Tracie Bennett to host the West End Gala of the 12th Annual Stephen Sondheim Society Student Performer Of The Year and 11th Annual Stiles and Drewe Prize. The 2018 competition will be staged at the Savoy Theatre on Sunday 10 June at 3pm. Chris Hocking returns to direct the annual gala which is to be hosted by Tracie Bennett, directed by Chris Hocking, musical direction … Read more
Follies National Theatre, 8th September 2017 5 Stars Book Follies Tickets Folly is an interesting concept: it has fascinated the western mind all the way from Erasmus of Rotterdam’s philosphical contemplation, through the artificial landscaping constructions that adorn the estates of Stowe and Stourhead, Ermenonville and Versailles, to the variety entertainments of late 19th century Paris, and into the area which principally concerns this epic … Read more
Eastenders actor Jamie Foreman will play Arthur in the West End transfer of Mrs Henderson Presents opening at the Noel Coward Theatre on 9 February for a strictly limited season. Foreman joins the previously announced Tracie Bennett as Laura Henderson, Ian Bartholomew as Vivian Van Damm and Emma Williams as Maureen. Foreman is best known for playing Derek Branning in EastEnders, but his other credits … Read more
There was a charming mix of reverence and irreverence as well, making the audience feel specially entertained and complicit with the in-jokes. The warm up prelude, People Who Like Sondheim (performed with zing by Kit and McConnel) was good fun and the duo appeared throughout as a kind of Sondheim Statler and Waldorf with witty and barbed repartee. In the second Act though, one of the unarguable surprise sensations of the evening was a five minute romp through 33 Sondheim compositions, “Ladies and gentlemen may we have your attention please…” presented with real style and panache by Martin Milnes and Dominic Ferris. These cabaret contributions provided some much needed innovative content.
There is no doubt that Mrs Henderson Presents should transfer to the West End. The material is first-rate and superior to many new musicals that have played there in recent years. It will need a bigger orchestra (and, accordingly, bigger orchestrations) and it could do with some casting fine-tuning and a larger ensemble (another dozen dancers at least) so that a grander sense of scale was permitted. In Bath, it comes across as a superb chamber piece, perfectly suited to the gorgeous Theatre Royal. In the West End, its aim can be higher.