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REVIEW: Cow, Underbelly Cowgate, Edinburgh Festival ✭✭✭
HomeNews & ReviewsReviewREVIEW: Cow, Underbelly Cowgate, Edinburgh Festival ✭✭✭
Review 27 August 2017 · 1 min read · 254 words

REVIEW: Cow, Underbelly Cowgate, Edinburgh Festival ✭✭✭

Sharply written and winningly performed by Barker-Wren, Cow provides plenty of laughs and visually memorable moments, sometimes verging on unashamed silliness

CowEdinburgh FringeJessica-Barker WrenLucy WrayReviewsUnderbelly Cowgate

Jessica Baker Wren in Cow at Edinburgh Fringe Cow Underbelly Cowgate Three stars It is hard not to like a show featuring a large red cow. Like a modern-day fairytale, Jessica Barker-Wren and Lucy Wray’s engaging new one-woman play, Cow, tells us the story of Bethan, a young woman who has come to market to find a tractor for the family farm, with her best friend, Friendly the cow, in tow. It soon emerges that she fled Devon for a job in London but has been forced to return to help her father after the death of her mother. Played by the talented Jessica Barker-Wren, she takes us through her return home and the often funny encounters with people from her youth on her quest around Yeoford market. Bethan is a great character: smart, funny and – just like her bovine friend ostracised by the herd – very lonely. Occasionally breaking into song, Bethan tells us about her new life in Devon and the joys of corralling quails and wielding a chainsaw to cut up wood. Sharply written and winningly performed by Barker-Wren, the play provides plenty of laughs and visually memorable moments, sometimes verging on unashamed silliness, which contrasts with a sadness that hangs over Bethan. Directed by Lucy Wray, the drama moves towards a devastating climax which feels rather sudden and unexpectedly dark and gothic, but that does not detract too much from the pleasures of this rural tragicomedy and the delights of Barker-Wren’s somewhat bonkers Bethan. Running to August 27, 2017

Mark Ludmon
Mark Ludmon

Mark Ludmon has been a journalist for over 20 years, specialising in writing about theatre and the arts as well as bars, pubs and drink. He has been on the theatre judging panel for London’s Olivier Awards and has a masters degree in English literature, specialising in Elizabethan and Jacobean drama. He has an MA in theatre research, criticism and dramaturgy from the University of London’s Royal Central School of Speech & Drama. You can find him tweeting about theatre as @MarkLudmon and writing about theatre at markludmon.com.

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