News
Bridge Theatre London: History, Seating and Tips
Bridge Theatre London: a visitor guide to the history, auditorium, flexible staging, best seats and how to get to the South Bank venue near Tower Bridge.
Emma Caldwell
News & Reviews
Venue
The Bridge Theatre is a commercial theatre near Tower Bridge in London that opened in October 2017. It was developed by Nick Starr and Nicholas Hytner as the home of the London Theatre Company, which they founded following their tenancy as executive director and artistic director, respectively, at the National Theatre.
Photos via Google. Attributions: Bridge Theatre, Andy Martin, Lawrence, BPM
City
London
Google rating
4.6 ★ (879)
The Bridge Theatre is a commercial theatre near Tower Bridge in London that opened in October 2017. It was developed by Nick Starr and Nicholas Hytner as the home of the London Theatre Company, which they founded following their tenancy as executive director and artistic director, respectively, at the National Theatre.
The theatre seats 900 and is a flexible space to accommodate each production. For example, the opening production, Young Marx, featured a traditional proscenium arrangement, Julius Caesar (2018), A Midsummer Night's Dream (2019, 2025) and Guys and Dolls (2023-25) had the stalls seating removed with the audience standing around moving and raising platforms offering an in-the-round immersive experience in promenade and Nightfall (2018) was performed on a thrust stage. It was reported that the theatre cost £12 million to build.
Young Marx by Richard Bean and Clive Coleman, starring Rory Kinnear and Oliver Chris, directed by Nicholas Hytner (18 October – 31 December 2017) Julius Caesar by William Shakespeare, starring Michelle Fairley, Ben Whishaw, David Calder and David Morrissey, directed by Nicholas Hytner (20 January – 15 April 2018) Nightfall by Barney Norris, starring Ophelia Lovibond, Ukweli Roach, Claire Skinner and Sion Daniel Young, directed by Laurie Sansom (28 April – 3 June 2018) My Name is Lucy Barton by Elizabeth Strout, adapted by Rona Munro, starring Laura Linney, directed by Richard Eyre (2–23 June 2018) Allelujah! by Alan Bennett, directed by Nicholas Hytner (11 July – 28 September 2018) A Very Very Very Dark Matter by Martin McDonagh, starring Jim Broadbent, directed by Matthew Dunster (10 October – 29 December 2018) My Name is Lucy Barton by Elizabeth Strout, adapted by Rona Munro, starring Laura Linney, directed by Richard Eyre (23 January – 16 February 2019, revival of 2018 production) Alys, Always a new play by Lucinda Coxon based on the novel by Harriet Lane, starring Joanne Froggatt and Robert Glenister, directed by Nicholas Hytner (25 February – 30 March 2019) A German Life – a new play by Christopher Hampton, drawn from the life and testimony of Brunhilde Pomsel, starring Maggie Smith, directed by Jonathan Kent (6 April – 11 May 2019) A Midsummer Night's Dream by William Shakespeare, directed by Nicholas Hytner (3 June – 31 August 2019) Two Ladies – a new play by Nancy Harris, starring Zoë Wanamaker and Zrinka Cvitešić, directed by Nicholas Hytner (14 September – 26 October 2019) The Lion, the Witch and the Wardrobe, based on the Leeds Playhouse production, directed by Sally Cookson, devised by the company (9 November 2019 – 2 February 2020) A Number – by Caryl Churchill, starring Roger Allam and Colin Morgan, directed by Polly Findlay (14 February – 14 March 2020) Beat the Devil – by David Hare, starring Ralph Fiennes, directed by Nicholas Hytner (27 August – 7 November 2020) Talking Heads – by Alan Bennett (monologues performed by Monica Dolan, Lesley Manville, Rochenda Sandall, Kristin Scott Thomas, Tamsin Greig, Maxine Peake, Lucian Msamati and Imelda Staunton) (28 September – 31 October 2020) A Christmas Carol – by Charles Dickens, starring Simon Russell Beale, Patsy Ferran and Eben Figueiredo, adapted and directed by Nicholas Hytner (27 November 2020 – 16 January 2021, closed early due to the COVID-19 pandemic) Bach and Sons – a new play by Nina Raine, starring Simon Russell Beale, directed by Nicholas Hytner (23 June – 11 September 2021) White Noise – by Suzan-Lori Parks, directed by Polly Findlay (5 October – 13 November 2021) The Book of Dust: La Belle Sauvage – by Philip Pullman, adapted by Bryony Lavery, directed by Nicholas Hytner (2 December 2021 – 26 February 2022) Straight Line Crazy – a new play by David Hare, starring Ralph Fiennes, directed by Nicholas Hytner (14 March – 18 June 2022) The Southbury Child – a new play by Stephen Beresford, starring Alex Jennings, directed by Nicholas Hytner (1 July – 27 August 2022) John Gabriel Borkman – by Henrik Ibsen, a new version by Lucinda Coxon, starring Simon Russell Beale, directed by Nicholas Hytner (24 September – 26 November 2022) A Christmas Carol – by Charles Dickens, starring Simon Russell Beale, Lyndsey Marshal and Eben Figueiredo, adapted and directed by Nicholas Hytner (6–31 December 2022, revival of 2020 production) Guys and Dolls – music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows based on the story and characters