Bunny boiling is back in fashion as Fatal Attraction hits the stage.
Bunny boiling, psychotic lovers and thrills aplenty when the stage adaptation of the film Fatal Attraction arrives in the West End early next year for a limited season.
Bunny boiling, psychotic lovers and thrills aplenty when the stage adaptation of the film Fatal Attraction arrives in the West End early next year for a limited season.
A wave of nostalgia engulfed the Churchill Theatre Bromley last night, when the UK tour of Happy Days – a new musical kicked of its UK tour, some 40 years after the series was first broadcast.
It’s a story that offered so much but as a show Stephen Ward returns so little.
This is the start of a whole new range of possibilities for the Globe complex – and a really entertaining and desirable one.
There has not, since 2007, been a National Theatre production of a Shakespearean play anything like as engaging, thrilling and involving as the Sam Mendes helmed revival of King Lear now playing in the Olivier Theatre.
First and foremost though, it is a human tragedy – and the acting, staging, book, music and orchestrations all combine to produce an intensely affecting and sublimely entertaining night at the theatre.
The audience was not fooled either; their tepid applause was a damning indictment of the alleged star turn. And the production company plants calling out “Brava” made no impression; the packed audience would not rise to its feet or even sustain applause for a second curtain call.
Sell limbs, organs, children, gold, whatever – but see this production if you value great dramatic theatrical work. It’s a once in a lifetime reimagining of a classic piece of theatrical writing.