The alternative title to Twelfth Night is What You Will, and, more than anything else, that seems Munby’s inspiration here. He has, with real determination, found a new way to approach the text; deliberately emphasised different aspects of the story to fundamentally change the experience.
A beautiful, sometimes shocking, sometimes haunting, production of an intricate and detailed dissection of human frailty and weakness. Doran lavishes great care and attention on the task of illuminating the text, telling the story in an engrossing way. Niki Turner’s spare, but stunningly effective design, aids immeasurably.
The production is blessed with good acting, impeccable timing and a sense of style, mischief and swagger which accentuates its high points. Pretty much everyone is trying to best everyone else with an armoury of quips, quibbles and quizzical asides and, happily, Luscombe seeks to make the most of this.
This Is My Family is unlikely to win a Tony award for Best New Musical, but it is an engaging and very happy musical theatre experience. It’s new, British theatre writing, experimental and interesting. Well worth a few hours of anyone’s time.
Imelda Staunton simply transforms every notion you ever had about Momma Rose with her extraordinary, incredibly detailed and vitally intense portrayal.
This is a terrific piece of new writing; spare, engaging, brimming with interest and history. It does what all great plays about actual historical events do: takes you to the time and lets you experience that time through the souls of the characters who propel the narrative, but in a way that is modern, fresh […]
Whatever people may say, Guys and Dolls is not foolproof. It can be done very badly. This is not one of those occasions…You would be silly to miss seeing their wonderful, world class performances.
It’s like watching a censored propaganda film: you have a clear idea what to expect, but it is presented in a way which dumbfounds those expectations.