REVIEW: Bluebeard’s Castle, Green Opera, Arcola Theatre ✭✭✭✭✭
Tim Hochstrasser reviews Bartok’s opera Bluebeard’s Castle presented by Green Opera at the Arcola Theatre, London.
Arcola Theatre
REVIEW: The Magic Flute, Arcola Theatre ✭✭✭
Tim Hochstrasser reviews Mozart’s The Magic Flute at the Arcola Theatre, London as part of Grimeborn 2022.
REVIEW: The Boatswain’s Mate, Arcola Theatre ✭✭✭✭
Tim Hochstrasser reviews Ethel Smyth’s comic opera The Boatswain’s Mate presented as part of Grimeborn at the Arcola Theatre, London.
REVIEW: Siegfried & Götterdämmerung, Hackney Empire ✭✭✭✭✭
Tim Hochstrasser reviews Arcola’s Siegfried & Götterdämmerung, part of Wagner’s Ring Cycle at the Hackney Empire.
REVIEW: Carmen, Grimeborn Festival at Arcola Theatre ✭✭✭✭
Tim Hochstrasser reviews Carmen presented at Grimeborn Festival at the Arcola Theatre.
REVIEW: Black, El Payoso/The Clown, Grimeborn at Arcola Theatre ✭✭✭✭
Tim Hochstrasser reviews the UK premiere of Black, the Clown presented as part of Grimeborn at the Arcola Theatre.
REVIEW: The Coronation of Poppea, Grimeborn at Arcola Theatre ✭✭✭✭✭
Tim Hochstrasser reviews L’Incoronazione di Poppea / The Coronation of Poppea presented as part of this year’s Grimeborn Festival at the Arcola Theatre
Barney Norris’ new play gets world premiere at Arcola Theatre
The Arcola Theatre, London will reopen its doors with the world premiere of Barney Norris’ new play We Started to Sing
