THROWBACK THURSDAY: Richard Mawbey of Wig Specialities
Richard Mawbey chatted to BritishTheatre.com this week to talk about his career and to get an insight into the world of theatrical wig-making.
Richard Mawbey chatted to BritishTheatre.com this week to talk about his career and to get an insight into the world of theatrical wig-making.
Julian Eaves reviews Andrew Lloyd Webber and Tim Rice’s Joseph And The Amazing Technicolor Dreamcoat now playing at the London Palladium. 5 Stars
Mark Ludmon reviews Guys and Dolls Live In Concert directed by Stephen Mear at the Royal Albert Hall.
Julian Eaves reviews Jessica Martin in Shirleymander about Lady Shirley Porter now playing at London’s Playground Theatre.
The Woman In White Charing Cross Theatre, 4th December 2017 5 Stars Book Now Who believes in ghosts? Everyone has their own story to tell with its own special particulars, and mine concerns a night some years ago, about the time that the original production of this musical was coming to the end of its run at the magnificent Palace theatre in the West End. I was cycling home from a night out in Southampton, crossing the Itchen valley down a long straight stretch of highway; it was cold, and clouds of fog and mist had rolled in from the Solent in opaque billows obscuring the way ahead and shrouding where I had come from in an impenetrable, silent, white wall of vapour. And there, down the centre of the road, wrapped only in a long, white nightdress, strode a woman, her long hair down and falling over her shoulders … Read more
As Privates On Parade celebrates its 40th anniversary, this brilliantly confidant and assured play has lost none of its relevance.
The remarkable company of Ballroom has been gathered together to present not so much as a production as a ‘happening’.
The key to all this is John Partridge’s iconic rendition of the complex, fascinating, physically and emotionally demanding role of Albin: an exercise in stagecraft of the highest order.
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