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REVIEW: Ay Up Hitler, Space at Surgeon's Hall, Edinburgh Fringe ✭✭✭
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Review 18 August 2023 · 1 min read · 276 words

REVIEW: Ay Up Hitler, Space at Surgeon's Hall, Edinburgh Fringe ✭✭✭

Paul T Davies reviews Ay Up Hitler at Space at Surgeon's Hall as part of the Edinburgh Fringe.

Ay Up HitlerEdinburgh FringeEdinburgh Fringe ReviewsSpace at Surgeons Hall

Paul T Davies reviews Ay Up Hitler at Space at Surgeon's Hall as part of the Edinburgh Fringe.

Ay Up Hitler

Space at Surgeon's Hall, Edinburgh Fringe

3 Stars

Book Tickets

A conflicting experience this. Hitler and the main inner circle have escaped the Berlin Bunker and relocated to Yorkshire, where they try to fit in with the locals. They've also discovered the secret of eternal youth and must live forever. This outrageous concept satirises and warns of the rise of Nazism and Nationlism that we see today, and for that it hits it targets. But, once the concept is established, it feels like a revue sketch stretched far too long over its running time. The show is NOT pro-Nazi, but it contains some jokes that even Frankie Boyle wouldn't go near. But if you're not offended by Nazism you need to check your moral compass!

This is to take nothing away from the skilled cast. Playwright David McCullouch also appears as Goering, Hannah Cait-Harrison particularly strong as Trump, Marcus Churchill a cheerleading Goebbels and Michael Goodwin Grist camps it up as Himmler. Peter McCrohon is a dangerously likeable Hitler but skillfully lets the psychopath out.

But it drags horribly in the middle. There's a 1970s Christmas scene that feels unnecessary, and the constant encouragement to get the audience to chant Ay Up Hitler quickly loses its appeal. When Johnson and Trump turn up, things pick up, but even here it feels overplayed.

The satire is sharp in places and the saving grace is the final, chilling image. Although not my humour, it gave me much to consider but could have benefitted from a tighter running time.

Paul T Davies
Paul T Davies

Paul is a playwright, director, actor, academic, (he has a PhD from the University of East Anglia), teacher and theatre reviewer! His plays include Living with Luke, (UK tour 2016), Play Something, (Edinburgh Festival Fringe/Drayton Arms Theatre, London 2018), , (2019), and now The Miner’s Crow, which won the inaugural Artist’s Pick of the Fringe Award at the first ever Colchester Fringe Festival 2021. In lockdown 2020 he created the audio series Isolation Alan, available on Youtube, and performed online in the Voice Box Festival. He is the founder member of Stage Write, a Colchester based theatre company, and his acting roles include Rupert in How We Love by Annette Brook, first performed at the Vaults Festival 2020 and revived at the Arcola and at Theatre Peckham in 2021. Follow: @stagewrite_

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