REVIEW: Private Lives, The Mill at Sonning ✭✭✭✭
Tim Hochstrasser reviews Noel Coward’s Private Lives now playing at The Mill at Sonning.
Tim Hochstrasser
My White Best Friend (And Other Letters Left Unsaid), The Bunker ✭✭✭
Tim Hochstrasser reviews My White Best Friend (And Other Letters Left Unsaid) which is now playing at The Bunker Theatre, London.
REVIEW: Richard III, Alexandra Palace Theatre ✭✭✭
Tim Hochstrasser reviews Headlong’s new production of William Shakespeare’s Richard III now playing at the newly restored Alexandra Palace Theatre.
REVIEW: Blood Knot, Orange Tree Theatre ✭✭✭
Tim Hochstrasser reviews Athol Fugard’s play Blood Knot now playing at the Orange Tree Theatre, Richmond.
REVIEW: A Lesson From Aloes, Finborough Theatre ✭✭✭✭
Tim Hochstrasser reviews Athol Fugard’s A Lesson From Aloes now playing at the Finborough Theatre, London.
REVIEW: As A Man Grows Stronger, Jack Studio ✭✭✭
Tim Hochstrasser reviews Howard Colyer’s new play As a man Grows Stronger performed by David Bromley at the Brockley Jack Studio Theatre.
REVIEW: The Ruffian On The Stair, Hope Theatre ✭✭✭
Tim Hochstrasser reviews Joe Orton’s The Ruffian On The Stairs now playing at The Hope Theatre.
CRITICS CHOICE: Tim Hochstrasser’s Pick Of 2015
My best revival recommendation would go to Antic Disposition’s HENRY V played in the evocative setting of Temple Church. It is very hard to find something new to say about one of the most familiar plays in the canon, but this production developed a fully thought through and reconfigured setting in the period of the First World War that fused precisely and informatively with the original.