Follow Your Gut and see Hunch at the Edinburgh Fringe
Hunch is a dark new comedy about a superhero and her power to make gut decisions which will play the Edinburgh Fringe 2018
Hunch is a dark new comedy about a superhero and her power to make gut decisions which will play the Edinburgh Fringe 2018
Snapdragon Productions is delighted to announce that the run of the award-winning 1950’s rock’n’roll musical Teddy at The Vaults, London has been extended by four weeks.
Ultimately, Abigail comes across as a confused thing, hindered by just too many good ideas in too short a time. Good production helps redeem the play to a degree, but all in all the result is disappointingly vague and dissatisfying.
Following it’s critically acclaimed sell-out world premiere at The Old Red Lion Theatre last year, Arthur Miller’s first ever play No Villain will transfer to Trafalgar Studios 2 in London’s West End playing from 14 June – 9 July 2016. Over six days during spring break 1936 at the University of Michigan, a twenty year old college sophomore wrote his first play, No Villain. His aim was to win the prestigious Avery Hopwood award and, more importantly, the $250 prize he needed in order to return to college the following year. Miller won the award, and the subsequent one, but the play was never produced. My first attempt at a play, rather inevitably, had been about industrial action and a father and his two sons, the most autobiographical dramatic work I would ever write. – Arthur Miller No Villain tells the story of a garment industry strike that sets a … Read more
The play itself would get four stars from me, but the outstanding production values and overall experience of the evening enable me to add a final star at the top of the tree.
We encounter rural Britain more frequently through soaps – Emmerdale and The Archers – than on the stage. This is a missed opportunity for writers and for this reason alone this new play by Bea Roberts is a welcome and unusual joint-winner of the first Theatre 503 Writing Award. This month it receives a run in London before heading off to the Bristol Old Vic, which co-sponsors the production.
The world Of Marching On Together is a raw, realistic one. As playwright, Hughes imbues each of his characters with harsh truth, his dialogue has incredible authenticity. It’s a world of mindless violence which all comes to nought.