by Damon Runyon, starring Daniel Mays, Marisha Wallace, Celinde Schoenmaker, Andrew Richardson, Cedric Neal, Owain Arthur and Gina Beck, directed by Nicholas Hytner (27 February 2023 – 4 January 2025) Richard II – by William Shakespeare, starring Jonathan Bailey, directed by Nicholas Hytner (10 February – 10 May 2025) A Midsummer Night's Dream – by William Shakespeare, directed by Nicholas Hytner (31 May - 23 August 2025, revival of 2019 production) The Lady from the Sea – by Henrik Ibsen, a new version written and directed by Simon Stone (10 September - 8 November 2025), starring Alicia Vikander and Andrew Lincoln Into the Woods – music and lyrics by Stephen Sondheim and book by James Lapine, directed by Jordan Fein (2 December 2025 - 30 May 2026) Upcoming productions
Ivanov – written and directed by Simon Stone after Anton Chekhov (4 July - 19 September 2026), starring Chris Pine
Box office open · closes 10pm
These are the box office (ticket desk) hours supplied by Google. The theatre itself opens around 45 minutes before curtain-up — always check your ticket for the performance start time. You can book online any time through British Theatre.
Available at this venue:
Accessibility information supplied by Google Maps. Please contact the venue directly to confirm details for your visit.
Last night I saw Into the Woods at the Bridge Theatre and it was an absolutely amazing experience. The staging felt intimate, the atmosphere was electric, and the music, lighting and tech were all outstanding. The production of Into the Woods was beautifully done — immersive and emotionally powerful. The staff were welcoming and kind throughout the evening. Unfortunately, during the show I experienced a difficult moment. As someone with a non-visible disability, I used the accessible toilet and was confronted by another patron who questioned whether I “needed” to use it. It was upsetting and unnecessary. However, I want to specifically commend Jay, a member of staff, who handled the situation incredibly professionally and compassionately — despite being very busy. She made us feel valid and supported, spoke to the other patrons to address the issue, informed management, and even checked in with us after the second act. Her care genuinely turned what could have been a lasting negative experience into something that restored our faith in how these situations should be handled. The offer of a drink or merchandise as a gesture of sincerity was also deeply appreciated, though the empathy shown meant more than anything. Thank you to Jay and the wider team for taking accessibility seriously and responding with such professionalism.
I saw the musical Into the Woods here at the Bridge theatre. This was a fantastic production. The lighting and staging really stood out, as did the acting and vocal performances. I've seen this musical two other times and this was heading shoulders above the other two productions, really a class act, wonderful! The theater itself was a great venue with lots of bathrooms and good concessions during the intermission, with a wonderful view of the bridge.
Saw "Into The Woods" here last night which was absolutely amazing and brilliant. Phenomenal cast and it was an absolutely hilarious show. Great building with a good layout and really comfortable seats (a lot nicer than the typical theatre seat). Really clean toilets which actually smelled amazing, and the whole building smelt great, like a tattoo shop. Loved it! already want to come again.
What a magical night at the Bridge Theatre! We went to see Into the Woods, a joy from start to finish. Jordan Fein’s direction brings a fresh pulse to the story, and Tom Scutt’s set and costume design…breathtaking. The cosy Bridge Theatre almost feels too small for the scale of his imagination scenes burst with colour, texture and clever detail. Even the Christmas tree in the corner of the lobby was dressed with characters and props from the show. It was only a preview, yet the acting and singing were already first-class. A brilliant performance all round. We’ll be back for a second time without a doubt. Perfect venue! Visibility seems great everywhere, there’s no overhang for the stalls and the staff were fantastic too, kind and welcoming.
Reviews sourced from Google Maps.
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You can call bridge-theatre-london on 0333 320 0052. For tickets and bookings, please use British Theatre to secure the best seats.
The bridge-theatre-london box office (ticket desk) operates: Monday: 5:30 AM – 10:00 PM; Tuesday: 5:30 AM – 10:00 PM; Wednesday: 5:30 AM – 10:00 PM; Thursday: 5:30 AM – 10:00 PM; Friday: 5:30 AM – 10:00 PM; Saturday: 5:30 AM – 10:00 PM; Sunday: Closed. Right now the box office is open · closes 10pm. The theatre itself opens around 45 minutes before curtain-up — and you can book online any time through British Theatre.
bridge-theatre-london offers wheelchair-accessible entrance, wheelchair-accessible seating, wheelchair-accessible toilets. Please contact the venue directly if you have specific access requirements.