O’Neill’s play has lost none of its power or resonance. It still feels as shocking and new today as no doubt it did in 1922. Jones’ revelatory and evocative production is not just beautiful to look at, easy to follow and enthralling – it also reminds that the questions of oppression, disparity and injustice which concerned O’Neill then are still pertinent. The world may not turn to the tune of industrialists quite so much in the 21st Century, but there is still a clear, powerful and rich elite and workers whose lives are made hideous while the rich get richer.
Act Two is practically perfect. It starts with a fabulous number for the girls, Glorious, and it never looks back. It’s full of great music from Goodall and the range of styles he covers is significant. He uses Punjabi tunes effectively, there is a terrific solo for Jules’s mother, There She Goes, a melodious duet which is gentle and joyful, Bend It, then a stirring quintet and an overwhelmingly joyous piece which celebrates the wedding of Pinky and Teetu in contrapuntal tandem with the celebration of the football grand final win. By the time the second Act is over, the longeurs of the first have been brushed aside, and the infectious sense of harmony and happiness is irrepressible.