The National Theatre are bringing their acclaimed sell-out production of Stephen Sondheim and James Goldman’s Follies back in 2019.
Tag Archives | Janie Dee
Janie Dee is to star in the World Premiere of Torben Bett’s play Monogamy. The Monogamy UK Tour will be presented in Guildford, Aylesbury, York, Richmond, and at the Park Theatre London.
Follies National Theatre, 8th September 2017 5 Stars Book Follies Tickets Folly is an interesting concept: it has fascinated the western mind all the way from Erasmus of Rotterdam’s philosphical contemplation, through the artificial landscaping constructions that adorn the estates of Stowe and Stourhead, Ermenonville and Versailles, to the variety entertainments of late 19th century […]
Hand to God is a soul-cleansing experience – gleefully unburdening its audience of their suppressed hysteria, and leaving them to guiltily head for confession (or the theatre bar) to wash away their sins.
This was a delightful evening, bursting with talent at all points, and consistently enjoyable. It is good to be able to stand back sometimes and reflect on the detailed musical joys of these composers absent stage apparatus.
Following a critically acclaimed run on and off Broadway, Hand To God will open at London’s Vaudeville Theatre in early 2016. Hand To God will feature an all-star cast including Janie Dee, Neil Pearson, Harry Melling, Jemima Rooper and Kevin Mains. This new play is directed by Tony Award nominated Moritz von Stuelpnagel. Tony Award […]
Betts’ adaptation (re-imagining is perhaps more accurate) certainly tries to evoke the same effect Chekhov must have had on his original audiences. There is a robust modernity about the language which makes the situations and characters instantly understandable, relatable and recognisable. This comes at a real cost to the lyricism that Chekhov penned, but, in […]
The combination of sand, water, and romantic moon makes for a touching image towards the end of the play. It is beautifully lit by the talents of Charles Balfour and, for that one moment, it seems as though the shifting, gritty presence of the comatose sand has been worthwhile. Dominic Rowan’s rascally Sid is full […]