Shit-faced Shakespeare Hits Leicester Square For 7 Weeks

Shit-faced Shakespeare

Following sell-out runs at the Brighton and Edinburgh Fringe festivals, Magnificent Bastard Productions will be bringing their irreverent hit Shit-faced Shakespeare to London for a seven-week run, their longest London lock-in. Each night, the company will be performing Shakespeare’s A Midsummer Night’s Dream with one member of the cast toasting the bard’s 400th anniversary by playing their role completely, blisteringly drunk. Producer and performer Stacey Norris said, “As we lay out the barmats and party hats for the Bard’s 400th anniversary, we’re delighted to be introducing a new generation of theatre goers to Shakespeare with an ale in one hand and a wine in the other and a vodka in the other, just the way he would have wanted. Our livers would like to remind our audiences to always enjoy Shakespeare responsibly” Artistic Director of Leicester Square Theatre Martin Witts said, “For the first time at Leicester Square Theatre we’re … Read more

Shakespeare’s Globe Announces First Season Under Emma Rice

Emma Rice - Artistic Director Shakespeare's Globe

Shakespeare’s Globe today announced Emma Rice’s inaugural season as Artistic Director which will be entitled the Wonder Season. The season will comprise A Midsummer Night’s Dream, The Taming Of The Shrew, Macbeth, 946 The Amazing Story Of Adolphus Tips and Imogen, whilst Jonathan Munby’s The Merchant Of Venice starring Jonathan Pryce will open at the Liverpool Playhouse, tour nationally and internationally and return to the Globe stage in October. The Sam Wanamaker Playhouse will host a touring production of The Two Gentlemen of Verona and Kneehigh’s The Flying Lovers of Vitebsk. Designer Les Brotherston will install a magical forest which will spill from the piazza onto London’s Bankside welcoming everyone to the Globe’s season of Wonder. A Midsummer Night’s Dream directed by Emma Rice will play from 30 April – 11 September, Caroline Byrne’s The Taming Of The Shrew will play from 13 May – 6 August, and Macbeth will … Read more

Cast Announced For Motown The Musical

Motown The Muiscal

BOOK NOW FOR MOTOWN Full casting has been announced for the West End production of Motown The Musical which opens at London’s Shaftesbury Theatre on 11 February 2016. Motown the Musical tells the story of how Berry Gordy turned a loan of $800 into the musical powerhouse that was Motown Records. Motown the Musical will star Cedric Neal as Berry Gordy, Lucy St Louis as Diana Ross, Charl Brown as Smokey Robinson and Sifiso Mazibuko as Marvin Gaye. They are joined by Keisha Amponsa Banson as Mary Wells, Cindy Belliot as Anna Gordy, Samuel Edwards as Jackie Wilson, Tanya Nicole Edwards as Florence Ballard, Portia Harry as Teena Marie, Aisha Jawando as Martha Reeves, Joshua Liburd as Eddie Kendricks, Simeon Montague as Jermaine Jackson, Cleopatra Rey as Gladys Knight, Brandon Lee Sears as Tito Jackson, Jordan Shaw as Stevie Wonder, Cherelle Williams as Mary Wilson. other members of the cast … Read more

CRITICS CHOICE: Danny Coleman-Cooke’s Pick of 2015

Siobhan McCarthy and Jeremy Secomb in Tooting Arts Club's Sweeney Todd.

We asked each of our reviewers to nominate their favourite show of 2015. Danny Coleman-Cooke was quick with his reponse – Sweeney Todd by Tooting Arts Club with Jeremy Secomb and Sionhan McCarthy. Sweeney Todd was a spell-binding production that remained in my head for days afterwards. An eerie and perfectly chosen venue combined with a first-class cast and some highly intelligent staging. The most intimate and engaging production I’ve ever seen that rightly got a standing ovation afterwards. It was so good that even Sondheim gave it rave reviews! The show was transferred to a recreation of Harrington’s Pie And Mash Shop on Shaftesbury Avenue with the help of Cameron Mackintosh. See choices from Tim Hochstrasser and Douglas Mayo

CRITICS CHOICE: Tim Hochstrasser’s Pick Of 2015

Henry V at Temple Church

My best revival recommendation would go to Antic Disposition’s HENRY V played in the evocative setting of Temple Church. It is very hard to find something new to say about one of the most familiar plays in the canon, but this production developed a fully thought through and reconfigured setting in the period of the First World War that fused precisely and informatively with the original.