REVIEW: Pure Imagination, St James Theatre ✭✭✭

Giles Terera Interview

Bricusse’s output is so prodigious and so tuneful that only the tone deaf would not find lots of numbers here satisfying and delicious. Many will find something to enjoy in every song, and certainly Musical Director, Michael England, does a terrific job accompanying the singers with a six piece band (including England on piano) that does real justice to England’s arrangements. As ever, there could have been more strings to swell the underscoring, but that is a small quibble.

REVIEW: Of Thee I Sing, Royal Festival Hall ✭✭

Of Thee I Sing Royal Festival Hall

The comic performance of the night, and the source of most consistent pleasure, came from the very talented Tom Edden who made an acting masterclass out of the portrayal of the reluctant Vice President, Alexander Throttlebottom (is there a character in a Broadway musical with a better name?). Taking his cue from that name, Edden presented a neurotic, chaotic, frantic but ambitious, character: he stole every scene he was in and even some he was not in. Superb.

REVIEW: Duncton Wood, Union Theatre ✭✭✭✭

Duncton Wood review Union Theatre

Michael Strassen’s richly detailed, splendidly cast, and lovingly staged premiere production of Duncton Wood (music and lyrics from Mark Carroll, book by James Peries, adapted from Horwood’s book) is now playing at the Union Theatre. Strassen has first rate support from his entire creative team and each produce excellent work in the fulfilment of Strassen’s vision: Josh Sood as Musical Director, Jean Gray as Designer, Tim Deiling as Lighting Designer, Orchestrations from Michael England and Vocal Arrangements by David Steadman. Everyone here does exemplary work. The cast of 16 is exceptional and, with only one slight reservation, superbly and convincingly portrays the Duncton Wood moles.