Prasanna Puwanarajah

The vision that Fall and Ronder and their team have for Dara is as grand and awesome as the Taj Mahal itself. Lindsay’s wonderful set uses the full length, breadth and height of the Lytleton’s vast space. A series of beautifully patterned screens is employed, moving in constantly changing configurations across and above the stage, giving a truly exotic sense to proceedings. The kaleidoscope of activity, images and designs is visually intoxicating.