REVIEW: Cinderella And The Beanstalk, Theatre 503 ✭✭✭✭✭

Theatre 503

Pantomimes have the potential to be uniquely excruciating. Children are merciless critics, and decades of expectation weigh heavily on poor productions. Such is the genre’s status in British popular culture that it is very difficult for any show to achieve mass appeal – it must be original enough to set itself apart from hundreds of other pantomimes, yet inclusive enough to appeal to several generations of families. What makes Sleeping Trees’ reprisal of Cinderella and the Beanstalk so wonderful is that it doesn’t centre on celebrity performers, topical jokes or endless double entendres. Rather we are treated to three highly talented comic actors both subverting and celebrating the genre, with uproariously funny results.

REVIEW: Faustaff, Cockpit Theatre ✭✭

Faustaff at the Cockpit Theatre

Despite these stark issues, the Cockpit Theatre is a wonderful space and the lighting was well deployed to create some tense moments. Bizarrely, someone in the company seemed to think it was a good time to get some production shots, annoyingly snapping away throughout the entire show. Perhaps a task best left for the dress rehearsal…

REVIEW: Echoes, Arcola Theatre ✭✭✭✭

Echoes by Paul Naylor at Arcola Theatre

Echoes is a success for many reasons but fundamentally it’s because there is such strength in the story telling. In fact there are 2 stories running concurrently and though the time periods in the stories are 175 years apart and told by 2 actors independently, there is such deep and meaningful symbiosis between them so that what can be a fragmented experience is a beautiful whole.