REVIEW: Old Times, American Airlines Theatre ✭✭✭✭

Old Times at the American Airlines Theatre

Where Hodge does elect for difference is in the manner of playing. No low-key, slow boil quiet broiling here. No, the parts are played with vigour, brasher than you would expect to see on an English stage or one that thought Pinter was wrapped in mothballs. The result is the sexy edge is more angular, the stakes are higher, the comedy quite a bit funnier. All deliberately so. It reaps rewards often, but perhaps best of all in the sequence where the theft of underwear is discussed, or the body in the bed is remembered or the show tunes are so badly serviced. This is brave on Hodge’s part looked at one way; looked at another, it is simply just doing it.

REVIEW: Fool For Love, Samuel J Friedman Theatre ✭✭✭✭✭

Fool For Love On Broadway

Central to the power of the the production is the exquisite casting of the two doomed lovers, Eddie and May. Nina Arianda, a fan of this play since her very youngest days, is utterly superb as Eddie. Powerfully sensual, impossibly attractive, but just as impossibly earthy and ordinary, Arianda presents a deeply physiological performance which plays out through intense physical theatre. Remarkably, Sam Rockwell matches Arianda’s intensity and notches it up a level. He exudes a sexual intensity which is overwhelming, laces it with pain and indecision and then overlays that with testosterone cowboy tropes which somehow seem utterly fresh, real and dangerous.

REVIEW: The Cocktail Party, Print Room At The Coronet ✭✭✭✭

The Cocktail Party - Print Room at the Coronet

There are many more layers both to this play and to this production that deserve further comment, but which lie beyond the reach of a relatively brief review. Suffice to say that this production makes a very well thought-through case for revisiting Eliot’s plays as a whole, and serves to remind us that there is a lot more important drama to his name than the one work we all know – namely Cats – which of course he never intended for the stage.

Jamie Lloyd Directs 50th Anniversary Production of The Homecoming

John Simm stars in Jamie Lloyd's new production of Harold Pinter's The Homecoming

The Jamie Lloyd Company returns to the West End with a new production of Harold Pinter’s The Homecoming to celebrate the show’s 50th anniversary year. The Homecoming will feature an all-star cast including John Simm (Lenny), Keith Allen (Sam), Gemma Chan (Ruth), Ron Cook (Max), Gary Kemp (Teddy), and John Macmillan (Joey). When Teddy returns from America to introduce his wife Ruth to his family in London, they discover a claustrophobic and brutal household where his father Max, brothers Lenny and Joey and Uncle Sam live in a state of mutual loathing and festering resentment. Theirs is a motherless, compassionless and lawless home where Ruth immediately becomes the centre of attention. Pinter’s sinister masterpiece simmers with suspense and rings with savage humour as Ruth navigates her way between the roles of predator and prey in an incisive battle of wills. The Homecoming is widely regarded as Pinter’s finest play, a … Read more

First Look At New Cast Of Sunny Afternoon

New cast for Sunny Afternoon starts on 5 October 2015

It has been announced today that the new cast of Sunny Afternoon, the musical based on the music of The Kinks, will start in the Olivier Award-winning musical on 5th October 2015. The new cast is Danny Horn (Doctor Who; The Dead Dogs), who will play Ray Davies, with Oliver Hoare (Antony and Cleopatra, Chichester) as Dave Davies, Tom Whitelock (Times Square Angel, Union) as bassist Pete Quaife and Damien Walsh (Dreamboats and Petticoats) as drummer Mick Avory. At certain performances, the role of Ray Davies will be played by Ryan O’Donnell (Romeo and Juliet, RSC; Quadrophenia). Cast includes: Jason Baughan, Niamh Bracken, Christopher Brandon, Harriet Bunton, Alice Cardy, Oliver Hoare, Danny Horn, Gillian Kirkpatrick, Jay Marsh, Megan Leigh Mason, Ryan O’Donnell, Stephen Pallister, Charlie Tighe, Gabriel Vick, Damien Walsh and Tom Whitelock. With a book by Joe Penhall, music and lyrics and original story by Ray Davies, and directed … Read more

REVIEW: For Services Rendered, Minerva Theatre ✭✭✭✭✭

For Services Rendered Chichester

I doubt anyone could hope for a finer, more delicate production of this great play. It is genuinely funny in parts, full of melodramatic touches which are not silly but insightful, and incredibly moving when the final scenes play out. Davies is at the top of his game here- this is a symphony of theatrical pleasure. It should transfer to the West End and play and play. Producers should not be fearful of a good old-fashioned triumph.