REVIEW: Ink, Almeida Theatre ✭✭✭
While everyone should enjoy Ink, I am sure that many people who are more discerning than I am will find it spectacular.
While everyone should enjoy Ink, I am sure that many people who are more discerning than I am will find it spectacular.
Further casting has been announced to join Ben Whishaw in the world premiere of Christopher Shinn’s new play Against at the Almeida Theatre. Adelle Leonce, Naomi Wirthner and Elliot Barnes-Worrell are the latest additions to the production which is being directed by Ian Rickson. The Almeida has also announced that tickets will go on sale to the public on May 25 at 10am, with priority booking for Almeida Members on May 16 at 10am. Elliot Barnes-Worrell played Horatio in the Almeida production of Hamlet starring Andrew Scott although he was unable to join the current cast in the West End. He was a series regular as Easter in ITV’s 2016 drama, Jericho, while his theatre credits also include Man and Superman at the National Theatre and Richard II, Henry IV Parts I & 2 and The Two Gentlemen of Verona for the Royal Shakespeare Company. Adelle Leonce was part of … Read more
The Treatment feels rather tame but, in this revival, it remains a mesmerising, entertaining dark comedy that conjures up the confusing perplexities of modern life.
Bertie Carvel and Richard Coyle are to lead the cast of James Graham’s new play about The Sun newspaper at the Almeida Theatre. Carvel will play a “young and rebellious” Rupert Murdoch who bought the struggling tabloid in 1969 and relaunched it as the populist publication it is today. Coyle will play Larry Lamb who took over as Murdoch’s first editor with a quest, against all odds, to give the people what they want. Joining them will be Pearl Chanda, with further casting to be announced soon. It is being designed by Bunny Christie with lighting by Neil Austin and sound and composition by Adam Cork. Ink will be directed by the Almeida’s artistic director Rupert Goold and run from June 17 to August 5. In his debut at the Almeida, Graham is again exploring modern society and politics as in previous acclaimed plays including This House, The Vote, Privacy … Read more
Alas poor Sherlock, we know it well. Even in the opening scenes of this ingenious production, it was clear that Andrew Scott would more than match his TV co-star Cumberbatch.
Almeida Theatre Artistic Director Rupert Goold has announced a new season of plays exploring leadership in crisis and the power of words. The season will begin at the end of April with The Treatment, a play by Martin Crimp. Directed by Lyndsey Turner (returning to the Almeida following her award-winning production of Chimerica) The Treatment is set in a film studio in New York. A young woman has an urgent story to tell. But here, people are products, movies are money and sex sells. And the rights to your life can be a dangerous commodity to exploit. The cast of The Treatment includes Aisling Loftus as Anne and Matthew Needham as Simon. The Treatment will be designed by Giles Cadle, with lighting by Neil Austin, composition by Rupert Cross, fight direction by Bret Yount, sound by Chris Shutt, and voice coaching by Charmian Hoare. Casting is by Julia Horan. The … Read more
Sacha Wares will be returning to Almeida Theatre to direct the world premiere of Boy by Leo Butler, after her directorial success in 2015 with the critically acclaimed production, Game, by Mike Bartlett. Wares is joined by a formidable creative team, including contemporary designers Miriam Buether for set design (Wild Swans, Sucker Punch, My Child, Generations) and Ultz for costume (Jerusalem, Hobson’s Choice, Fallout, Pied Pier). Further creative credits include movement by Leon Baugh, lighting by Jack Knowles and sound by Gareth Fry. Wares is associate director at the Young Vic and was previously Associate Director of the Royal Court from 2007-2013. Previous directorial credits include Wild Swans and Generations at the Young Vic, Sucker Punch, My Child and Credible Witness at the Royal Court, Random at the Royal Court and UK Tour, Trade at the Swan Theatre, Royal Shakespeare Company and Soho Theatre. Butler’s playwriting credits include Alison! A … Read more
Tom Scutt’s design is overwhelmingly attractive. Seductive blue and gold enhances the structures where the action occurs – a garishly compelling sense of Venice and Las Vegas: time and space are fused in the bauble land where Antonio and Shylock take their commercial risks. Greed and choice become the central focus here.