REVIEW: Dirty Great Love Story, Arts Theatre ✭✭✭✭
Dirty Great Love Story’ is sweet-natured and is told so inventively, making it no surprise that it has had the success it has
Dirty Great Love Story’ is sweet-natured and is told so inventively, making it no surprise that it has had the success it has
It’s the first time, in a long time that I wish I hadn’t bothered.
Buddy’s music is beautifully performed by this cast and the Clear Lake Concert at the end of the evening was stunning with the audience on their feet throughout.
Regent’s Park Open Air Theatre have announced their 2017 Season which will see Olivier Award-winner Drew McOnie direct and choreograph On The Town, Artistic Director Timothy Sheader directs Charles Dickens’ A Tale Of Two Cities in a new adaptation by Matthew Dunster, and Caroline Byrne directed Oliver Twist Created For Everyone Aged Six And Over, adapted by Anya Reiss from the novel by Charles Dickens. Jesus Christ Superstar, winner of the BBC Radio 2 Audience Award for Best Musical in the Evening Standard Awards will return by popular demand for just 41 performances. On The Town (19 May – 1 July 2017), the classic musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green will be the biggest dance musical ever staged at the Open Air Theatre. Featuring musical theatre standards like New York, New York, I Can Cook Too, Some Other Time, and … Read more
Celebrating their 7th Anniversary this year, Shit-Faced Shakespeare is back in London’s West End still three sheets to the wind with their new challenge – a season of Much Ado About Nothing as you’ve never seen it before. Their aim, to take one of Shakespeare’s greatest plays, add one hammered actor whilst trying to reach the curtain call without a calamity, an injury or a lawsuit. Last year Shit-faced Shakespeare performed to over 30,000 people in the UK and over 35,000 in the USA. Much Ado About Nothing will be their longest run to date in the UK. Filled with mistaken identities, petty arguments and put-downs, and the course of love not running smoothly (not least of all because friends keep interfering). Sounds like a Friday night in any British boozer. But what if Hero decides she really would rather marry the chap in the second row, or if Benedick … Read more
Maury Yeston’s magnificent score for Death Takes A Holiday – one of the finest in London right now – is a glory not to be missed in this European premiere of one of his more extraordinary creations.
It’s always a pleasure to discover talented new writers (Bounder and Cad), and these two are great fun.
The young cast is energetic, lively and likeable: it would be great to see them with a more developed script, a tighter production and a script with as much wit and sparkle in the new writing as in the evocations of some of the finest comic routines ever created.