REVIEW: Carmen Disruption, Almeida Theatre ✭✭✭✭

Carmen Disruption at the Almeida Theatre

At just over 90 minutes, this is a theatrical spectacle and tapestry as ethereal and vital as it is strange and incomprehensible. Simon Stephens throws those elements such as the destruction of community, the isolation of individuals, the globalisation and sterilisation of culture, the power of money and capitalist dreams, the despair that comes from non-intervention, together with the characters and some of the music and plot points from Bizet’s Carmen, into a blender, creating a dystopian present-day landscape where pretty much anything can and does happen. The poetic nuances fly through the writing such that return visits to see the production again are almost compulsory.

REVIEW: Bad Jews, St James Theatre ✭✭✭✭

Bad Jews at The St James Theatre, London

Harmon writes vicious dialogue fearlessly and with potent froth. The characters are clearly defined by their speech and each seems real, accessible – possibly someone you might know. There are several real surprises along the way and not much ends up as it first seems. It is a sharp, clever piece of writing.

REVIEW: Constellations, Samuel J Friedman Theatre ✭✭✭✭✭

Constellations starring Jake Gyllenhaall and Ruth Wilson

The acting is of the highest order. Every word, every pause, every gesture – all is precisely calibrated and thoughtfully designed to ensure maximum interest, a real involvement in the many disparate lives of these two intriguing characters. Jake Gyllenhaal proves to be entirely perfect as the ordinary bee-keeper, Roland. Ruth Wilson is very very funny, but also fragile and stern and unfair – whatever the situation requires, Wilson provides.

REVIEW: ‘Tis Pity She’s A Whore, Sam Wannamaker Theatre ✭✭✭✭

Tis Pity She's A Whore Review Sam Wannamaker Playhouse

If incest between siblings remains one of the great taboos (and the success of Games of Thrones may suggest otherwise) then, in this production, Longhurst runs with the view that Ford sought to make no moral judgments: Annabella and Giovanni are the tragic figures, consumed by the judgments of people concerned with self-interest and personal wealth than what is right or true.

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.