REVIEW: The Magic Flute, Arcola Theatre ✭✭✭
Tim Hochstrasser reviews Mozart’s The Magic Flute at the Arcola Theatre, London as part of Grimeborn 2022.
Tim Hochstrasser reviews Mozart’s The Magic Flute at the Arcola Theatre, London as part of Grimeborn 2022.
Tim Hochstrasser reviews Ethel Smyth’s comic opera The Boatswain’s Mate presented as part of Grimeborn at the Arcola Theatre, London.
Tim Hochstrasser reviews Carmen presented at Grimeborn Festival at the Arcola Theatre.
Tim Hochstrasser reviews the UK premiere of Black, the Clown presented as part of Grimeborn at the Arcola Theatre.
The evening was notable for reviving a work of genuine tuneful elegance and comic potential. The commitment and skill of the production overall makes you want to see the same company offer a fully staged run in a larger venue – and soon.
By continuing to use the site, you agree to the use of cookies. more information
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.