1908: A Waltz Dream an operetta by Oscar Straus 1914: Kismet, a revival of Edward Knoblock's play, with Henry Daniell in his London debut. 1916: Peg O' My Heart by John Hartley Manners 1920: Fédora, a revival of the 1882 play by Victorien Sardou, with Basil Rathbone as Loris Ipanoff 1925: Fallen Angels by Noël Coward, starring Tallulah Bankhead 1929: Canaries Sometimes Sing by Frederick Lonsdale, starring Yvonne Arnaud 1931: The Improper Duchess by James B. Fagan, starring Yvonne Arnaud and Frank Cellier. 1935: Call it a Day by Dodie Smith 1939: The Importance of Being Earnest by Oscar Wilde, with John Gielgud starring as well as directing 1942: The Petrified Forest by Robert E. Sherwood 1949: The Lady's Not for Burning by Christopher Fry, with Richard Burton in a supporting role 1960: A Man For All Seasons by Robert Bolt, starring Paul Scofield 1966: There's a Girl in My Soup by Terence Frisby 1966: The Matchgirls by Bill Owen 1976: A season of Barry Humphries as Dame Edna Everage 1978: The Rear Column by Simon Gray, starring Jeremy Irons, Barry Foster, Simon Ward and Clive Francis 1982: Design for Living by Noël Coward, starring Vanessa Redgrave 1983: Daisy Pulls It Off by Denise Deegan 1987: Lettice and Lovage by Peter Shaffer, starring Maggie Smith and Margaret Tyzack 1990: Man of the Moment by Alan Ayckbourn premiere 1992: An Ideal Husband by Oscar Wilde 1995: Design for Living, starring Rachel Weisz
Box office closed · opens 4:30pm
These are the box office (ticket desk) hours supplied by Google. The theatre itself opens around 45 minutes before curtain-up — always check your ticket for the performance start time. You can book online any time through British Theatre.
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Accessibility information supplied by Google Maps. Please contact the venue directly to confirm details for your visit.
Fantastic. The theatre is absolutely beautiful, only small but perfect. We went to see Oliver which was incredible. The cast were absolutely amazing. What a superb production. This was our first visit to this particular theatre and it didn't disappoint. It's history is amazing and when you sit a look around, then think of all the wonderful people that have trod them boards it was an honour to sit and see the talent and dedication of the people on that stage. Going to the theatre gives an experience that nothing else gets close to. This performance will hook you for ever, so it's a must to visit.
The Gielgud Theatre looks great from the outside and even better on the inside. Pretty much all of the seating gives an adequately good view with most of it giving a great view because of its design. The stage was larger than normal which had to be to put on such a show as Oliver. The Acoustics from the orchestra was amazing. Plenty of bars and toilets to accommodate such a wide audience.
I went to see Oliver and this musical was amazing! The decor was incredible and they had their own orchestra ! The actors were really good even more the children actors ! I greatly recommend seeing this play if you go to london!
Fantastic Theatre. Warm welcome into a bright and historic theatre. Had a box with private room and butler... All very reasonable too all considered, money wise. Saw Oliver! Top show.
Reviews sourced from Google Maps.
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You can call gielgud-theatre-london on 0344 482 5151. For tickets and bookings, please use British Theatre to secure the best seats.
The gielgud-theatre-london box office (ticket desk) operates: Monday: 4:30 – 7:30 PM; Tuesday: 4:30 – 7:30 PM; Wednesday: 12:30 – 7:30 PM; Thursday: 4:30 – 7:30 PM; Friday: 4:30 – 7:30 PM; Saturday: 12:30 – 7:30 PM; Sunday: Closed. Right now the box office is closed · opens 4:30pm. The theatre itself opens around 45 minutes before curtain-up — and you can book online any time through British Theatre.
gielgud-theatre-london offers wheelchair-accessible seating, wheelchair-accessible toilets. Please contact the venue directly if you have specific access requirements.