Ramin Karimloo and Celinde Schoenmaker to star in Doctor Zhivago in concert.
Ramin Karimloo and Celinde Schoenmaker are to star in Doctor Zhivago in concert at the London Palladium for one night only on 7 May 2023.
Ramin Karimloo and Celinde Schoenmaker are to star in Doctor Zhivago in concert at the London Palladium for one night only on 7 May 2023.
Douglas Mayo reviews Andrew Lloyd Webber’s The Phantom Of The Opera 25th Anniversary Production at the Royal Albert Hall in 2011.
Ramin Karimloo, Lucie Jones and Jac Yarrow are to star in a concert presentation of award-winning musical The Secret Garden at the London Palladium on 4 April 2020.
Ramin Karimloo and Celinde Schoenmaker are to star in the UK concert premiere of Doctor Zhivago the musical at London’s Cadogan Hall.
Ramin Karimloo, star of The Phantom Of The Opera, Love Never Dies and Les Miserables will tour the UK from January 2019. Ramin Karimloo UK Tour tickets are now on sale.
Julian Eaves reviews Ramin Karimloo in Concert and Conversation with Seth Rudetsky at the Leicester Square Theatre.
Rufus Hound will host a charitable concert on the Sunday before Christmas (18 December 2016) at The Actor’s Church in Covent Garden featuring an incredible line up of musical theatre stars. The concert will be held in aid of Children with Cancer UK. Rufus Hound will be joined by Ramin Karimloo, Cassidy Janson, Ben Forster, Emma Kingston, Peter Polycarpou, Sandra Marvin, Jordan Shaw, Emmanuel Kojo, Carole Stennett, Norman Bowman, and Chris Johnson. The concert will also feature the Musical Theatre Masterclass Choir – a group of talented students from the London performing arts school, run by Michael Xavier. Michael says: “I am so grateful to these incredible musical theatre stars who are performing in this very special Christmas concert. They are already so busy, starring in hit west end shows like Phantom of the Opera, Murder Ballad, Motown, The Bodyguard, In the Heights, Beautiful and Stepping out. It’s incredibly generous … Read more
for me, ‘Murder Ballad’ is all about the exciting score which doesn’t depend on the screaming tenor, but on the sultry bass and an amalgamation of sexed up jazz/pop, with thirst-quenching rock belts (which are, of course, gratefully received). With their music and lyrics, Jordan and Nash blow the dust from the spine of a told tale.
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