While we may have no actual glass slippers or fairy godmother, this is a magical production full of laugh-out-loud humour and delightful songs – enough to satisfy the most demanding of the musical’s fans.
This is an intriguing and valuable revival with some very solid performances at its heart. I am not fully persuaded that this double-bill has earned a lasting niche in the repertory, but the performers make a persuasive and consistently attractive case for it.
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