This House UK Tour

James Graham's This House UK Tour

Following its acclaimed run at the National Theatre and in the West End, James Graham’s political drama This House will begin a UK national tour at the West Yorkshire Playhouse on 22 February 2018. 1974.  The UK faces economic crisis and a hung parliament.  In a culture hostile to cooperation, it’s a period when votes are won or lost by one, when there are fist fights in the bars and when sick MPs are carried through the lobby to register their vote.  It’s a time when a staggering number of politicians die, and the building creaks under idiosyncrasies and arcane traditions. Set in the engine rooms of Westminster, This House strips politics down to the practical realities of those behind the scenes; the whips who roll up their sleeves and on occasion bend the rules to shepherd and coerce a diverse chorus of MPs within the Mother of all Parliaments. … Read more

Looking back at nearly five years of Curious Incident

The Curious Incident Of The Dog In The Night Time

After nearly 1,500 performances, Curious Incident of the Dog in the Night-Time is nearing its end in London. Mark Ludmon looks back over its five-year run. Nearly five years – or 1,743 days – after Christopher Boone first set out to investigate The Curious Incident of the Dog in the Night-Time at the National Theatre, the show continues to earn standing ovations at its current home of the Gielgud. Audiences are wowed by Bunny Christie’s design, Finn Ross’s video effects, Steven Hoggett and Scott Graham’s movement direction, Simon Stephens’s writing, Mark Haddon’s story and, of course, the talent and physical prowess required to play the lead role of Christopher. After nearly 1,500 performances, the show will end its run in London on June 3. In that time, it will have been seen by over 1 million people in London, with Christopher played by 18 different actors including understudies. With many … Read more

REVIEW: To Kill A Mockingbird, Barbican Theatre ✭✭✭✭✭

To Kill A Mockingbird at the Barbican Theatre

Timothy Sheader’s utterly astonishing, profoundly beautiful, and intensely gripping production of To Kill A Mockngbird, is now playing at the Barbican Theatre. It’s not practically perfect in every way – it is absolutely perfect in every way. In terms of glorious story-telling and superb ensemble acting rapturously telling a richly detailed and extraordinarily resonant – but sublimely simple – tale, there is nothing to touch this production (bar Gypsy) currently playing in London.

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