Nadim Naaman and Bill Champion to lead cast of By Jeeves at Old Laundry Theatre

By Jeeves revival at Old Laundry Theatre starring Nadim Naaman and Bill Champion

  The Old Laundry Theatre have announced that their upcoming revival of Alan Ayckbourn and Andrew LLoyd Webber’s musica By Jeeves will star Bill Champion and Nadim Naaman. This will be Alan Ayckbourn’s first revival in over 20 years of this jocular musical – from Broadway to Bowness! Nadim Naamanwho will play Bertie Wooster is currently playing Raoul in the 30th anniversary cast of Lloyd Webber’s ThePhantom Of The Opera at Her Majesty’s Theatre. Other theatre credits include Anthony in Sweeney Todd at Harrington’s Pie and Mash Shop on Shaftesbury Avenue and Titanic in Toronto and Southwark Playhouse. Long-time Ayckbourn collaborator actor Bill Cgampion is to play the faitful, long-suffering man servant Jeeves. Bills other credits include Stephen Joseph Theatre, Broadway and West End including: Henceforward, A Chorus of Disapproval, Arrivals and Departures, Woman in Mind, Damsels in Distress Trilogy, Absurd Person Singular, Comic Potential; also Calendar Girls, Sunset Boulevard, … Read more

REVIEW: A Damsel In Distress, Chichester Festival Theatre ✭✭✭✭✭

A Damsel In Distress at Chichester Festival theatre

The cast, like a fine soufflé, is full of first rate choices and rises to the occasion in exactly the right way. The singing here is glorious. The Gershwins make a lot of demands upon singers and Williams ensures that every note is hit truly and that the froth and bubble in the music is given full release. The dance routines in Nice Work If You Can Get It, Stiff Upper Lip, I Can’t Be Bothered Now, French Pastry Walk and Fidgety Feet are effortlessly engaging, thrilling to watch. As you emerge from the auditorium, it is impossible not be cheery.

REVIEW: Assassins, Menier Chocolate Factory ✭✭✭✭✭

Assassins at the Menier Chocolate Factory starring Aaron Tveit

What is most impressive about Lloyd’s Assassins is the way it can walk the line between tragedy and farce, between opera and vaudeville, with integrity and precision. Chris Bailey’s quite wonderful choreography makes you feel exuberant and queasy at the same time. More than anything else, the emphasis here is on putting the Musical into Assassins.