The Phantom Of The Opera has returned to Her Majesty’s Theatre. Having watched from the sideline as the show’s two producers bickered about the future of Hal Prince’s acclaimed production, Douglas Mayo was keen to revisit the Phantom’s Lair at Her Majesty’s Theatre, London to see what had become of the “brilliant original”.
This week, we headed down to the West End to check out The Phantom of the Opera, which is still pulling in huge crowds 30 years since it opened. Here’s our top five reasons to join the millions who have seen it. 1. Set and staging The show is a visual feast, with Maria Björnson’s set design still inspiring awe after all these years. Whether … Read more
Although there are a few moments when the old girl creaks slightly, for the most part the staging feels contemporary and interest is snapped to attention right from the very start, when the slightly menacing words of the auctioneer herald the commencement of proceedings. The sequences in the Phantom’s lair, complete with boat, candles and ornate organ are almost hypnotic; tendrils of smoke wrap around the imagination, infusing the action and music with intrigue. Harriet Jones is beautiful, petite and alluring, exactly as Christine Daaé should be. Vocally, as the Phantom, Kieran Brown’s fine, high-baritone is silky, seductive, and powerful.