Sandy Foster

Breen squeezes every bit of comedic possibility from the play. The repertory company, so good in the dramatic and enthralling Oppenheimer, prove to be equally skilled in the bawdy comedy department. There are sly asides, vicious insults, dirty double entendres, rowdy gags, silly accent routines, fart jokes, catch-phrase jollity, physical comedy, costume comedy, sight gags, clowning – you name it, it can be found in Breen’s lucid, fast-moving and hugely enjoyable production.