Nadia Fall has misunderstood the play and, by seeking to make her mark on it, has come dangerously close to obliterating its impact. Bad casting and bad direction, however, is not enough to completely scupper Wertenbaker’s great play. In the end, the magical words she wrote come through – overcoming lightweight performances, an indulgent set, too grand a space and some interesting, but tiresomely intrusive, music.
Tickets are now on sale for a West End revival of the song cycle Elegies For Angels, Punks and Raging Queens, taking place at the Criterion Theatre on Sunday 31 May 2015. More than 30 of the West End’s most talented performers will take to the stage for the special “one night only” performance in aid of The Make A Difference Trust, with direction by Stephen … Read more
In this production, the creative team and cast have clarified Jonathan Larson’s message. By returning to the Broadway roots, recreating the ambiance of the bohemian Alphabet City of the Nineties, and focussing on the narrative drive of the show, Rent becomes relevant. This is an admirable revival of a modern classic.