Grimy drama Trashed comes to Edinburgh Festival 2017
Trashed is a grimy, booze-fuelled sucker punch of a play, bound to make you laugh until you cry.
Trashed is a grimy, booze-fuelled sucker punch of a play, bound to make you laugh until you cry.
In The B*easts, BAFTA award-winning actress Monica Dolan explores how far one mum will go to put what her child wants first.
Fresh from a five-star-sell-out run in 2016 and a Best Comedy Award-nominated tour of Australia, Tamara returns to the Edinburgh Festival with Get Ugly.
Internationally acclaimed, Fringe First winning Worklight Theatre, will present Fix at the Edinburgh Fringe Festival.
After taking Sydney Festival by storm earlier this year, the world-renowned Circa (Beyond, Wunderkammer, Closer) return to the Edinburgh Fringe with a striking new show – a stirring journey of what it means to be human, and how our bodies, connections and aspirations all form part of who we are. Here, ten acrobats question how much we can take as humans, exploring the physical limits of their bodies as they are pushed to the extreme. How much weight can we carry? Who can we trust to support our load? They lead us to reflect on our lives, our loved ones, the burdens we carry and the physical and emotional strength it takes to overcome them. Created by Circa’s Artistic Director, Yaron Lifschitz, the stage is stripped bare as the vulnerability of a team of highly skilled acrobats is exposed. Circa’s reputation for fearless, boundary-pushing new circus is borne out in … Read more
Fringe first-timers Gracefool Collective bring their show This Really Is Too Much to the Edinburgh Fringe Festival 2017.
After taking the 2015 Edinburgh Fringe by storm, Luke Wright’s What I Learned From Johnny Bevan returns to The Fringe for one week only from 21 – 27 August 2017 at Underbelly, Belly Button (Venue 61) at 12 noon each day. Wright’s play is a compelling, politically charged story encompassing shattered friendships, class and social ceilings, and The Labour Party’s battle for its soul. At university the whip-smart, mercurial Johnny Bevan saves Nick, smashing his comfortable middle class bubble and firing him up about politics, music and literature. Twenty years later, as their youthful dreams disintegrate alongside the social justice they hoped for, can Nick, now a jaded music journalist, save Johnny from himself? A gripping modern fable, What I Learned From Johnny Bevan strikes at the heart of British politics. Questioning the rise of of David Cameron’s brand of Conservatism and New Labour, this gripping story reflects the disillusionment … Read more
Alun Saunder’s beautiful script is not just bilingual, he also explores street language and bravado. Excellent direction and movement and a wonderful karaoke section allows the play to soar.
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