This week Julian paid a visit to the London Theatre Workshop to take a look at You Tweet My Face Space. Once again, LTW hosts another outstanding event: this time, a Pre-Edinburgh Fringe preview of an original new comedy, written and produced by Tom Hartwell and directed by Lilac Yosiphon, starring ten recent graduates of Mountview Academy (BA Acting). The company they invited in, Boots … Read more
If tonight’s performance represents the future of British theatre then we are in very safe hands indeed. OK, so the story is about as substantial as the walls that kept toppling throughout the production. However, a beautiful score and some first-class performances showed that Amour really can be a labour of love. Now, where can I find a cast recording?
The cast, like a fine soufflé, is full of first rate choices and rises to the occasion in exactly the right way. The singing here is glorious. The Gershwins make a lot of demands upon singers and Williams ensures that every note is hit truly and that the froth and bubble in the music is given full release. The dance routines in Nice Work If You Can Get It, Stiff Upper Lip, I Can’t Be Bothered Now, French Pastry Walk and Fidgety Feet are effortlessly engaging, thrilling to watch. As you emerge from the auditorium, it is impossible not be cheery.