REVIEW: Bluebeard’s Castle, Green Opera, Arcola Theatre ✭✭✭✭✭
Tim Hochstrasser reviews Bartok’s opera Bluebeard’s Castle presented by Green Opera at the Arcola Theatre, London.
Tim Hochstrasser
REVIEW: Sir John In Love, British Youth Opera, Opera Holland Park ✭✭✭✭
Tim Hochstrasser reviews Vaughan Williams’ Sir John In Love performed by British Youth Opera in a guest residency at Opera Holland Park.
REVIEW: HMS Pinafore, Opera Holland Park ✭✭✭✭✭
Tim Hochstrasser reviews Gilbert and Sullivan’s HMS Pinafore at Opera Holland Park.
REVIEW: The Magic Flute, Arcola Theatre ✭✭✭
Tim Hochstrasser reviews Mozart’s The Magic Flute at the Arcola Theatre, London as part of Grimeborn 2022.
REVIEW: The Boatswain’s Mate, Arcola Theatre ✭✭✭✭
Tim Hochstrasser reviews Ethel Smyth’s comic opera The Boatswain’s Mate presented as part of Grimeborn at the Arcola Theatre, London.
REVIEW: Siegfried & Götterdämmerung, Hackney Empire ✭✭✭✭✭
Tim Hochstrasser reviews Arcola’s Siegfried & Götterdämmerung, part of Wagner’s Ring Cycle at the Hackney Empire.
REVIEW: Carmen, Grimeborn Festival at Arcola Theatre ✭✭✭✭
Tim Hochstrasser reviews Carmen presented at Grimeborn Festival at the Arcola Theatre.
REVIEW: Black, El Payoso/The Clown, Grimeborn at Arcola Theatre ✭✭✭✭
Tim Hochstrasser reviews the UK premiere of Black, the Clown presented as part of Grimeborn at the Arcola Theatre.
