A Christmas Carol returns to the Bridge Theatre London this December
Simon Russell Beale and Eben Figueiredo will be joined by Lyndsey Marshal in Charles Dickens’ A Christmas Carol at the Bridge Theatre London from 6 December 2022.
Simon Russell Beale and Eben Figueiredo will be joined by Lyndsey Marshal in Charles Dickens’ A Christmas Carol at the Bridge Theatre London from 6 December 2022.
Final casting has been announced for Bridge Theatre’s upcoming production of Ibsen’s John Gabriel Borkman. Book now and save.
Mark Ludmon reviews The Tragedy of King Richard the Second at the Almeida Theatre starring Simon Russell Beale
The Almeida Theatre has announced new plays including a work inspired by Donald Trump as well as productions of classics starring Simon Russell Beale and Patsy Ferran.
Paul T Davies reviews Ben Power’s adaptation of Stefano Massini’s The Lehman Trilogy now playing at the National Theatre.
The cast has been announced for a series of rehearsed readings of seminal plays at the National Theatre exploring LGBT+ culture and history.
Following a sell-out season at the Hampstead Theatre, Richard Eyre’s production of Mr Foote’s Other Leg will transfer to the Theatre Royal Haymarket from 28th October 2015 for a strictly limited season. In Georgian London, no one is more famous than Samuel Foote. Satirist, impressionist and dangerous comedian, he has become a celebrity in a city, and at the moment in time, when the concept of selling personality was born. He even has the ear of the king. Adored by many, despised by some, Foote finds himself at the sharp end of attacks from the press…and a surgeon’s knife. And in an age obsessed with fame, his colleagues from the worlds of science and the stage – from Benjamin Franklin to David Garrick – begin to wonder: does fame make you mad? Mr Foote’s Other Leg stars Simon Russell Beale as Samuel Foote in Ian Kelly’s rollicking rumbustious comedy. The … Read more
The Hampstead season has all but sold out, if not actually sold out. Make every effort to grab a return. The production really ought to transfer to the West End and run and run, preferably at the Theatre Royal Haymarket. To see this rich plum pudding of a play in the theatre which is closest to the place where Foote worked his magic, and which bears the name of Foote’s own passion, would be really something.
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