CRITIC’S CHOICE – Mark Ludmon picks his highlights of 2019 critic Mark Ludmon looks back at his theatre highlights of 2019.

Equus review Theatre Rotal Stratford East
Zubin Varla (Martin Dysart), Ethan Kai (Alan Strang), Syreeta Kumar (Dora Strangehorse), Robert Fitch (Frank Strangehorse) in Equus. Photo: The Other Richard

EQUUS – UK tour

New life was breathed into Peter Shaffer’s modern classic, Equus, by director Ned Bennett, injecting it with a muscular physical energy with the help of movement director Shelley Maxwell. Ethan Kai was mesmerising as troubled teen Alan Strang alongside a beautifully nuanced performance by Zubin Varla as his psychiatrist. After starting at Theatre Royal Stratford East, English Touring Theatre took it around the country before ending up back in London at Trafalgar Studios.

Funny Girl review Theatre Marigny

FUNNY GIRL – Théâtre Marigny, Paris

British theatre folk can be found rat-tat-tat-tatting away on the Parisian stage in Funny Girl, which is playing at the historic Théâtre Marigny until 7 March 2020. English director and choreographer Stephen Mear captures the spectacle and exuberance of classic Broadway musicals in his new production, with a sensational performance by US star Christina Bianco as Fanny Brice alongside a British cast including Ashley Day as an elegant Nicky Arnstein.
Read Mark’s review.

Downstate review National Theatre
Francis Guinan (Fred), ensemble member Glenn Davis (Gio), Cecilia Noble (Ivy), Eddie Torres (Felix) and K. Todd Freeman (Dee) in Downstate. Photo: Michael Brosilow

DOWNSTATE – National Theatre, London

Bruce Norris successfully tackled the challenging topic of child abuse in his riveting, unforgettable play, Downstate, at the National Theatre in a co-production with Chicago’s Steppenwolf ensemble. Set in a group home for convicted paedophiles in Illinois, it made no excuses for the men but sensitively explored the self-delusion and lies that protect them from confronting the horror of the crimes they have committed. 

Operation Mincemeat New Diorama Theatre
Operation Mincemeat

OPERATION MINCEMEAT – New Diorama Theatre, London

New theatre company Spit Lip erupted onto the stage this year with their manic, musical re-telling of a bizarre real-life event of World War Two. In its first outing at London’s New Diorama Theatre, Operation Mincemeat may not have been perfect structurally yet, but its clever humour, talented cast and excellent tunes were irresistible, including a heart-breaking show-stopper sung by Jak Malone as Hester. Look out for it at Southwark Playhouse from 4 to 11 January 2020.

Bridge Theatre London
The Company. Photo: Manuel Harlan

A MIDSUMMER NIGHT’S DREAM – Bridge Theatre, London

Having seen many excellent and not-so-excellent productions of A Midsummer Night’s Dream, I was delighted with the genuinely fresh take on Shakespeare’s play by director Nicholas Hytner at London’s Bridge Theatre. With Arlene Phillips as movement director and a constantly shifting set by Bunny Christie, it filled the space with energy and spectacle. Hammed Animashaun was a brilliantly funny Bottom alongside the surprisingly effective switch of making him enamoured by Oliver Chris’s Oberon instead of Titania.

Are we not drawn onward to a new era Edinburgh Fringe

ARE WE NOT DRAWN ONWARD TO NEW ERA – Zoo Southside, Edinburgh Fringe

Belgian theatre collective Ontroerend Goed served up the wow factor in their ambitious show at this year’s Edinburgh Festival Fringe, called “Are we not drawn onward to new erA”. A departure from the more interactive theatre they are best known for, it was described as a theatrical “palindrome”, like its title, cleverly questioning humanity’s progress and its impact on the world around us.
Read Mark’s review.

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