REVIEW: All-Male Pirates Of Penzance, Wilton’s Music Hall ✭✭✭✭
Julian Eaves reviews Sasha Regan’s All-male Pirates Of Penzance at Wilton’s Music Hall
Richard Baker
REVIEW: Indebted To Chance, Old Red Lion Theatre ✭✭✭✭✭
Mark Reed reviews Charlie Ryall’s play Indebted To Chance now playing at the Old Red Lion Theatre London.
REVIEW: All Male Iolanthe, Richmond Theatre ✭✭✭✭✭
Julian Eaves reviews Sasha Regan’s All Male production of Gilbert and Sullivan’s Iolanthe at Richmond Theatre as part of a UK Tour.
REVIEW: Lucky Stiff, Union Theatre ✭✭✭✭
Lucky Stiff is a fun night out, beautifully realised with an original take on a well-worn concept, and with much to bring a smile to the lips.
REVIEW: Anyone Can Whistle, Union Theatre ✭✭✭
The musical performances in Anyone Can Whistle will please people who like brilliantly written songs, and they will fire the imagination of anyone who hears them to imagine another, better, story to tell around them.
REVIEW: Our House, Union Theatre ✭✭✭
While this is a deserved revival of an intriguing show, the core material remains in some respects unsatisfactory, and the scale of the show is not a great fit with the location. If this sounds churlish, then that is only because in musical theatre – as in opera – for the whole to succeed to best advantage the list of parts that need to be in great shape is a long and exacting one.
