David Ives’ hit Broadway play Venus in Fur is to receive its West End premiere this autumn starring David Oakes and Natalie Dormer. For a strictly limited nine-week engagement, TRH Productions will present the two-hander at Theatre Royal Haymarket from October 6 to December 9, 2017. Venus In Fur tickets are on sale now. Natalie Dormer plays enigmatic actress Vanda Jordan who appears unannounced for an … Read more
For a 10 week trial, this production of Groundhog Day is as good or better than many shows I have seen this year. A West-end transfer must surely be on the cards and I’m sure Andy Karl would be up for a Broadway run. Just get down to the Old Vic asap to see this stunning show. Writing and production of this calibre must be seen!
Dreamgirls tickets are now on sale. The new production of the Tony Award-winning musical will open at London’s Savoy Theatre from 19 November 2016. Inspired by R&B music acts in 1960s America, Dreamgirls transports you to a revolutionary time in American music history. Dreamgirls charts the tumultuous journey of a young female singing trio, from Chicago, Illinois called ‘The Dreams’, as they learn the hard … Read more
Marber is not writing just about football. The play is fundamentally about notions of masculinity as well as about modern society. The trio represents a kind of football holy trinity – all connected, and representing father, son and spirit. Which of the trio fulfils which role is not always clear, sometimes shifts, and this is perhaps the most interesting aspect of Marber’s play. Calvin Demba is adept at displaying Jordan’s naivety as well as his darker, more complex side. Peter Wight is compelling as the sad, lonely, committed club man, Yates, whose life is entirely centred on the game and The Red Lion.
Watching David Leveaux’ stylish revival at the Donmar Warehouse, Closer seems not so much a play about people who don’t have children yet as a play about grown up children. Games, set-ups, lies, betrayals, revenge, secrets – the machinations of the four characters (who are the strangers who become lovers/lovers who become strangers) resemble schoolyard activities. Marber’s dialogue is sharp, ugly and vicious; it is often very funny too.