REVIEW: The Height Of The Storm, Wyndham’s Theatre ✭✭✭✭
Paul T Davies reviews Florian Zeller’s The Height Of The Storm with Jonathan Pryce and Dame Eileen Atkins at the Wyndham’s Theatre.
Paul T Davies reviews Florian Zeller’s The Height Of The Storm with Jonathan Pryce and Dame Eileen Atkins at the Wyndham’s Theatre.
Paul T Davies reviews Alfred Molina and Alfred Enoch in John Logan’s play Red at the Wyndham’s Theatre.
Award-winning star of stage and screen Jonathan Pryce and three-time Olivier award-winning Dame Eileen Atkins are to star in Florian Zeller’s new play The Height Of The Storm on tour and then at London’s Wyndham’s Theatre.
O’Neill’s stonking piece of work is safe and in the care of visionary director Richard Eyre and a wonderful cast lead by the luminous Lesley Manville.
Full casting and USA dates are announced for Richard Eyre’s production of Long Day’s Journey Into Night at Wyndham’s Theatre. Book Now!
The first production from Elliot and Harper Productions, its Marianne Elliot’s first direction since her majestic Angels in America. Although the canvas is smaller, the questions are still big.
Following its sold out run as part of Bristol Old Vic’s 250th Anniversary season, Jeremy Irons and Lesley Manville reprise their roles in Richard Eyre’s acclaimed production of Eugene O’Neill’s Pulitzer prize-winning masterpiece, Long Day’s Journey Into Night. The Tyrones’ summer home, August 1912. Haunted by the past but unable to face the truth of the present, the Tyrones and their two sons test the bonds of a family caught in a cycle of love and resentment. As day turns to night and the family indulge in their vices, the truth unravels leaving behind a quartet of ruined lives. One of the UK’s leading and critically acclaimed actors, Academy, Golden Globe and Tony Award-winner, Jeremy Irons returns to the London stage for the first time in over ten years. He is joined by BAFTA and Olivier Award-winner Lesley Manville, one of Britain’s most respected actresses, who is reunited with director … Read more
Audra McDonald makes her unaccountably long-awaited London theatrical debut in the most astonishing way possible in this devastating re-telling of the story of Billie Holiday