Pygmalion at the Old Vic to star Bertie Carvel and Patsy Ferran
The Old Vic Theatre have announced a revival of George Bernard Shaw’s Pygmalion starring Bertie Carvel and Patsy Ferran from September.
Patsy Ferran
A Streetcar Named Desire extends West End run by one week
The West End transfer of A Streetcar Named Desire at the Phoenix Theatre has announced an extra week of performances by popular demand.
Almeida Theatre’s production of A Streetcar Named Desire transfers to Phoenix Theatre
Paul Mescal, Patsy Ferran, Anjana Vasan and Dwane Walcott reprise their roles in the West End transfer of A Streetcar Named Desire
REVIEW: Three Sisters, Almeida Theatre ✭✭✭
Danny Coleman-Cooke reviews Rebecca Frecknall’s production of Anton Chekhov’s play Three Sisters now playing at the Almeida Theatre, London.
REVIEW: Summer and Smoke, Duke Of York’s Theatre ✭✭✭
Julian Eaves reviews the West End transfer of Summer and Smoke by Tennessee Williams at the Duke Of York’s Theatre London.
Almeida Theatre announces new season packed with world premieres
The Almeida Theatre has announced new plays including a work inspired by Donald Trump as well as productions of classics starring Simon Russell Beale and Patsy Ferran.
REVIEW: Summer and Smoke, Almeida Theatre ✭✭✭✭
Summer and Smoke Almeida Theatre Four stars Book Now Despite the poetic beauty of Tennessee Williams’s writing, at the height of his success, his dramas were rooted in reality, whether a St Louis apartment or a plantation home in the Deep South. His rarely produced 1948 play Summer and Smoke is set in the small, gossip-ridden Mississippi town of Glorious Hill which, according to the writer’s detailed notes, was to be clearly represented on stage, from American Gothic architecture to a public park presided over by the statue of an angel. But modern directors have been inspired by the fluid, dream-like qualities of Williams’s plays, especially his later work, to take a more abstract approach, which reaches sublime heights under director Rebecca Frecknall and designer Tom Scutt in a stunning new production at the Almeida. Nine upright pianos, each topped by a metronome, line the back of the otherwise stripped-back … Read more
REVIEW: The Merchant Of Venice, Royal Shakespeare Theatre ✭✭✭✭✭
Findlay’s production of The Merchant Of Venice, like all great productions of Shakespeare, is brimming with ideas, spoken with assurance and intelligence, and illuminates the text insightfully and vigorously. Refreshing and fascinating. Findlay breathes complexity and assuredness into Shakespeare’s play by focussing on sex and greed. But there is no shortage of hatred either.
