James Graham’s Ink transfers to West End

Ink at Almeida Theatre

The critically acclaimed Ink, which has just played a sell-out season at the Almeida will transfer to the Duke Of York’s Theatre from 9 September – 6 January 2018. James Graham’s play centres around Fleet Street and the offices of The Sun in 1969. A rebellious, young Rupert Murdoch asks The Sun’s Editor the impossible – to give the people what they want. No matter … Read more

Looking back at nearly five years of Curious Incident

The Curious Incident Of The Dog In The Night Time

After nearly 1,500 performances, Curious Incident of the Dog in the Night-Time is nearing its end in London. Mark Ludmon looks back over its five-year run. Nearly five years – or 1,743 days – after Christopher Boone first set out to investigate The Curious Incident of the Dog in the Night-Time at the National Theatre, the show continues to earn standing ovations at its current … Read more

Carvel And Coyle Cast In Almeida’s Ink

Bertie Carvell and Richard Coyle to star in Ink at Aleida Theatre

Bertie Carvel and Richard Coyle are to lead the cast of James Graham’s new play about The Sun newspaper at the Almeida Theatre. Carvel will play a “young and rebellious” Rupert Murdoch who bought the struggling tabloid in 1969 and relaunched it as the populist publication it is today. Coyle will play Larry Lamb who took over as Murdoch’s first editor with a quest, against … Read more

Almeida Announce New Season

Almeida Theatre Announce 2017 Season

Almeida Theatre Artistic Director Rupert Goold has announced a new season of plays exploring leadership in crisis and the power of words. The season will begin at the end of April with The Treatment, a play by Martin Crimp. Directed by Lyndsey Turner (returning to the Almeida following her award-winning production of Chimerica) The Treatment is set in a film studio in New York. A … Read more

REVIEW: Closer, Donmar Warehouse ✭✭✭✭

Closer at the Donmar Warehouse

Watching David Leveaux’ stylish revival at the Donmar Warehouse, Closer seems not so much a play about people who don’t have children yet as a play about grown up children. Games, set-ups, lies, betrayals, revenge, secrets – the machinations of the four characters (who are the strangers who become lovers/lovers who become strangers) resemble schoolyard activities. Marber’s dialogue is sharp, ugly and vicious; it is often very funny too.

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