REVIEW: The Humans, Roundabout at Laura Pels Theatre ✭✭✭

The Humans. Roundabout Theatre Company at the Laura Pels Theatre

There are two ways in which Karam’s work steps up to the mark: the dialogue is believable and genuine, splendidly touching in places; the narrative is uncompromising, as families so often are. There are no pat solutions or happy endings here – just a slice of suburban transitional life. This has the result that if the play is to achieve any momentum or purpose, it is the cast which must embellish the material with remarkable, penetrating and utterly believable performances. Happily, the cast with which Mantello animates Karam’s work is, without exception, first rate.

REVIEW: I’m Gonna Pray For You So Hard, Atlantic Theatre Company ✭✭✭✭

I'm Gonna Pray For You So Hard at Atlantic Theatre Company

Although there are a lot of genuine laughs, many at the expense of theatre critics (subject matter that keeps on giving), this is not a comedy. It is squid ink dark, intense, uncomfortable theatre. And it belongs to Reed Birney, who is magnificent as Ella’s ghastly, vicious father, David, a huge beast of a role, as great as any of the major father characters in Williams, O’Neill or Albee.

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close