This is a play that is both functional and delicate, necessary and yet slightly exotic, lovingly crafted and sumptuous to experience. And like all gorgeous intimate apparel, it ought to be seen.
Nona Shepphard’s achievement here is really quite astonishing: this is a sensational premiere of a new work. Why it is not playing at the National is one of life’s mysteries.
This revival is notable for one thing: it does raise, but not answer, this question – is Do I Hear A Waltz? capable of successful revival?
The Man Who Shot Liberty Valance explodes on to the stage at the Park Theatre this year.
JBR talks to the energetic and passionate Jez Bond, about his ambitious plans for a new venue in Finsbury Park
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